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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF808B it is the complementary color #007F74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF808B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF808B shade: #FF8086, #FF9299, #FFA4AC, #FFB6BF and #FFC8D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF808B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF808B shade: #FF808B, #EE6E78, #DD5C65, #CC4A52 and #BB383F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF808B shade: #FF7F8A and #FF7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF808B shade: #FF7F8A, #FF7FAC, #FF7FCF, #FF7FF1 and #E97FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF808B shade matches the following richer shades: #FF7F8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF808B shade: #FF7F8A, #F48993, #EA949B, #E09EA4 and #D5A8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF808B shade: #FF7FD0, #FF7FAE, #FF7F8C, #FF947F and #FFB67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF808B shade: #FF2C3F, #FF5664, #FF7F8A, #FFA8B0 and #FFD2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF808B shade: #FF808B, #F2FF7F and #7FBFFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF808B shade: #FF808B, #8CFF7F and #7F8CFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF808B shade: #FF808B, #F2FF7F, #7FFFF2 and #8C7FFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF808B shade: #FF808B, #CCFF7F, #7FFFF2 and #B27FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

Complementary color

CMYK 100 / 0 / 9 / 50

HEX #007F74

RGB 0 127 116

HSL 174.8, 1%, 0.25%

LAB 47.55, -32.17, -2.45

 

CMYK 0 / 50 / 47 / 0

HEX #FF8086

RGB 255 128 134

HSL 357.17, 1%, 0.75%

LAB 68.33, 48.74, 19.49

 

CMYK 0 / 43 / 40 / 0

HEX #FF9299

RGB 255 146 153

HSL 356.15, 1%, 0.79%

LAB 72.31, 41.67, 14.43

 

CMYK 0 / 36 / 33 / 0

HEX #FFA4AC

RGB 255 164 172

HSL 354.73, 1%, 0.82%

LAB 76.55, 34.61, 9.97

 

CMYK 0 / 29 / 25 / 0

HEX #FFB6BF

RGB 255 182 191

HSL 352.6, 1%, 0.86%

LAB 81, 27.69, 6.03

 

CMYK 0 / 22 / 18 / 0

HEX #FFC8D2

RGB 255 200 210

HSL 349.09, 1%, 0.89%

LAB 85.62, 20.99, 2.53

 

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

HEX #FF808B

CMYK 0 / 54 / 50 / 7

HEX #EE6E78

RGB 238 110 120

HSL 355.31, 0.79%, 0.68%

LAB 62.24, 50.21, 18.69

HEX #EE6E78

CMYK 0 / 58 / 54 / 13

HEX #DD5C65

RGB 221 92 101

HSL 355.81, 0.65%, 0.61%

LAB 56.05, 51.17, 20.84

HEX #DD5C65

CMYK 0 / 64 / 60 / 20

HEX #CC4A52

RGB 204 74 82

HSL 356.31, 0.56%, 0.55%

LAB 49.91, 52.02, 23.4

HEX #CC4A52

CMYK 0 / 70 / 66 / 27

HEX #BB383F

RGB 187 56 63

HSL 356.79, 0.54%, 0.48%

LAB 43.88, 52.61, 26.48

HEX #BB383F

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 50 / 50 / 0

HEX #FF7F7F

RGB 255 127 127

HSL 0, 1%, 0.75%

LAB 68, 48.6, 22.96

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 50 / 33 / 0

HEX #FF7FAC

RGB 255 127 172

HSL 338.91, 1%, 0.75%

LAB 69.05, 53.25, -0.85

 

CMYK 0 / 50 / 19 / 0

HEX #FF7FCF

RGB 255 127 207

HSL 322.5, 1%, 0.75%

LAB 70.14, 57.86, -18.82

 

CMYK 0 / 50 / 5 / 0

HEX #FF7FF1

RGB 255 127 241

HSL 306.56, 1%, 0.75%

LAB 71.41, 63.08, -35.63

 

CMYK 9 / 50 / 0 / 0

HEX #E97FFF

RGB 233 127 255

HSL 289.69, 1%, 0.75%

LAB 69.27, 59.56, -46.84

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 44 / 40 / 4

HEX #F48993

RGB 244 137 147

HSL 354.39, 0.83%, 0.75%

LAB 68.92, 41.65, 12.8

 

CMYK 0 / 37 / 34 / 8

HEX #EA949B

RGB 234 148 155

HSL 355.12, 0.67%, 0.75%

LAB 70.2, 33.24, 9.98

 

CMYK 0 / 29 / 27 / 12

HEX #E09EA4

RGB 224 158 164

HSL 354.55, 0.52%, 0.75%

LAB 71.54, 25.39, 6.75

 

