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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6FB6 it is the complementary color #009049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF6FB6 shade: #FF6FB1, #FF81C4, #FF93D7, #FFA5EA and #FFB7FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF6FB6 shade: #FF6FB6, #EE5DA3, #DD4B90, #CC397D and #BB276A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF6FB6 shade: #FF70B6, #FF7090 and #FF7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF6FB6 shade: #FF70B6, #FF70DD, #FA70FF, #D370FF and #AD70FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF6FB6 shade matches the following richer shades: #FF70B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF6FB6 shade: #FF70B6, #F37BB6, #E787B6, #DC92B7 and #D09EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF6FB6 shade: #FA70FF, #FF70DD, #FF70B7, #FF7091 and #FF7470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF6FB6 shade: #FF1D8C, #FF46A1, #FF70B6, #FF99CB and #FFC2E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF6FB6 shade: #FF6FB6, #FFD470 and #70F0FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF6FB6 shade: #FF6FB6, #B7FF70 and #70B7FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF6FB6 shade: #FF6FB6, #FFD470, #70FFB7 and #709BFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF6FB6 shade: #FF6FB6, #FFFF70, #70FFB7 and #7070FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

Complementary color

CMYK 100 / 0 / 49 / 44

HEX #009049

RGB 0 144 73

HSL 150.42, 1%, 0.28%

LAB 52.32, -49.52, 28.6

 

CMYK 0 / 56 / 31 / 0

HEX #FF6FB1

RGB 255 111 177

HSL 332.5, 1%, 0.72%

LAB 66.37, 61.26, -7.63

 

CMYK 0 / 49 / 23 / 0

HEX #FF81C4

RGB 255 129 196

HSL 328.1, 1%, 0.75%

LAB 70.14, 55.37, -12.69

 

CMYK 0 / 42 / 16 / 0

HEX #FF93D7

RGB 255 147 215

HSL 322.22, 1%, 0.79%

LAB 74.21, 49.27, -17.08

 

CMYK 0 / 35 / 8 / 0

HEX #FFA5EA

RGB 255 165 234

HSL 314, 1%, 0.82%

LAB 78.53, 43.12, -20.9

 

CMYK 0 / 28 / 1 / 0

HEX #FFB7FD

RGB 255 183 253

HSL 301.67, 1%, 0.86%

LAB 83.03, 37.03, -24.27

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 0 / 61 / 32 / 7

HEX #EE5DA3

RGB 238 93 163

HSL 331.03, 0.81%, 0.65%

LAB 60.47, 62.33, -8.68

 

CMYK 0 / 66 / 35 / 13

HEX #DD4B90

RGB 221 75 144

HSL 331.64, 0.68%, 0.58%

LAB 54.47, 62.55, -6.8

 

CMYK 0 / 72 / 39 / 20

HEX #CC397D

RGB 204 57 125

HSL 332.24, 0.59%, 0.51%

LAB 48.57, 62.38, -4.5

 

CMYK 0 / 79 / 43 / 27

HEX #BB276A

RGB 187 39 106

HSL 332.84, 0.65%, 0.44%

LAB 42.85, 61.58, -1.6

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B6

RGB 255 112 182

HSL 330.63, 1%, 0.72%

LAB 66.69, 61.43, -9.98

 

CMYK 0 / 56 / 44 / 0

HEX #FF7090

RGB 255 112 144

HSL 346.57, 1%, 0.72%

LAB 65.64, 57.22, 10.09

 

CMYK 0 / 56 / 56 / 0

HEX #FF7070

RGB 255 112 112

HSL 0, 1%, 0.72%

LAB 64.98, 54.48, 27.34

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B6

RGB 255 112 182

HSL 330.63, 1%, 0.72%

LAB 66.69, 61.43, -9.98

 

CMYK 0 / 56 / 13 / 0

HEX #FF70DD

RGB 255 112 221

HSL 314.27, 1%, 0.72%

LAB 68.07, 66.74, -29.76

 

CMYK 2 / 56 / 0 / 0

HEX #FA70FF

RGB 250 112 255

HSL 297.9, 1%, 0.72%

LAB 68.85, 70.85, -47.35

 

CMYK 17 / 56 / 0 / 0

HEX #D370FF

RGB 211 112 255

HSL 281.54, 1%, 0.72%

LAB 63.88, 61.2, -55.53

 

CMYK 32 / 56 / 0 / 0

HEX #AD70FF

RGB 173 112 255

HSL 265.59, 1%, 0.72%

LAB 59.61, 52.12, -62.6

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B6

RGB 255 112 182

HSL 330.63, 1%, 0.72%

LAB 66.69, 61.43, -9.98

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B6

RGB 255 112 182

HSL 330.63, 1%, 0.72%

LAB 66.69, 61.43, -9.98

 

