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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFBC1F it is the complementary color #0043E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFBC1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFBC1F shade: #FFBC1A, #FFCE2D, #FFE040, #FFF253 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFBC1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFBC1F shade: #FFBC1F, #EEAA0C, #DD9800, #CC8600 and #BB7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFBC1F shade: #FFBB1E, #FF7F1E, #FF421E and #FF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFBC1F shade: #FFBB1E, #FFF81E, #C9FF1E, #8CFF1E and #50FF1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFBC1F shade matches the following richer shades: #FFBB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFBC1F shade: #FFBB1E, #ECB430, #DAAD42, #C8A555 and #B69E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFBC1F shade: #FF441E, #FF7F1E, #FFBB1E, #FFF71E and #CAFF1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFBC1F shade: #CB8E00, #F4AB00, #FFBB1E, #FFC847 and #FFD471

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFBC1F shade: #FFBC1F, #35FF1E and #611EFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFBC1F shade: #FFBC1F, #1EFFBB and #BB1EFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFBC1F shade: #FFBC1F, #35FF1E, #1E61FF and #E81EFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFBC1F shade: #FFBC1F, #1EFF4B, #1E61FF and #FF1ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

Complementary color

CMYK 100 / 70 / 0 / 12

HEX #0043E0

RGB 0 67 224

HSL 222.05, 1%, 0.44%

LAB 36.74, 45.64, -82.93

 

CMYK 0 / 26 / 90 / 0

HEX #FFBC1A

RGB 255 188 26

HSL 42.45, 1%, 0.55%

LAB 80.35, 12.21, 79.3

 

CMYK 0 / 19 / 82 / 0

HEX #FFCE2D

RGB 255 206 45

HSL 46, 1%, 0.59%

LAB 84.79, 3.32, 78.47

 

CMYK 0 / 12 / 75 / 0

HEX #FFE040

RGB 255 224 64

HSL 50.26, 1%, 0.63%

LAB 89.37, -5.18, 76.81

 

CMYK 0 / 5 / 67 / 0

HEX #FFF253

RGB 255 242 83

HSL 55.47, 1%, 0.66%

LAB 94.05, -13.24, 74.68

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 0 / 29 / 95 / 7

HEX #EEAA0C

RGB 238 170 12

HSL 41.95, 0.9%, 0.49%

LAB 74.16, 14.2, 76.13

 

CMYK 0 / 31 / 100 / 13

HEX #DD9800

RGB 221 152 0

HSL 41.27, 1%, 0.43%

LAB 67.89, 16.32, 72.37

 

CMYK 0 / 34 / 100 / 20

HEX #CC8600

RGB 204 134 0

HSL 39.41, 1%, 0.4%

LAB 61.56, 18.63, 67.19

 

CMYK 0 / 38 / 100 / 27

HEX #BB7400

RGB 187 116 0

HSL 37.22, 1%, 0.37%

LAB 55.13, 21.03, 61.96

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 50 / 88 / 0

HEX #FF7F1E

RGB 255 127 30

HSL 25.87, 1%, 0.56%

LAB 66.92, 43.66, 68.18

 

CMYK 0 / 74 / 88 / 0

HEX #FF421E

RGB 255 66 30

HSL 9.6, 1%, 0.56%

LAB 57.32, 69.06, 60.98

 

CMYK 0 / 88 / 88 / 0

HEX #FF1E1E

RGB 255 30 30

HSL 0, 1%, 0.56%

LAB 54.33, 77.53, 58.78

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 3 / 88 / 0

HEX #FFF81E

RGB 255 248 30

HSL 58.13, 1%, 0.56%

LAB 95.37, -17.9, 90.22

 

CMYK 21 / 0 / 88 / 0

HEX #C9FF1E

RGB 201 255 30

HSL 74.4, 1%, 0.56%

LAB 93.46, -42.72, 87.11

 

CMYK 45 / 0 / 88 / 0

HEX #8CFF1E

RGB 140 255 30

HSL 90.67, 1%, 0.56%

LAB 90.41, -63.8, 83.34

 

CMYK 69 / 0 / 88 / 0

HEX #50FF1E

RGB 80 255 30

HSL 106.67, 1%, 0.56%

LAB 88.6, -78.36, 81.09

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 24 / 80 / 7

HEX #ECB430

RGB 236 180 48

HSL 42.13, 0.83%, 0.56%

LAB 76.49, 8.82, 69.63

 

