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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFBB2B it is the complementary color #0044D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFBB2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFBB2B shade: #FFBB26, #FFCD39, #FFDF4C, #FFF15F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFBB2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFBB2B shade: #FFBB2B, #EEA918, #DD9705, #CC8500 and #BB7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFBB2B shade: #FFBA28, #FF8028, #FF4628 and #FF2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFBB2B shade: #FFBA28, #FFF428, #D0FF28, #96FF28 and #5CFF28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFBB2B shade matches the following richer shades: #FFBA28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFBB2B shade: #FFBA28, #EDB43A, #DCAD4B, #CBA75C and #B9A16E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFBB2B shade: #FF4528, #FF7E28, #FFB728, #FFF028 and #D4FF28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFBB2B shade: #D59000, #FEAC00, #FFBA28, #FFC752 and #FFD47B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFBB2B shade: #FFBB2B, #45FF28 and #6128FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFBB2B shade: #FFBB2B, #28FFB7 and #B728FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFBB2B shade: #FFBB2B, #45FF28, #2870FF and #E228FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFBB2B shade: #FFBB2B, #28FF4C, #2870FF and #FF28DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

Complementary color

CMYK 100 / 68 / 0 / 17

HEX #0044D4

RGB 0 68 212

HSL 220.75, 1%, 0.42%

LAB 35.77, 40.61, -77.64

 

CMYK 0 / 27 / 85 / 0

HEX #FFBB26

RGB 255 187 38

HSL 41.2, 1%, 0.57%

LAB 80.15, 12.96, 76.46

 

CMYK 0 / 20 / 78 / 0

HEX #FFCD39

RGB 255 205 57

HSL 44.85, 1%, 0.61%

LAB 84.6, 4.21, 74.72

 

CMYK 0 / 13 / 70 / 0

HEX #FFDF4C

RGB 255 223 76

HSL 49.27, 1%, 0.65%

LAB 89.19, -4.16, 72.42

 

CMYK 0 / 5 / 63 / 0

HEX #FFF15F

RGB 255 241 95

HSL 54.75, 1%, 0.69%

LAB 93.88, -12.08, 69.84

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

CMYK 0 / 29 / 90 / 7

HEX #EEA918

RGB 238 169 24

HSL 40.65, 0.86%, 0.51%

LAB 73.95, 14.89, 74.02

 

CMYK 0 / 32 / 98 / 13

HEX #DD9705

RGB 221 151 5

HSL 40.56, 0.96%, 0.44%

LAB 67.66, 16.91, 71.55

 

CMYK 0 / 35 / 100 / 20

HEX #CC8500

RGB 204 133 0

HSL 39.12, 1%, 0.4%

LAB 61.32, 19.18, 67.04

 

CMYK 0 / 39 / 100 / 27

HEX #BB7300

RGB 187 115 0

HSL 36.9, 1%, 0.37%

LAB 54.89, 21.58, 61.8

 

CMYK 0 / 27 / 84 / 0

HEX #FFBA28

RGB 255 186 40

HSL 40.74, 1%, 0.58%

LAB 79.92, 13.53, 75.74

 

CMYK 0 / 50 / 84 / 0

HEX #FF8028

RGB 255 128 40

HSL 24.56, 1%, 0.58%

LAB 67.17, 43.38, 65.14

 

CMYK 0 / 73 / 84 / 0

HEX #FF4628

RGB 255 70 40

HSL 8.37, 1%, 0.58%

LAB 57.84, 67.96, 57.27

 

CMYK 0 / 84 / 84 / 0

HEX #FF2828

RGB 255 40 40

HSL 0, 1%, 0.58%

LAB 55, 75.95, 54.84

 

CMYK 0 / 27 / 84 / 0

HEX #FFBA28

RGB 255 186 40

HSL 40.74, 1%, 0.58%

LAB 79.92, 13.53, 75.74

 

CMYK 0 / 4 / 84 / 0

HEX #FFF428

RGB 255 244 40

HSL 56.93, 1%, 0.58%

LAB 94.36, -15.77, 87.61

 

CMYK 18 / 0 / 84 / 0

HEX #D0FF28

RGB 208 255 40

HSL 73.12, 1%, 0.58%

LAB 93.92, -39.79, 85.87

 

CMYK 41 / 0 / 84 / 0

HEX #96FF28

RGB 150 255 40

HSL 89.3, 1%, 0.58%

LAB 90.85, -60.41, 82.03

 

CMYK 64 / 0 / 84 / 0

HEX #5CFF28

RGB 92 255 40

HSL 105.49, 1%, 0.58%

LAB 88.9, -75.72, 79.57

 

CMYK 0 / 27 / 84 / 0

HEX #FFBA28

RGB 255 186 40

HSL 40.74, 1%, 0.58%

LAB 79.92, 13.53, 75.74

 

CMYK 0 / 27 / 84 / 0

HEX #FFBA28

RGB 255 186 40

HSL 40.74, 1%, 0.58%

LAB 79.92, 13.53, 75.74

 

