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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF5F2B it is the complementary color #00A0D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF5F2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF5F2B shade: #FF5F26, #FF7139, #FF834C, #FF955F and #FFA772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF5F2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF5F2B shade: #FF5F2B, #EE4D18, #DD3B05, #CC2900 and #BB1700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF5F2B shade: #FF5D28 and #FF2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF5F2B shade: #FF5D28, #FF9728, #FFD028, #F3FF28 and #B9FF28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF5F2B shade matches the following richer shades: #FF5D28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF5F2B shade: #FF5D28, #ED663A, #DC6F4B, #CB775C and #B9806E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF5F2B shade: #FF2869, #FF282F, #FF5A28, #FF9328 and #FFCD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF5F2B shade: #D53400, #FE3E00, #FF5D28, #FF7C52 and #FF9B7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF5F2B shade: #FF5F2B, #A2FF28 and #284CFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF5F2B shade: #FF5F2B, #28FF5A and #5A28FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF5F2B shade: #FF5F2B, #A2FF28, #28CDFF and #8528FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF5F2B shade: #FF5F2B, #61FF28, #28CDFF and #C528FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

Complementary color

CMYK 100 / 25 / 0 / 17

HEX #00A0D4

RGB 0 160 212

HSL 194.72, 1%, 0.42%

LAB 61.56, -16.31, -36.19

 

CMYK 0 / 63 / 85 / 0

HEX #FF5F26

RGB 255 95 38

HSL 15.76, 1%, 0.57%

LAB 61.29, 58.49, 61

 

CMYK 0 / 56 / 78 / 0

HEX #FF7139

RGB 255 113 57

HSL 16.97, 1%, 0.61%

LAB 64.46, 51.06, 55.7

 

CMYK 0 / 49 / 70 / 0

HEX #FF834C

RGB 255 131 76

HSL 18.44, 1%, 0.65%

LAB 68.03, 43.19, 50.33

 

CMYK 0 / 42 / 63 / 0

HEX #FF955F

RGB 255 149 95

HSL 20.25, 1%, 0.69%

LAB 71.95, 35.17, 45.24

 

CMYK 0 / 35 / 55 / 0

HEX #FFA772

RGB 255 167 114

HSL 22.55, 1%, 0.72%

LAB 76.14, 27.18, 40.56

 

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

CMYK 0 / 68 / 90 / 7

HEX #EE4D18

RGB 238 77 24

HSL 14.86, 0.86%, 0.51%

LAB 55.64, 59.82, 60.51

 

CMYK 0 / 73 / 98 / 13

HEX #DD3B05

RGB 221 59 5

HSL 15, 0.96%, 0.44%

LAB 50.11, 60.73, 60.68

 

CMYK 0 / 80 / 100 / 20

HEX #CC2900

RGB 204 41 0

HSL 12.06, 1%, 0.4%

LAB 44.83, 61.08, 57.7

 

CMYK 0 / 88 / 100 / 27

HEX #BB1700

RGB 187 23 0

HSL 7.38, 1%, 0.37%

LAB 39.88, 60.45, 53.62

 

CMYK 0 / 64 / 84 / 0

HEX #FF5D28

RGB 255 93 40

HSL 14.79, 1%, 0.58%

LAB 60.99, 59.37, 59.95

 

CMYK 0 / 84 / 84 / 0

HEX #FF2828

RGB 255 40 40

HSL 0, 1%, 0.58%

LAB 55, 75.95, 54.84

 

CMYK 0 / 64 / 84 / 0

HEX #FF5D28

RGB 255 93 40

HSL 14.79, 1%, 0.58%

LAB 60.99, 59.37, 59.95

 

CMYK 0 / 41 / 84 / 0

HEX #FF9728

RGB 255 151 40

HSL 30.98, 1%, 0.58%

LAB 71.92, 31.75, 69.12

 

CMYK 0 / 18 / 84 / 0

HEX #FFD028

RGB 255 208 40

HSL 46.88, 1%, 0.58%

LAB 85.26, 2.17, 80.15

 

CMYK 5 / 0 / 84 / 0

HEX #F3FF28

RGB 243 255 40

HSL 63.35, 1%, 0.58%

LAB 96.3, -25.93, 88.82

 

CMYK 27 / 0 / 84 / 0

HEX #B9FF28

RGB 185 255 40

HSL 79.53, 1%, 0.58%

LAB 92.57, -48.43, 84.19

 

CMYK 0 / 64 / 84 / 0

HEX #FF5D28

RGB 255 93 40

HSL 14.79, 1%, 0.58%

LAB 60.99, 59.37, 59.95

 

CMYK 0 / 64 / 84 / 0

HEX #FF5D28

RGB 255 93 40

HSL 14.79, 1%, 0.58%

LAB 60.99, 59.37, 59.95

 

CMYK 0 / 57 / 76 / 7

HEX #ED663A

RGB 237 102 58

HSL 14.75, 0.83%, 0.58%

LAB 59.72, 49.69, 49.52

 