CMYK 0 / 21 / 70 / 15

HEX #DAAD42

RGB 218 173 66

HSL 42.24, 0.67%, 0.56%

LAB 73.01, 5.55, 58.9

 

CMYK 0 / 18 / 58 / 22

HEX #C8A555

RGB 200 165 85

HSL 41.74, 0.51%, 0.56%

LAB 69.36, 3.34, 45.67

 

CMYK 0 / 13 / 43 / 29

HEX #B69E67

RGB 182 158 103

HSL 41.77, 0.35%, 0.56%

LAB 66.04, 1.19, 31.95

 

CMYK 0 / 73 / 88 / 0

HEX #FF441E

RGB 255 68 30

HSL 10.13, 1%, 0.56%

LAB 57.55, 68.42, 61.14

 

CMYK 0 / 50 / 88 / 0

HEX #FF7F1E

RGB 255 127 30

HSL 25.87, 1%, 0.56%

LAB 66.92, 43.66, 68.18

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 3 / 88 / 0

HEX #FFF71E

RGB 255 247 30

HSL 57.87, 1%, 0.56%

LAB 95.11, -17.42, 90.02

 

CMYK 21 / 0 / 88 / 0

HEX #CAFF1E

RGB 202 255 30

HSL 74.13, 1%, 0.56%

LAB 93.52, -42.33, 87.19

 

CMYK 0 / 30 / 100 / 20

HEX #CB8E00

RGB 203 142 0

HSL 41.97, 1%, 0.4%

LAB 63.38, 13.84, 68.35

 

CMYK 0 / 30 / 100 / 4

HEX #F4AB00

RGB 244 171 0

HSL 42.05, 1%, 0.48%

LAB 75.05, 16.14, 78.42

 

CMYK 0 / 27 / 88 / 0

HEX #FFBB1E

RGB 255 187 30

HSL 41.87, 1%, 0.56%

LAB 80.12, 12.8, 78.32

 

CMYK 0 / 22 / 72 / 0

HEX #FFC847

RGB 255 200 71

HSL 42.07, 1%, 0.64%

LAB 83.45, 7.34, 68.63

 

CMYK 0 / 17 / 56 / 0

HEX #FFD471

RGB 255 212 113

HSL 41.83, 1%, 0.72%

LAB 86.77, 3.7, 53.95

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 79 / 0 / 88 / 0

HEX #35FF1E

RGB 53 255 30

HSL 113.87, 1%, 0.56%

LAB 88.15, -82.31, 80.52

 

CMYK 62 / 88 / 0 / 0

HEX #611EFF

RGB 97 30 255

HSL 257.87, 1%, 0.56%

LAB 39.05, 76.27, -96.48

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 27 / 88 / 0 / 0

HEX #BB1EFF

RGB 187 30 255

HSL 281.87, 1%, 0.56%

LAB 50.35, 85.58, -77.49

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 79 / 0 / 88 / 0

HEX #35FF1E

RGB 53 255 30

HSL 113.87, 1%, 0.56%

LAB 88.15, -82.31, 80.52

 

CMYK 88 / 62 / 0 / 0

HEX #1E61FF

RGB 30 97 255

HSL 222.13, 1%, 0.56%

LAB 47.03, 39.25, -83.43

 

CMYK 9 / 88 / 0 / 0

HEX #E81EFF

RGB 232 30 255

HSL 293.87, 1%, 0.56%

LAB 57.37, 92.14, -65.78

 

CMYK 0 / 26 / 88 / 0

HEX #FFBC1F

RGB 255 188 31

HSL 42.05, 1%, 0.56%

LAB 80.36, 12.3, 78.29

 

CMYK 88 / 0 / 71 / 0

HEX #1EFF4B

RGB 30 255 75

HSL 132, 1%, 0.56%

LAB 88.11, -81.84, 68.47

 

CMYK 88 / 62 / 0 / 0

HEX #1E61FF

RGB 30 97 255

HSL 222.13, 1%, 0.56%

LAB 47.03, 39.25, -83.43

 

CMYK 0 / 88 / 18 / 0

HEX #FF1ED2

RGB 255 30 210

HSL 312, 1%, 0.56%

LAB 58.83, 89.88, -37.95

 

Description

Color code: HEX #FFBC1F | qconv.com Color code: HEX #FFBC1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 188 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 188 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 88 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 88% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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