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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFB0A3 it is the complementary color #004F5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFB0A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFB0A3 shade: #FFB09E, #FFC2B1, #FFD4C4, #FFE6D7 and #FFF8EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFB0A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFB0A3 shade: #FFB0A3, #EE9E90, #DD8C7D, #CC7A6A and #BB6857

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFB0A3 shade: #FFB0A3 and #FFA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFB0A3 shade: #FFB0A3, #FFC8A3, #FFE1A3, #FFFAA3 and #EAFFA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFB0A3 shade matches the following richer shades: #FFB0A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFB0A3 shade: #FFB0A3, #F7B5AA, #F0BAB2, #E8C0B9 and #E1C5C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFB0A3 shade: #FFA3C7, #FFA3AF, #FFAFA3, #FFC7A3 and #FFE0A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFB0A3 shade: #FF6950, #FF8C79, #FFB0A3, #FFD3CC and #FFF7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFB0A3 shade: #FFB0A3, #E0FFA3 and #A3BBFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFB0A3 shade: #FFB0A3, #A3FFAF and #AFA3FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFB0A3 shade: #FFB0A3, #E0FFA3, #A3F2FF and #C1A3FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFB0A3 shade: #FFB0A3, #C4FFA3, #A3F2FF and #DDA3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

Complementary color

CMYK 100 / 14 / 0 / 64

HEX #004F5C

RGB 0 79 92

HSL 188.48, 1%, 0.18%

LAB 30.31, -15.75, -13.59

 

CMYK 0 / 31 / 38 / 0

HEX #FFB09E

RGB 255 176 158

HSL 11.13, 1%, 0.81%

LAB 78.91, 26.69, 20.88

 

CMYK 0 / 24 / 31 / 0

HEX #FFC2B1

RGB 255 194 177

HSL 13.08, 1%, 0.85%

LAB 83.45, 19.54, 17.01

 

CMYK 0 / 17 / 23 / 0

HEX #FFD4C4

RGB 255 212 196

HSL 16.27, 1%, 0.88%

LAB 88.13, 12.69, 13.54

 

CMYK 0 / 10 / 16 / 0

HEX #FFE6D7

RGB 255 230 215

HSL 22.5, 1%, 0.92%

LAB 92.91, 6.17, 10.4

 

CMYK 0 / 3 / 8 / 0

HEX #FFF8EA

RGB 255 248 234

HSL 40, 1%, 0.96%

LAB 97.77, -0.01, 7.54

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 34 / 39 / 7

HEX #EE9E90

RGB 238 158 144

HSL 8.94, 0.73%, 0.75%

LAB 72.66, 28.16, 19.56

 

CMYK 0 / 37 / 43 / 13

HEX #DD8C7D

RGB 221 140 125

HSL 9.38, 0.59%, 0.68%

LAB 66.22, 29.14, 20.92

 

CMYK 0 / 40 / 48 / 20

HEX #CC7A6A

RGB 204 122 106

HSL 9.8, 0.49%, 0.61%

LAB 59.7, 30.23, 22.44

 

CMYK 0 / 44 / 53 / 27

HEX #BB6857

RGB 187 104 87

HSL 10.2, 0.42%, 0.54%

LAB 53.12, 31.43, 24.17

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 36 / 36 / 0

HEX #FFA3A3

RGB 255 163 163

HSL 0, 1%, 0.82%

LAB 76.13, 34.05, 14.29

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 22 / 36 / 0

HEX #FFC8A3

RGB 255 200 163

HSL 24.13, 1%, 0.82%

LAB 84.59, 14.7, 25.99

 

CMYK 0 / 12 / 36 / 0

HEX #FFE1A3

RGB 255 225 163

HSL 40.43, 1%, 0.82%

LAB 90.67, 1.8, 34.15

 

CMYK 0 / 2 / 36 / 0

HEX #FFFAA3

RGB 255 250 163

HSL 56.74, 1%, 0.82%

LAB 96.93, -10.72, 42.35

 

CMYK 8 / 0 / 36 / 0

HEX #EAFFA3

RGB 234 255 163

HSL 73.7, 1%, 0.82%

LAB 96.68, -20.99, 41.72

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 27 / 31 / 3

HEX #F7B5AA

RGB 247 181 170

HSL 8.57, 0.83%, 0.82%

LAB 79.46, 22.5, 15.04

 