CMYK 0 / 50 / 66 / 14

HEX #DC6F4B

RGB 220 111 75

HSL 14.9, 0.67%, 0.58%

LAB 59.06, 39.8, 39.29

 

CMYK 0 / 41 / 55 / 20

HEX #CB775C

RGB 203 119 92

HSL 14.59, 0.52%, 0.58%

LAB 58.66, 30.16, 28.94

 

CMYK 0 / 31 / 41 / 27

HEX #B9806E

RGB 185 128 110

HSL 14.4, 0.35%, 0.58%

LAB 58.86, 19.79, 18.64

 

CMYK 0 / 84 / 59 / 0

HEX #FF2869

RGB 255 40 105

HSL 341.86, 1%, 0.58%

LAB 55.88, 78.54, 19.26

 

CMYK 0 / 84 / 82 / 0

HEX #FF282F

RGB 255 40 47

HSL 358.05, 1%, 0.58%

LAB 55.05, 76.11, 51.44

 

CMYK 0 / 65 / 84 / 0

HEX #FF5A28

RGB 255 90 40

HSL 13.95, 1%, 0.58%

LAB 60.54, 60.59, 59.56

 

CMYK 0 / 42 / 84 / 0

HEX #FF9328

RGB 255 147 40

HSL 29.86, 1%, 0.58%

LAB 71.06, 33.81, 68.4

 

CMYK 0 / 20 / 84 / 0

HEX #FFCD28

RGB 255 205 40

HSL 46.05, 1%, 0.58%

LAB 84.52, 3.71, 79.54

 

CMYK 0 / 76 / 100 / 16

HEX #D53400

RGB 213 52 0

HSL 14.65, 1%, 0.42%

LAB 47.75, 60.51, 60

 

CMYK 0 / 76 / 100 / 0

HEX #FE3E00

RGB 254 62 0

HSL 14.65, 1%, 0.5%

LAB 56.6, 69.7, 68.43

 

CMYK 0 / 64 / 84 / 0

HEX #FF5D28

RGB 255 93 40

HSL 14.79, 1%, 0.58%

LAB 60.99, 59.37, 59.95

 

CMYK 0 / 51 / 68 / 0

HEX #FF7C52

RGB 255 124 82

HSL 14.57, 1%, 0.66%

LAB 66.74, 46.92, 45.83

 

CMYK 0 / 39 / 52 / 0

HEX #FF9B7B

RGB 255 155 123

HSL 14.55, 1%, 0.74%

LAB 73.63, 34.16, 32.62

 

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

CMYK 36 / 0 / 84 / 0

HEX #A2FF28

RGB 162 255 40

HSL 85.95, 1%, 0.58%

LAB 91.39, -56.49, 82.72

 

CMYK 84 / 70 / 0 / 0

HEX #284CFF

RGB 40 76 255

HSL 229.95, 1%, 0.58%

LAB 42.52, 52.45, -90.85

 

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

CMYK 84 / 0 / 65 / 0

HEX #28FF5A

RGB 40 255 90

HSL 133.95, 1%, 0.58%

LAB 88.31, -79.72, 63.06

 

CMYK 65 / 84 / 0 / 0

HEX #5A28FF

RGB 90 40 255

HSL 253.95, 1%, 0.58%

LAB 39.43, 72.77, -95.88

 

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

CMYK 36 / 0 / 84 / 0

HEX #A2FF28

RGB 162 255 40

HSL 85.95, 1%, 0.58%

LAB 91.39, -56.49, 82.72

 

CMYK 84 / 20 / 0 / 0

HEX #28CDFF

RGB 40 205 255

HSL 193.95, 1%, 0.58%

LAB 76.88, -23.31, -35.79

 

CMYK 48 / 84 / 0 / 0

HEX #8528FF

RGB 133 40 255

HSL 265.95, 1%, 0.58%

LAB 43.83, 76.68, -88.45

 

CMYK 0 / 63 / 83 / 0

HEX #FF5F2B

RGB 255 95 43

HSL 14.72, 1%, 0.58%

LAB 61.32, 58.61, 58.98

 

CMYK 62 / 0 / 84 / 0

HEX #61FF28

RGB 97 255 40

HSL 104.09, 1%, 0.58%

LAB 89.02, -74.67, 79.73

 

CMYK 84 / 20 / 0 / 0

HEX #28CDFF

RGB 40 205 255

HSL 193.95, 1%, 0.58%

LAB 76.88, -23.31, -35.79

 

CMYK 23 / 84 / 0 / 0

HEX #C528FF

RGB 197 40 255

HSL 283.81, 1%, 0.58%

LAB 52.52, 85, -73.9

 

Description

Color code: HEX #FF5F2B | qconv.com Color code: HEX #FF5F2B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 95 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 95 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 83 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 83% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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PANTONE® to HKS®

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