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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF70DB it is the complementary color #008F24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF70DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF70DB shade: #FF70D6, #FF82E9, #FF94FC, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF70DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF70DB shade: #FF70DB, #EE5EC8, #DD4CB5, #CC3AA2 and #BB288F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF70DB shade: #FF70DB, #FF70B4, #FF708E and #FF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF70DB shade: #FF70DB, #FC70FF, #D570FF, #AF70FF and #8870FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF70DB shade matches the following richer shades: #FF70DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF70DB shade: #FF70DB, #F37BD5, #E787CF, #DC92C9 and #D09EC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF70DB shade: #D670FF, #FC70FF, #FF70DB, #FF70B5 and #FF708F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF70DB shade: #FF1DC6, #FF46D0, #FF70DB, #FF99E5 and #FFC2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF70DB shade: #FF70DB, #FFB070 and #70FFE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF70DB shade: #FF70DB, #DBFF70 and #70DBFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF70DB shade: #FF70DB, #FFB070, #70FF93 and #70BEFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF70DB shade: #FF70DB, #FFDB70, #70FF93 and #7093FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

Complementary color

CMYK 100 / 0 / 75 / 44

HEX #008F24

RGB 0 143 36

HSL 135.1, 1%, 0.28%

LAB 51.58, -54.14, 45.13

 

CMYK 0 / 56 / 16 / 0

HEX #FF70D6

RGB 255 112 214

HSL 317.2, 1%, 0.72%

LAB 67.8, 65.72, -26.28

 

CMYK 0 / 49 / 9 / 0

HEX #FF82E9

RGB 255 130 233

HSL 310.56, 1%, 0.75%

LAB 71.63, 60.38, -30.91

 

CMYK 0 / 42 / 1 / 0

HEX #FF94FC

RGB 255 148 252

HSL 301.68, 1%, 0.79%

LAB 75.74, 54.8, -34.92

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 61 / 16 / 7

HEX #EE5EC8

RGB 238 94 200

HSL 315.83, 0.81%, 0.65%

LAB 61.96, 66.76, -27.61

 

CMYK 0 / 66 / 18 / 13

HEX #DD4CB5

RGB 221 76 181

HSL 316.55, 0.68%, 0.58%

LAB 55.96, 66.81, -26.19

 

CMYK 0 / 72 / 21 / 20

HEX #CC3AA2

RGB 204 58 162

HSL 317.26, 0.59%, 0.51%

LAB 50.06, 66.44, -24.41

 

CMYK 0 / 79 / 24 / 27

HEX #BB288F

RGB 187 40 143

HSL 317.96, 0.65%, 0.45%

LAB 44.33, 65.42, -22.13

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B4

RGB 255 112 180

HSL 331.47, 1%, 0.72%

LAB 66.63, 61.18, -8.95

 

CMYK 0 / 56 / 44 / 0

HEX #FF708E

RGB 255 112 142

HSL 347.41, 1%, 0.72%

LAB 65.59, 57.02, 11.16

 

CMYK 0 / 56 / 56 / 0

HEX #FF7070

RGB 255 112 112

HSL 0, 1%, 0.72%

LAB 64.98, 54.48, 27.34

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 1 / 56 / 0 / 0

HEX #FC70FF

RGB 252 112 255

HSL 298.74, 1%, 0.72%

LAB 69.11, 71.35, -46.92

 

CMYK 16 / 56 / 0 / 0

HEX #D570FF

RGB 213 112 255

HSL 282.38, 1%, 0.72%

LAB 64.12, 61.69, -55.13

 

CMYK 31 / 56 / 0 / 0

HEX #AF70FF

RGB 175 112 255

HSL 266.43, 1%, 0.72%

LAB 59.82, 52.59, -62.25

 

CMYK 47 / 56 / 0 / 0

HEX #8870FF

RGB 136 112 255

HSL 250.07, 1%, 0.72%

LAB 56.13, 44.02, -68.38

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 49 / 12 / 5

HEX #F37BD5

RGB 243 123 213

HSL 315, 0.83%, 0.72%

LAB 68.04, 57.07, -25.5

 