CMYK 0 / 23 / 26 / 6

HEX #F0BAB2

RGB 240 186 178

HSL 7.74, 0.67%, 0.82%

LAB 80.1, 18.31, 11.54

 

CMYK 0 / 17 / 20 / 9

HEX #E8C0B9

RGB 232 192 185

HSL 8.94, 0.51%, 0.82%

LAB 80.94, 13.18, 8.87

 

CMYK 0 / 12 / 15 / 12

HEX #E1C5C0

RGB 225 197 192

HSL 9.09, 0.35%, 0.82%

LAB 81.7, 9.06, 6.13

 

CMYK 0 / 36 / 22 / 0

HEX #FFA3C7

RGB 255 163 199

HSL 336.52, 1%, 0.82%

LAB 77.03, 38.73, -4.1

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3AF

RGB 255 163 175

HSL 352.17, 1%, 0.82%

LAB 76.41, 35.51, 8.12

 

CMYK 0 / 31 / 36 / 0

HEX #FFAFA3

RGB 255 175 163

HSL 7.83, 1%, 0.82%

LAB 78.79, 27.79, 18.01

 

CMYK 0 / 22 / 36 / 0

HEX #FFC7A3

RGB 255 199 163

HSL 23.48, 1%, 0.82%

LAB 84.36, 15.23, 25.67

 

CMYK 0 / 12 / 36 / 0

HEX #FFE0A3

RGB 255 224 163

HSL 39.78, 1%, 0.82%

LAB 90.42, 2.31, 33.82

 

CMYK 0 / 59 / 69 / 0

HEX #FF6950

RGB 255 105 80

HSL 8.57, 1%, 0.66%

LAB 63.3, 55.66, 42.9

 

CMYK 0 / 45 / 53 / 0

HEX #FF8C79

RGB 255 140 121

HSL 8.51, 1%, 0.74%

LAB 70.45, 41.65, 29.55

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 17 / 20 / 0

HEX #FFD3CC

RGB 255 211 204

HSL 8.24, 1%, 0.9%

LAB 88.07, 14.35, 9.24

 

CMYK 0 / 3 / 4 / 0

HEX #FFF7F5

RGB 255 247 245

HSL 12, 1%, 0.98%

LAB 97.78, 2.33, 1.9

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 12 / 0 / 36 / 0

HEX #E0FFA3

RGB 224 255 163

HSL 80.22, 1%, 0.82%

LAB 96, -24.64, 40.71

 

CMYK 36 / 27 / 0 / 0

HEX #A3BBFF

RGB 163 187 255

HSL 224.35, 1%, 0.82%

LAB 76.4, 7.81, -36.17

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 36 / 0 / 31 / 0

HEX #A3FFAF

RGB 163 255 175

HSL 127.83, 1%, 0.82%

LAB 92.75, -43.2, 29.81

 

CMYK 31 / 36 / 0 / 0

HEX #AFA3FF

RGB 175 163 255

HSL 247.83, 1%, 0.82%

LAB 71.23, 24.44, -44.16

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 12 / 0 / 36 / 0

HEX #E0FFA3

RGB 224 255 163

HSL 80.22, 1%, 0.82%

LAB 96, -24.64, 40.71

 

CMYK 36 / 5 / 0 / 0

HEX #A3F2FF

RGB 163 242 255

HSL 188.48, 1%, 0.82%

LAB 91.01, -20.96, -13.93

 

CMYK 24 / 36 / 0 / 0

HEX #C1A3FF

RGB 193 163 255

HSL 259.57, 1%, 0.82%

LAB 72.73, 29.46, -41.71

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 23 / 0 / 36 / 0

HEX #C4FFA3

RGB 196 255 163

HSL 98.48, 1%, 0.82%

LAB 94.27, -34.48, 38.12

 

CMYK 36 / 5 / 0 / 0

HEX #A3F2FF

RGB 163 242 255

HSL 188.48, 1%, 0.82%

LAB 91.01, -20.96, -13.93

 

CMYK 13 / 36 / 0 / 0

HEX #DDA3FF

RGB 221 163 255

HSL 277.83, 1%, 0.82%

LAB 75.32, 37.59, -37.49

 

Description

Color code: HEX #FFB0A3 | qconv.com Color code: HEX #FFB0A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 176 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 176 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 36 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 36% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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