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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF7381 it is the complementary color #008C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF7381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF7381 shade: #FF737C, #FF858F, #FF97A2, #FFA9B5 and #FFBBC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF7381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF7381 shade: #FF7381, #EE616E, #DD4F5B, #CC3D48 and #BB2B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF7381 shade: #FF7583 and #FF7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF7381 shade: #FF7583, #FF75A8, #FF75CD, #FF75F2 and #E675FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF7381 shade matches the following richer shades: #FF7583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF7381 shade: #FF7583, #F3808B, #E88B94, #DD969D and #D2A1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF7381 shade: #FF75CC, #FF75A7, #FF7583, #FF8C75 and #FFB075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF7381 shade: #FF2238, #FF4C5D, #FF7583, #FF9EA8 and #FFC7CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF7381 shade: #FF7381, #F1FF75 and #75BAFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF7381 shade: #FF7381, #83FF75 and #7583FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF7381 shade: #FF7381, #F1FF75, #75FFF1 and #8375FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF7381 shade: #FF7381, #C7FF75, #75FFF1 and #AC75FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

Complementary color

CMYK 100 / 0 / 10 / 45

HEX #008C7E

RGB 0 140 126

HSL 174, 1%, 0.27%

LAB 52.13, -35.11, -1.57

 

CMYK 0 / 55 / 51 / 0

HEX #FF737C

RGB 255 115 124

HSL 356.14, 1%, 0.73%

LAB 65.73, 54.04, 21.58

 

CMYK 0 / 48 / 44 / 0

HEX #FF858F

RGB 255 133 143

HSL 355.08, 1%, 0.76%

LAB 69.48, 47.15, 16.05

 

CMYK 0 / 41 / 36 / 0

HEX #FF97A2

RGB 255 151 162

HSL 353.65, 1%, 0.8%

LAB 73.55, 40.13, 11.2

 

CMYK 0 / 34 / 29 / 0

HEX #FFA9B5

RGB 255 169 181

HSL 351.63, 1%, 0.83%

LAB 77.86, 33.15, 6.93

 

CMYK 0 / 27 / 22 / 0

HEX #FFBBC8

RGB 255 187 200

HSL 348.53, 1%, 0.87%

LAB 82.36, 26.34, 3.15

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 0 / 59 / 54 / 7

HEX #EE616E

RGB 238 97 110

HSL 354.47, 0.81%, 0.66%

LAB 59.76, 55.36, 21.06

 

CMYK 0 / 64 / 59 / 13

HEX #DD4F5B

RGB 221 79 91

HSL 354.93, 0.68%, 0.59%

LAB 53.73, 56.13, 23.61

 

CMYK 0 / 70 / 65 / 20

HEX #CC3D48

RGB 204 61 72

HSL 355.38, 0.58%, 0.52%

LAB 47.81, 56.63, 26.66

 

CMYK 0 / 77 / 72 / 27

HEX #BB2B35

RGB 187 43 53

HSL 355.83, 0.63%, 0.45%

LAB 42.08, 56.66, 30.32

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 54 / 54 / 0

HEX #FF7575

RGB 255 117 117

HSL 0, 1%, 0.73%

LAB 65.96, 52.54, 25.83

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 54 / 34 / 0

HEX #FF75A8

RGB 255 117 168

HSL 337.83, 1%, 0.73%

LAB 67.13, 57.48, -1.4

 

CMYK 0 / 54 / 20 / 0

HEX #FF75CD

RGB 255 117 205

HSL 321.74, 1%, 0.73%

LAB 68.31, 62.21, -20.48

 

CMYK 0 / 54 / 5 / 0

HEX #FF75F2

RGB 255 117 242

HSL 305.65, 1%, 0.73%

LAB 69.75, 67.79, -38.77

 

CMYK 10 / 54 / 0 / 0

HEX #E675FF

RGB 230 117 255

HSL 289.13, 1%, 0.73%

LAB 67.1, 63.56, -50.28

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 47 / 43 / 5

HEX #F3808B

RGB 243 128 139

HSL 354.26, 0.83%, 0.73%

LAB 66.79, 44.99, 14.3

 

CMYK 0 / 40 / 36 / 9

HEX #E88B94

RGB 232 139 148

HSL 354.19, 0.67%, 0.73%

LAB 67.84, 36.38, 10.51

 