CMYK 0 / 21 / 19 / 16

HEX #D5A8AC

RGB 213 168 172

HSL 354.67, 0.35%, 0.75%

LAB 72.98, 17.09, 4.25

 

CMYK 0 / 50 / 18 / 0

HEX #FF7FD0

RGB 255 127 208

HSL 322.03, 1%, 0.75%

LAB 70.17, 58, -19.32

 

CMYK 0 / 50 / 32 / 0

HEX #FF7FAE

RGB 255 127 174

HSL 337.97, 1%, 0.75%

LAB 69.11, 53.49, -1.9

 

CMYK 0 / 50 / 45 / 0

HEX #FF7F8C

RGB 255 127 140

HSL 353.91, 1%, 0.75%

LAB 68.26, 49.79, 16.04

 

CMYK 0 / 42 / 50 / 0

HEX #FF947F

RGB 255 148 127

HSL 9.84, 1%, 0.75%

LAB 72.21, 38.1, 28.59

 

CMYK 0 / 29 / 50 / 0

HEX #FFB67F

RGB 255 182 127

HSL 25.78, 1%, 0.75%

LAB 79.75, 20.43, 38.4

 

CMYK 0 / 83 / 75 / 0

HEX #FF2C3F

RGB 255 44 63

HSL 354.6, 1%, 0.59%

LAB 55.5, 75.75, 43.33

 

CMYK 0 / 66 / 61 / 0

HEX #FF5664

RGB 255 86 100

HSL 355.03, 1%, 0.67%

LAB 60.64, 64.69, 28.49

 

CMYK 0 / 50 / 46 / 0

HEX #FF7F8A

RGB 255 127 138

HSL 354.84, 1%, 0.75%

LAB 68.22, 49.59, 17.1

 

CMYK 0 / 34 / 31 / 0

HEX #FFA8B0

RGB 255 168 176

HSL 354.48, 1%, 0.83%

LAB 77.52, 33.03, 9.17

 

CMYK 0 / 18 / 16 / 0

HEX #FFD2D5

RGB 255 210 213

HSL 356, 1%, 0.91%

LAB 88.04, 16.22, 4.46

 

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

HEX #FF808B

CMYK 5 / 0 / 50 / 0

HEX #F2FF7F

RGB 242 255 127

HSL 66.09, 1%, 0.75%

LAB 96.79, -21.66, 59.04

HEX #F2FF7F

CMYK 50 / 25 / 0 / 0

HEX #7FBFFF

RGB 127 191 255

HSL 210, 1%, 0.75%

LAB 75.45, -3.23, -37.81

HEX #7FBFFF

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

HEX #FF808B

CMYK 45 / 0 / 50 / 0

HEX #8CFF7F

RGB 140 255 127

HSL 113.91, 1%, 0.75%

LAB 91.07, -56.77, 50.8

HEX #8CFF7F

CMYK 50 / 45 / 0 / 0

HEX #7F8CFF

RGB 127 140 255

HSL 233.91, 1%, 0.75%

LAB 62.07, 25.84, -58.88

HEX #7F8CFF

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

HEX #FF808B

CMYK 5 / 0 / 50 / 0

HEX #F2FF7F

RGB 242 255 127

HSL 66.09, 1%, 0.75%

LAB 96.79, -21.66, 59.04

HEX #F2FF7F

CMYK 50 / 0 / 5 / 0

HEX #7FFFF2

RGB 127 255 242

HSL 173.91, 1%, 0.75%

LAB 92.77, -38.64, -4.73

HEX #7FFFF2

CMYK 45 / 50 / 0 / 0

HEX #8C7FFF

RGB 140 127 255

HSL 246.09, 1%, 0.75%

LAB 59.87, 36.27, -62.36

HEX #8C7FFF

CMYK 0 / 50 / 45 / 0

HEX #FF808B

RGB 255 128 139

HSL 354.8, 1%, 0.75%

LAB 68.43, 49.2, 16.83

HEX #FF808B

CMYK 20 / 0 / 50 / 0

HEX #CCFF7F

RGB 204 255 127

HSL 83.91, 1%, 0.75%

LAB 94.27, -35.91, 55.42

HEX #CCFF7F

CMYK 50 / 0 / 5 / 0

HEX #7FFFF2

RGB 127 255 242

HSL 173.91, 1%, 0.75%

LAB 92.77, -38.64, -4.73

HEX #7FFFF2

CMYK 30 / 50 / 0 / 0

HEX #B27FFF

RGB 178 127 255

HSL 263.91, 1%, 0.75%

LAB 63.23, 45.28, -56.79

HEX #B27FFF

Description

Color code: HEX #FF808B | qconv.com Color code: HEX #FF808B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 128 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 128 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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