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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF5AB6 it is the complementary color #00A549. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF5AB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF5AB6 shade: #FF5AB1, #FF6CC4, #FF7ED7, #FF90EA and #FFA2FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF5AB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF5AB6 shade: #FF5AB6, #EE48A3, #DD3690, #CC247D and #BB126A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF5AB6 shade: #FF5BB6, #FF5B8A, #FF5B5E and #FF5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF5AB6 shade: #FF5BB6, #FF5BE2, #EF5BFF, #C35BFF and #975BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF5AB6 shade matches the following richer shades: #FF5BB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF5AB6 shade: #FF5BB6, #F169B5, #E476B3, #D783B2 and #CA90B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF5AB6 shade: #EE5BFF, #FF5BE3, #FF5BB8, #FF5B8C and #FF5B61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF5AB6 shade: #FF0992, #FF32A4, #FF5BB6, #FF85C9 and #FFAEDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF5AB6 shade: #FF5AB6, #FFC35B and #5BF9FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF5AB6 shade: #FF5AB6, #B8FF5B and #5BB8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF5AB6 shade: #FF5AB6, #FFC35B, #5BFFA2 and #5B97FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF5AB6 shade: #FF5AB6, #FFF45B, #5BFFA2 and #5B66FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

Complementary color

CMYK 100 / 0 / 56 / 35

HEX #00A549

RGB 0 165 73

HSL 146.55, 1%, 0.32%

LAB 59.33, -56.59, 37.26

 

CMYK 0 / 65 / 31 / 0

HEX #FF5AB1

RGB 255 90 177

HSL 328.36, 1%, 0.68%

LAB 63.13, 70.02, -12.47

 

CMYK 0 / 58 / 23 / 0

HEX #FF6CC4

RGB 255 108 196

HSL 324.08, 1%, 0.71%

LAB 66.5, 64.98, -18.18

 

CMYK 0 / 51 / 16 / 0

HEX #FF7ED7

RGB 255 126 215

HSL 318.6, 1%, 0.75%

LAB 70.24, 59.5, -23.11

 

CMYK 0 / 44 / 8 / 0

HEX #FF90EA

RGB 255 144 234

HSL 311.35, 1%, 0.78%

LAB 74.28, 53.75, -27.37

 

CMYK 0 / 36 / 1 / 0

HEX #FFA2FD

RGB 255 162 253

HSL 301.29, 1%, 0.82%

LAB 78.57, 47.92, -31.09

 

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

CMYK 0 / 70 / 32 / 7

HEX #EE48A3

RGB 238 72 163

HSL 327.11, 0.83%, 0.61%

LAB 57.52, 70.46, -13.11

 

CMYK 0 / 76 / 35 / 13

HEX #DD3690

RGB 221 54 144

HSL 327.66, 0.71%, 0.54%

LAB 51.86, 69.82, -10.69

 

CMYK 0 / 82 / 39 / 20

HEX #CC247D

RGB 204 36 125

HSL 328.21, 0.7%, 0.47%

LAB 46.42, 68.47, -7.69

 

CMYK 0 / 90 / 43 / 27

HEX #BB126A

RGB 187 18 106

HSL 328.76, 0.82%, 0.4%

LAB 41.28, 66.1, -3.92

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 64 / 46 / 0

HEX #FF5B8A

RGB 255 91 138

HSL 342.8, 1%, 0.68%

LAB 62.15, 65.61, 8.57

 

CMYK 0 / 64 / 63 / 0

HEX #FF5B5E

RGB 255 91 94

HSL 358.9, 1%, 0.68%

LAB 61.26, 62.36, 32.71

 

CMYK 0 / 64 / 64 / 0

HEX #FF5B5B

RGB 255 91 91

HSL 0, 1%, 0.68%

LAB 61.22, 62.18, 34.35

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 64 / 11 / 0

HEX #FF5BE2

RGB 255 91 226

HSL 310.61, 1%, 0.68%

LAB 65.15, 76.05, -37.08

 

CMYK 6 / 64 / 0 / 0

HEX #EF5BFF

RGB 239 91 255

HSL 294.15, 1%, 0.68%

LAB 64.2, 76.89, -54.79

 

CMYK 24 / 64 / 0 / 0

HEX #C35BFF

RGB 195 91 255

HSL 278.05, 1%, 0.68%

LAB 58.32, 67.29, -64.53

 

CMYK 41 / 64 / 0 / 0

HEX #975BFF

RGB 151 91 255

HSL 261.95, 1%, 0.68%

LAB 53.26, 58.33, -72.97

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 56 / 25 / 5

HEX #F169B5

RGB 241 105 181

HSL 326.47, 0.83%, 0.68%

LAB 63.46, 60.24, -14.48

 