CMYK 0 / 49 / 25 / 5

HEX #F37BB6

RGB 243 123 182

HSL 330.5, 0.83%, 0.72%

LAB 66.97, 52.57, -9.74

 

CMYK 0 / 42 / 21 / 9

HEX #E787B6

RGB 231 135 182

HSL 330.63, 0.67%, 0.72%

LAB 67.79, 42.61, -8.68

 

CMYK 0 / 34 / 17 / 14

HEX #DC92B7

RGB 220 146 183

HSL 330, 0.51%, 0.72%

LAB 68.89, 33.21, -7.75

 

CMYK 0 / 24 / 12 / 18

HEX #D09EB7

RGB 208 158 183

HSL 330, 0.35%, 0.72%

LAB 70.37, 22.49, -5.69

 

CMYK 2 / 56 / 0 / 0

HEX #FA70FF

RGB 250 112 255

HSL 297.9, 1%, 0.72%

LAB 68.85, 70.85, -47.35

 

CMYK 0 / 56 / 13 / 0

HEX #FF70DD

RGB 255 112 221

HSL 314.27, 1%, 0.72%

LAB 68.07, 66.74, -29.76

 

CMYK 0 / 56 / 28 / 0

HEX #FF70B7

RGB 255 112 183

HSL 330.21, 1%, 0.72%

LAB 66.72, 61.55, -10.5

 

CMYK 0 / 56 / 43 / 0

HEX #FF7091

RGB 255 112 145

HSL 346.15, 1%, 0.72%

LAB 65.67, 57.31, 9.55

 

CMYK 0 / 55 / 56 / 0

HEX #FF7470

RGB 255 116 112

HSL 1.68, 1%, 0.72%

LAB 65.69, 52.63, 28.27

 

CMYK 0 / 89 / 45 / 0

HEX #FF1D8C

RGB 255 29 140

HSL 330.53, 1%, 0.56%

LAB 56.12, 82.87, -1.31

 

CMYK 0 / 73 / 37 / 0

HEX #FF46A1

RGB 255 70 161

HSL 330.49, 1%, 0.64%

LAB 60.08, 75.32, -7.8

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B6

RGB 255 112 182

HSL 330.63, 1%, 0.72%

LAB 66.69, 61.43, -9.98

 

CMYK 0 / 40 / 20 / 0

HEX #FF99CB

RGB 255 153 203

HSL 330.59, 1%, 0.8%

LAB 75.05, 44.45, -9.23

 

CMYK 0 / 24 / 12 / 0

HEX #FFC2E0

RGB 255 194 224

HSL 330.49, 1%, 0.88%

LAB 84.6, 26.33, -6.43

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 0 / 17 / 56 / 0

HEX #FFD470

RGB 255 212 112

HSL 41.96, 1%, 0.72%

LAB 86.76, 3.62, 54.41

 

CMYK 56 / 6 / 0 / 0

HEX #70F0FF

RGB 112 240 255

HSL 186.29, 1%, 0.72%

LAB 88.44, -31.28, -17.99

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 28 / 0 / 56 / 0

HEX #B7FF70

RGB 183 255 112

HSL 90.21, 1%, 0.72%

LAB 92.91, -44.81, 60.23

 

CMYK 56 / 28 / 0 / 0

HEX #70B7FF

RGB 112 183 255

HSL 210.21, 1%, 0.72%

LAB 72.58, -2, -42.33

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 0 / 17 / 56 / 0

HEX #FFD470

RGB 255 212 112

HSL 41.96, 1%, 0.72%

LAB 86.76, 3.62, 54.41

 

CMYK 56 / 0 / 28 / 0

HEX #70FFB7

RGB 112 255 183

HSL 149.79, 1%, 0.72%

LAB 90.95, -54.74, 22.99

 

CMYK 56 / 39 / 0 / 0

HEX #709BFF

RGB 112 155 255

HSL 221.96, 1%, 0.72%

LAB 65.05, 13.93, -54.19

 

CMYK 0 / 56 / 29 / 0

HEX #FF6FB6

RGB 255 111 182

HSL 330.42, 1%, 0.72%

LAB 66.52, 61.87, -10.23

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 56 / 0 / 28 / 0

HEX #70FFB7

RGB 112 255 183

HSL 149.79, 1%, 0.72%

LAB 90.95, -54.74, 22.99

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

Description

Color code: HEX #FF6FB6 | qconv.com Color code: HEX #FF6FB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 111 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 111 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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