CMYK 0 / 32 / 29 / 13

HEX #DD969D

RGB 221 150 157

HSL 354.08, 0.51%, 0.73%

LAB 69.2, 27.63, 7.23

 

CMYK 0 / 23 / 21 / 18

HEX #D2A1A6

RGB 210 161 166

HSL 353.88, 0.35%, 0.73%

LAB 70.83, 18.87, 4.43

 

CMYK 0 / 54 / 20 / 0

HEX #FF75CC

RGB 255 117 204

HSL 322.17, 1%, 0.73%

LAB 68.27, 62.07, -19.98

 

CMYK 0 / 54 / 35 / 0

HEX #FF75A7

RGB 255 117 167

HSL 338.26, 1%, 0.73%

LAB 67.11, 57.37, -0.88

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 45 / 54 / 0

HEX #FF8C75

RGB 255 140 117

HSL 10, 1%, 0.73%

LAB 70.39, 41.32, 31.65

 

CMYK 0 / 31 / 54 / 0

HEX #FFB075

RGB 255 176 117

HSL 25.65, 1%, 0.73%

LAB 78.22, 22.72, 41.62

 

CMYK 0 / 87 / 78 / 0

HEX #FF2238

RGB 255 34 56

HSL 354.03, 1%, 0.57%

LAB 54.75, 77.46, 46.39

 

CMYK 0 / 70 / 64 / 0

HEX #FF4C5D

RGB 255 76 93

HSL 354.3, 1%, 0.65%

LAB 59.18, 67.96, 30.64

 

CMYK 0 / 54 / 49 / 0

HEX #FF7583

RGB 255 117 131

HSL 353.91, 1%, 0.73%

LAB 66.23, 53.71, 18.3

 

CMYK 0 / 38 / 34 / 0

HEX #FF9EA8

RGB 255 158 168

HSL 353.81, 1%, 0.81%

LAB 75.16, 37.24, 10.19

 

CMYK 0 / 22 / 20 / 0

HEX #FFC7CD

RGB 255 199 205

HSL 353.57, 1%, 0.89%

LAB 85.26, 20.77, 4.67

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 5 / 0 / 54 / 0

HEX #F1FF75

RGB 241 255 117

HSL 66.09, 1%, 0.73%

LAB 96.62, -22.88, 63.27

 

CMYK 54 / 27 / 0 / 0

HEX #75BAFF

RGB 117 186 255

HSL 210, 1%, 0.73%

LAB 73.62, -2.63, -40.69

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 49 / 0 / 54 / 0

HEX #83FF75

RGB 131 255 117

HSL 113.91, 1%, 0.73%

LAB 90.61, -60.44, 54.74

 

CMYK 54 / 49 / 0 / 0

HEX #7583FF

RGB 117 131 255

HSL 233.91, 1%, 0.73%

LAB 59.19, 29.1, -63.53

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 5 / 0 / 54 / 0

HEX #F1FF75

RGB 241 255 117

HSL 66.09, 1%, 0.73%

LAB 96.62, -22.88, 63.27

 

CMYK 54 / 0 / 5 / 0

HEX #75FFF1

RGB 117 255 241

HSL 173.91, 1%, 0.73%

LAB 92.42, -40.88, -4.76

 

CMYK 49 / 54 / 0 / 0

HEX #8375FF

RGB 131 117 255

HSL 246.09, 1%, 0.73%

LAB 56.85, 40.14, -67.24

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 22 / 0 / 54 / 0

HEX #C7FF75

RGB 199 255 117

HSL 84.35, 1%, 0.73%

LAB 93.86, -38.68, 59.37

 

CMYK 54 / 0 / 5 / 0

HEX #75FFF1

RGB 117 255 241

HSL 173.91, 1%, 0.73%

LAB 92.42, -40.88, -4.76

 

CMYK 33 / 54 / 0 / 0

HEX #AC75FF

RGB 172 117 255

HSL 263.91, 1%, 0.73%

LAB 60.53, 49.23, -61.14

 

Description

Color code: HEX #FF7381 | qconv.com Color code: HEX #FF7381 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 115 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 115 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 49 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 49% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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