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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF9767 it is the complementary color #006898. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF9767. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF9767 shade: #FF9762, #FFA975, #FFBB88, #FFCD9B and #FFDFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF9767. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF9767 shade: #FF9767, #EE8554, #DD7341, #CC612E and #BB4F1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF9767 shade: #FF9665, #FF6D65 and #FF6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF9767 shade: #FF9665, #FFBF65, #FFE865, #EBFF65 and #C2FF65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF9767 shade matches the following richer shades: #FF9665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF9767 shade: #FF9665, #F29A72, #E69F7E, #D9A38B and #CDA897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF9767 shade: #FF6589, #FF6B65, #FF9365, #FFBC65 and #FFE565

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF9767 shade: #FF5D13, #FF7A3C, #FF9665, #FFB28F and #FFCEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF9767 shade: #FF9767, #B2FF65 and #6575FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF9767 shade: #FF9767, #65FF93 and #9365FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF9767 shade: #FF9767, #B2FF65, #65D1FF and #B265FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF9767 shade: #FF9767, #84FF65, #65D1FF and #E065FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

Complementary color

CMYK 100 / 32 / 0 / 40

HEX #006898

RGB 0 104 152

HSL 198.95, 1%, 0.3%

LAB 41.48, -6.96, -33.16

 

CMYK 0 / 41 / 62 / 0

HEX #FF9762

RGB 255 151 98

HSL 20.25, 1%, 0.69%

LAB 72.41, 34.33, 44.26

 

CMYK 0 / 34 / 54 / 0

HEX #FFA975

RGB 255 169 117

HSL 22.61, 1%, 0.73%

LAB 76.63, 26.38, 39.63

 

CMYK 0 / 27 / 47 / 0

HEX #FFBB88

RGB 255 187 136

HSL 25.71, 1%, 0.77%

LAB 81.06, 18.64, 35.41

 

CMYK 0 / 20 / 39 / 0

HEX #FFCD9B

RGB 255 205 155

HSL 30, 1%, 0.8%

LAB 85.65, 11.2, 31.59

 

CMYK 0 / 13 / 32 / 0

HEX #FFDFAE

RGB 255 223 174

HSL 36.3, 1%, 0.84%

LAB 90.36, 4.12, 28.11

 

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

CMYK 0 / 44 / 65 / 7

HEX #EE8554

RGB 238 133 84

HSL 19.09, 0.82%, 0.63%

LAB 66.21, 36.07, 43.58

 

CMYK 0 / 48 / 71 / 13

HEX #DD7341

RGB 221 115 65

HSL 19.23, 0.7%, 0.56%

LAB 59.9, 37.6, 45.51

 

CMYK 0 / 52 / 77 / 20

HEX #CC612E

RGB 204 97 46

HSL 19.37, 0.63%, 0.49%

LAB 53.58, 39.25, 47.47

 

CMYK 0 / 58 / 86 / 27

HEX #BB4F1B

RGB 187 79 27

HSL 19.5, 0.75%, 0.42%

LAB 47.28, 40.99, 49.16

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 57 / 60 / 0

HEX #FF6D65

RGB 255 109 101

HSL 3.12, 1%, 0.7%

LAB 64.27, 55.08, 32.59

 

CMYK 0 / 60 / 60 / 0

HEX #FF6565

RGB 255 101 101

HSL 0, 1%, 0.7%

LAB 62.93, 58.61, 30.88

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 25 / 60 / 0

HEX #FFBF65

RGB 255 191 101

HSL 35.06, 1%, 0.7%

LAB 81.54, 13.69, 53.53

 

CMYK 0 / 9 / 60 / 0

HEX #FFE865

RGB 255 232 101

HSL 51.04, 1%, 0.7%

LAB 91.65, -7.26, 64.92

 

CMYK 8 / 0 / 60 / 0

HEX #EBFF65

RGB 235 255 101

HSL 67.79, 1%, 0.7%

LAB 96.05, -26.39, 69.28

 

CMYK 24 / 0 / 60 / 0

HEX #C2FF65

RGB 194 255 101

HSL 83.77, 1%, 0.7%

LAB 93.42, -41.87, 65.65

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 36 / 53 / 5

HEX #F29A72

RGB 242 154 114

HSL 18.75, 0.83%, 0.7%

LAB 71.69, 28.87, 34.62

 

CMYK 0 / 31 / 45 / 10

HEX #E69F7E

RGB 230 159 126

HSL 19.04, 0.68%, 0.7%

LAB 71.64, 22.61, 27.84

 