CMYK 0 / 48 / 21 / 11

HEX #E476B3

RGB 228 118 179

HSL 326.73, 0.67%, 0.68%

LAB 63.92, 49.8, -12.82

 

CMYK 0 / 39 / 17 / 16

HEX #D783B2

RGB 215 131 178

HSL 326.43, 0.51%, 0.68%

LAB 64.88, 38.69, -10.99

 

CMYK 0 / 29 / 13 / 21

HEX #CA90B0

RGB 202 144 176

HSL 326.9, 0.35%, 0.68%

LAB 66.24, 26.85, -7.98

 

CMYK 7 / 64 / 0 / 0

HEX #EE5BFF

RGB 238 91 255

HSL 293.78, 1%, 0.68%

LAB 64.06, 76.67, -55.03

 

CMYK 0 / 64 / 11 / 0

HEX #FF5BE3

RGB 255 91 227

HSL 310.24, 1%, 0.68%

LAB 65.19, 76.19, -37.57

 

CMYK 0 / 64 / 28 / 0

HEX #FF5BB8

RGB 255 91 184

HSL 325.98, 1%, 0.68%

LAB 63.51, 70.46, -15.9

 

CMYK 0 / 64 / 45 / 0

HEX #FF5B8C

RGB 255 91 140

HSL 342.07, 1%, 0.68%

LAB 62.2, 65.79, 7.49

 

CMYK 0 / 64 / 62 / 0

HEX #FF5B61

RGB 255 91 97

HSL 357.8, 1%, 0.68%

LAB 61.31, 62.53, 31.07

 

CMYK 0 / 96 / 43 / 0

HEX #FF0992

RGB 255 9 146

HSL 326.59, 1%, 0.52%

LAB 55.61, 85.37, -5.62

 

CMYK 0 / 80 / 36 / 0

HEX #FF32A4

RGB 255 50 164

HSL 326.63, 1%, 0.6%

LAB 58.25, 81.11, -12.3

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 48 / 21 / 0

HEX #FF85C9

RGB 255 133 201

HSL 326.56, 1%, 0.76%

LAB 71.04, 54.13, -14.11

 

CMYK 0 / 32 / 14 / 0

HEX #FFAEDB

RGB 255 174 219

HSL 326.67, 1%, 0.84%

LAB 79.98, 36.02, -10.6

 

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

CMYK 0 / 24 / 64 / 0

HEX #FFC35B

RGB 255 195 91

HSL 38.05, 1%, 0.68%

LAB 82.4, 10.97, 59.13

 

CMYK 64 / 2 / 0 / 0

HEX #5BF9FF

RGB 91 249 255

HSL 182.2, 1%, 0.68%

LAB 90.41, -38.91, -15.09

 

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

CMYK 28 / 0 / 64 / 0

HEX #B8FF5B

RGB 184 255 91

HSL 85.98, 1%, 0.68%

LAB 92.78, -46.21, 68.81

 

CMYK 64 / 28 / 0 / 0

HEX #5BB8FF

RGB 91 184 255

HSL 205.98, 1%, 0.68%

LAB 72.04, -6.36, -43.23

 

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

CMYK 0 / 24 / 64 / 0

HEX #FFC35B

RGB 255 195 91

HSL 38.05, 1%, 0.68%

LAB 82.4, 10.97, 59.13

 

CMYK 64 / 0 / 36 / 0

HEX #5BFFA2

RGB 91 255 162

HSL 145.98, 1%, 0.68%

LAB 90.02, -62.74, 32.22

 

CMYK 64 / 41 / 0 / 0

HEX #5B97FF

RGB 91 151 255

HSL 218.05, 1%, 0.68%

LAB 62.99, 12.46, -57.52

 

CMYK 0 / 65 / 29 / 0

HEX #FF5AB6

RGB 255 90 182

HSL 326.55, 1%, 0.68%

LAB 63.3, 70.6, -15.08

 

CMYK 0 / 4 / 64 / 0

HEX #FFF45B

RGB 255 244 91

HSL 55.98, 1%, 0.68%

LAB 94.62, -13.78, 72.2

 

CMYK 64 / 0 / 36 / 0

HEX #5BFFA2

RGB 91 255 162

HSL 145.98, 1%, 0.68%

LAB 90.02, -62.74, 32.22

 

CMYK 64 / 60 / 0 / 0

HEX #5B66FF

RGB 91 102 255

HSL 235.98, 1%, 0.68%

LAB 50.63, 41.98, -77.46

 

Description

Color code: HEX #FF5AB6 | qconv.com Color code: HEX #FF5AB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 90 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 90 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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