CMYK 0 / 24 / 76 / 7

HEX #EDB43A

RGB 237 180 58

HSL 40.89, 0.83%, 0.58%

LAB 76.65, 9.61, 66.32

 

CMYK 0 / 21 / 66 / 14

HEX #DCAD4B

RGB 220 173 75

HSL 40.55, 0.67%, 0.58%

LAB 73.29, 6.91, 55.34

 

CMYK 0 / 18 / 55 / 20

HEX #CBA75C

RGB 203 167 92

HSL 40.54, 0.52%, 0.58%

LAB 70.25, 4.1, 43.32

 

CMYK 0 / 13 / 41 / 27

HEX #B9A16E

RGB 185 161 110

HSL 40.8, 0.35%, 0.58%

LAB 67.22, 1.58, 29.79

 

CMYK 0 / 73 / 84 / 0

HEX #FF4528

RGB 255 69 40

HSL 8.09, 1%, 0.58%

LAB 57.72, 68.29, 57.17

 

CMYK 0 / 51 / 84 / 0

HEX #FF7E28

RGB 255 126 40

HSL 24, 1%, 0.58%

LAB 66.78, 44.36, 64.82

 

CMYK 0 / 28 / 84 / 0

HEX #FFB728

RGB 255 183 40

HSL 39.91, 1%, 0.58%

LAB 79.2, 15.1, 75.15

 

CMYK 0 / 6 / 84 / 0

HEX #FFF028

RGB 255 240 40

HSL 55.81, 1%, 0.58%

LAB 93.33, -13.83, 86.77

 

CMYK 17 / 0 / 84 / 0

HEX #D4FF28

RGB 212 255 40

HSL 72, 1%, 0.58%

LAB 94.17, -38.25, 86.18

 

CMYK 0 / 32 / 100 / 16

HEX #D59000

RGB 213 144 0

HSL 40.56, 1%, 0.42%

LAB 65.04, 17.15, 70.02

 

CMYK 0 / 32 / 100 / 0

HEX #FEAC00

RGB 254 172 0

HSL 40.63, 1%, 0.5%

LAB 76.42, 19.86, 79.88

 

CMYK 0 / 27 / 84 / 0

HEX #FFBA28

RGB 255 186 40

HSL 40.74, 1%, 0.58%

LAB 79.92, 13.53, 75.74

 

CMYK 0 / 22 / 68 / 0

HEX #FFC752

RGB 255 199 82

HSL 40.58, 1%, 0.66%

LAB 83.29, 8.39, 64.01

 

CMYK 0 / 17 / 52 / 0

HEX #FFD47B

RGB 255 212 123

HSL 40.45, 1%, 0.74%

LAB 86.89, 4.5, 49.3

 

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

CMYK 73 / 0 / 84 / 0

HEX #45FF28

RGB 69 255 40

HSL 111.91, 1%, 0.58%

LAB 88.42, -79.82, 78.96

 

CMYK 62 / 84 / 0 / 0

HEX #6128FF

RGB 97 40 255

HSL 255.91, 1%, 0.58%

LAB 40.05, 73.3, -94.84

 

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

CMYK 84 / 0 / 28 / 0

HEX #28FFB7

RGB 40 255 183

HSL 159.91, 1%, 0.58%

LAB 89.58, -64.84, 20.87

 

CMYK 28 / 84 / 0 / 0

HEX #B728FF

RGB 183 40 255

HSL 279.91, 1%, 0.58%

LAB 50.46, 82.97, -77.34

 

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

CMYK 73 / 0 / 84 / 0

HEX #45FF28

RGB 69 255 40

HSL 111.91, 1%, 0.58%

LAB 88.42, -79.82, 78.96

 

CMYK 84 / 56 / 0 / 0

HEX #2870FF

RGB 40 112 255

HSL 219.91, 1%, 0.58%

LAB 50.99, 30.41, -76.96

 

CMYK 11 / 84 / 0 / 0

HEX #E228FF

RGB 226 40 255

HSL 291.91, 1%, 0.58%

LAB 56.98, 89.51, -66.46

 

CMYK 0 / 27 / 83 / 0

HEX #FFBB2B

RGB 255 187 43

HSL 40.75, 1%, 0.58%

LAB 80.17, 13.09, 75.12

 

CMYK 84 / 0 / 70 / 0

HEX #28FF4C

RGB 40 255 76

HSL 130.05, 1%, 0.58%

LAB 88.21, -81.01, 68.24

 

CMYK 84 / 56 / 0 / 0

HEX #2870FF

RGB 40 112 255

HSL 219.91, 1%, 0.58%

LAB 50.99, 30.41, -76.96

 

CMYK 0 / 84 / 14 / 0

HEX #FF28DB

RGB 255 40 219

HSL 310.05, 1%, 0.58%

LAB 59.79, 89.43, -41.54

 

Description

Color code: HEX #FFBB2B | qconv.com Color code: HEX #FFBB2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 187 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 187 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 83 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 83% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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