CMYK 0 / 42 / 10 / 9

HEX #E787CF

RGB 231 135 207

HSL 315, 0.67%, 0.72%

LAB 68.62, 46.49, -21.4

 

CMYK 0 / 34 / 9 / 14

HEX #DC92C9

RGB 220 146 201

HSL 315.41, 0.51%, 0.72%

LAB 69.46, 36.16, -16.91

 

CMYK 0 / 24 / 6 / 18

HEX #D09EC4

RGB 208 158 196

HSL 314.4, 0.35%, 0.72%

LAB 70.77, 24.74, -12.31

 

CMYK 16 / 56 / 0 / 0

HEX #D670FF

RGB 214 112 255

HSL 282.8, 1%, 0.72%

LAB 64.25, 61.94, -54.93

 

CMYK 1 / 56 / 0 / 0

HEX #FC70FF

RGB 252 112 255

HSL 298.74, 1%, 0.72%

LAB 69.11, 71.35, -46.92

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B5

RGB 255 112 181

HSL 331.05, 1%, 0.72%

LAB 66.66, 61.3, -9.47

 

CMYK 0 / 56 / 44 / 0

HEX #FF708F

RGB 255 112 143

HSL 346.99, 1%, 0.72%

LAB 65.62, 57.12, 10.62

 

CMYK 0 / 89 / 22 / 0

HEX #FF1DC6

RGB 255 29 198

HSL 315.13, 1%, 0.56%

LAB 58.24, 88.6, -32

 

CMYK 0 / 73 / 18 / 0

HEX #FF46D0

RGB 255 70 208

HSL 315.24, 1%, 0.64%

LAB 61.82, 80.75, -32.14

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 40 / 10 / 0

HEX #FF99E5

RGB 255 153 229

HSL 315.29, 1%, 0.8%

LAB 75.88, 48.43, -22.2

 

CMYK 0 / 24 / 6 / 0

HEX #FFC2EF

RGB 255 194 239

HSL 315.74, 1%, 0.88%

LAB 85.03, 28.81, -13.78

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 31 / 56 / 0

HEX #FFB070

RGB 255 176 112

HSL 26.85, 1%, 0.72%

LAB 78.16, 22.33, 44.09

 

CMYK 56 / 0 / 9 / 0

HEX #70FFE9

RGB 112 255 233

HSL 170.77, 1%, 0.72%

LAB 92.06, -43.78, -1.16

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 14 / 0 / 56 / 0

HEX #DBFF70

RGB 219 255 112

HSL 75.1, 1%, 0.72%

LAB 95.06, -31.72, 63.26

 

CMYK 56 / 14 / 0 / 0

HEX #70DBFF

RGB 112 219 255

HSL 195.1, 1%, 0.72%

LAB 82.55, -21.01, -26.92

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 31 / 56 / 0

HEX #FFB070

RGB 255 176 112

HSL 26.85, 1%, 0.72%

LAB 78.16, 22.33, 44.09

 

CMYK 56 / 0 / 42 / 0

HEX #70FF93

RGB 112 255 147

HSL 134.69, 1%, 0.72%

LAB 90.35, -61.06, 40.17

 

CMYK 56 / 25 / 0 / 0

HEX #70BEFF

RGB 112 190 255

HSL 207.27, 1%, 0.72%

LAB 74.5, -5.83, -39.33

 

CMYK 0 / 56 / 14 / 0

HEX #FF70DB

RGB 255 112 219

HSL 315.1, 1%, 0.72%

LAB 67.99, 66.45, -28.77

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB70

RGB 255 219 112

HSL 44.9, 1%, 0.72%

LAB 88.49, 0.05, 56.44

 

CMYK 56 / 0 / 42 / 0

HEX #70FF93

RGB 112 255 147

HSL 134.69, 1%, 0.72%

LAB 90.35, -61.06, 40.17

 

CMYK 56 / 42 / 0 / 0

HEX #7093FF

RGB 112 147 255

HSL 225.31, 1%, 0.72%

LAB 62.95, 18.63, -57.52

 

Description

Color code: HEX #FF70DB | qconv.com Color code: HEX #FF70DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 112 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 112 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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