CMYK 0 / 25 / 36 / 15

HEX #D9A38B

RGB 217 163 139

HSL 18.46, 0.51%, 0.7%

LAB 71.43, 16.78, 20.24

 

CMYK 0 / 18 / 26 / 20

HEX #CDA897

RGB 205 168 151

HSL 18.89, 0.35%, 0.7%

LAB 71.7, 10.99, 13.87

 

CMYK 0 / 60 / 46 / 0

HEX #FF6589

RGB 255 101 137

HSL 345.97, 1%, 0.7%

LAB 63.65, 61.4, 11.28

 

CMYK 0 / 58 / 60 / 0

HEX #FF6B65

RGB 255 107 101

HSL 2.34, 1%, 0.7%

LAB 63.93, 55.98, 32.16

 

CMYK 0 / 42 / 60 / 0

HEX #FF9365

RGB 255 147 101

HSL 17.92, 1%, 0.7%

LAB 71.6, 36.59, 41.72

 

CMYK 0 / 26 / 60 / 0

HEX #FFBC65

RGB 255 188 101

HSL 33.9, 1%, 0.7%

LAB 80.83, 15.26, 52.71

 

CMYK 0 / 10 / 60 / 0

HEX #FFE565

RGB 255 229 101

HSL 49.87, 1%, 0.7%

LAB 90.89, -5.76, 64.09

 

CMYK 0 / 64 / 93 / 0

HEX #FF5D13

RGB 255 93 19

HSL 18.81, 1%, 0.54%

LAB 60.9, 59.01, 66.92

 

CMYK 0 / 52 / 76 / 0

HEX #FF7A3C

RGB 255 122 60

HSL 19.08, 1%, 0.62%

LAB 66.14, 46.91, 55.99

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 30 / 44 / 0

HEX #FFB28F

RGB 255 178 143

HSL 18.75, 1%, 0.78%

LAB 79.09, 24.04, 29.14

 

CMYK 0 / 19 / 28 / 0

HEX #FFCEB8

RGB 255 206 184

HSL 18.59, 1%, 0.86%

LAB 86.44, 14.18, 17.48

 

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

CMYK 30 / 0 / 60 / 0

HEX #B2FF65

RGB 178 255 101

HSL 90, 1%, 0.7%

LAB 92.54, -47.52, 64.43

 

CMYK 60 / 54 / 0 / 0

HEX #6575FF

RGB 101 117 255

HSL 233.77, 1%, 0.7%

LAB 54.77, 34.54, -70.7

 

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

CMYK 60 / 0 / 42 / 0

HEX #65FF93

RGB 101 255 147

HSL 137.92, 1%, 0.7%

LAB 90.04, -63.4, 39.71

 

CMYK 42 / 60 / 0 / 0

HEX #9365FF

RGB 147 101 255

HSL 257.92, 1%, 0.7%

LAB 54.79, 52.34, -70.49

 

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

CMYK 30 / 0 / 60 / 0

HEX #B2FF65

RGB 178 255 101

HSL 90, 1%, 0.7%

LAB 92.54, -47.52, 64.43

 

CMYK 60 / 18 / 0 / 0

HEX #65D1FF

RGB 101 209 255

HSL 197.92, 1%, 0.7%

LAB 79.38, -17.93, -31.82

 

CMYK 30 / 60 / 0 / 0

HEX #B265FF

RGB 178 101 255

HSL 270, 1%, 0.7%

LAB 58.03, 58.89, -65.11

 

CMYK 0 / 41 / 60 / 0

HEX #FF9767

RGB 255 151 103

HSL 18.95, 1%, 0.7%

LAB 72.48, 34.67, 41.75

 

CMYK 48 / 0 / 60 / 0

HEX #84FF65

RGB 132 255 101

HSL 107.92, 1%, 0.7%

LAB 90.49, -61.87, 61.57

 

CMYK 60 / 18 / 0 / 0

HEX #65D1FF

RGB 101 209 255

HSL 197.92, 1%, 0.7%

LAB 79.38, -17.93, -31.82

 

CMYK 12 / 60 / 0 / 0

HEX #E065FF

RGB 224 101 255

HSL 287.92, 1%, 0.7%

LAB 63.65, 69.37, -55.8

 

Description

Color code: HEX #FF9767 | qconv.com Color code: HEX #FF9767 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 151 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 151 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 60 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 60% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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