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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF50C6 it is the complementary color #00AF39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF50C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF50C6 shade: #FF50C1, #FF62D4, #FF74E7, #FF86FA and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF50C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF50C6 shade: #FF50C6, #EE3EB3, #DD2CA0, #CC1A8D and #BB087A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF50C6 shade: #FF51C6, #FF5197, #FF5169 and #FF5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF50C6 shade: #FF51C6, #FF51F5, #D951FF, #AB51FF and #7C51FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF50C6 shade matches the following richer shades: #FF51C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF50C6 shade: #FF51C6, #F05FC1, #E26DBC, #D47BB7 and #C689B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF50C6 shade: #D951FF, #FF51F6, #FF51C8, #FF5199 and #FF516B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF50C6 shade: #FE00AB, #FF28B9, #FF51C6, #FF7AD3 and #FFA4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF50C6 shade: #FF50C6, #FFAB51 and #51FFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF50C6 shade: #FF50C6, #C8FF51 and #51C8FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF50C6 shade: #FF50C6, #FFAB51, #51FF88 and #51A5FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF50C6 shade: #FF50C6, #FFDF51, #51FF88 and #5171FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

Complementary color

CMYK 100 / 0 / 67 / 31

HEX #00AF39

RGB 0 175 57

HSL 139.54, 1%, 0.34%

LAB 62.47, -61.76, 48.18

 

CMYK 0 / 69 / 24 / 0

HEX #FF50C1

RGB 255 80 193

HSL 321.26, 1%, 0.66%

LAB 62.38, 75.6, -22.76

 

CMYK 0 / 62 / 17 / 0

HEX #FF62D4

RGB 255 98 212

HSL 316.43, 1%, 0.69%

LAB 65.55, 71.33, -28.62

 

CMYK 0 / 55 / 9 / 0

HEX #FF74E7

RGB 255 116 231

HSL 310.36, 1%, 0.73%

LAB 69.13, 66.5, -33.68

 

CMYK 0 / 47 / 2 / 0

HEX #FF86FA

RGB 255 134 250

HSL 302.48, 1%, 0.76%

LAB 73.03, 61.28, -38.03

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

CMYK 0 / 74 / 25 / 7

HEX #EE3EB3

RGB 238 62 179

HSL 320.11, 0.84%, 0.59%

LAB 56.96, 75.58, -23.27

 

CMYK 0 / 80 / 28 / 13

HEX #DD2CA0

RGB 221 44 160

HSL 320.68, 0.72%, 0.52%

LAB 51.51, 74.31, -20.75

 

CMYK 0 / 87 / 31 / 20

HEX #CC1A8D

RGB 204 26 141

HSL 321.24, 0.77%, 0.45%

LAB 46.31, 72.15, -17.6

 

CMYK 0 / 96 / 35 / 27

HEX #BB087A

RGB 187 8 122

HSL 321.79, 0.92%, 0.38%

LAB 41.44, 68.84, -13.67

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C6

RGB 255 81 198

HSL 319.66, 1%, 0.66%

LAB 62.69, 75.87, -25.12

 

CMYK 0 / 68 / 41 / 0

HEX #FF5197

RGB 255 81 151

HSL 335.86, 1%, 0.66%

LAB 61.11, 70.61, -0.47

 

CMYK 0 / 68 / 59 / 0

HEX #FF5169

RGB 255 81 105

HSL 351.72, 1%, 0.66%

LAB 60.04, 66.89, 24.82

 

CMYK 0 / 68 / 68 / 0

HEX #FF5151

RGB 255 81 81

HSL 0, 1%, 0.66%

LAB 59.65, 65.53, 38.05

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C6

RGB 255 81 198

HSL 319.66, 1%, 0.66%

LAB 62.69, 75.87, -25.12

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F5

RGB 255 81 245

HSL 303.45, 1%, 0.66%

LAB 64.75, 82.42, -48.26

 

CMYK 15 / 68 / 0 / 0

HEX #D951FF

RGB 217 81 255

HSL 286.9, 1%, 0.66%

LAB 59.76, 76.02, -62.07

 

CMYK 33 / 68 / 0 / 0

HEX #AB51FF

RGB 171 81 255

HSL 271.03, 1%, 0.66%

LAB 53.77, 66.9, -72.02

 

CMYK 51 / 68 / 0 / 0

HEX #7C51FF

RGB 124 81 255

HSL 254.83, 1%, 0.66%

LAB 48.75, 58.7, -80.42

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C6

RGB 255 81 198

HSL 319.66, 1%, 0.66%

LAB 62.69, 75.87, -25.12

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C6

RGB 255 81 198

HSL 319.66, 1%, 0.66%

LAB 62.69, 75.87, -25.12

 

CMYK 0 / 60 / 20 / 6

HEX #F05FC1

RGB 240 95 193

HSL 319.45, 0.83%, 0.66%

LAB 62.13, 65.91, -23.33

 

CMYK 0 / 52 / 17 / 11

HEX #E26DBC

RGB 226 109 188

HSL 319.49, 0.67%, 0.66%

LAB 62.28, 54.87, -20.44

 

CMYK 0 / 42 / 14 / 17

HEX #D47BB7

RGB 212 123 183

HSL 319.55, 0.51%, 0.66%

LAB 63, 42.69, -16.69

 

CMYK 0 / 31 / 10 / 22

HEX #C689B2

RGB 198 137 178

HSL 319.67, 0.35%, 0.66%

LAB 64.25, 29.63, -12.13

 

CMYK 15 / 68 / 0 / 0

HEX #D951FF

RGB 217 81 255

HSL 286.9, 1%, 0.66%

LAB 59.76, 76.02, -62.07

 

CMYK 0 / 68 / 4 / 0

HEX #FF51F6

RGB 255 81 246

HSL 303.1, 1%, 0.66%

LAB 64.8, 82.57, -48.73

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C8

RGB 255 81 200

HSL 318.97, 1%, 0.66%

LAB 62.77, 76.13, -26.13

 

CMYK 0 / 68 / 40 / 0

HEX #FF5199

RGB 255 81 153

HSL 335.17, 1%, 0.66%

LAB 61.17, 70.81, -1.54

 

CMYK 0 / 68 / 58 / 0

HEX #FF516B

RGB 255 81 107

HSL 351.03, 1%, 0.66%

LAB 60.07, 67.02, 23.71

 

CMYK 0 / 100 / 33 / 0

HEX #FE00AB

RGB 254 0 171

HSL 319.61, 1%, 0.5%

LAB 56.1, 88.02, -19.67

 

CMYK 0 / 84 / 27 / 0

HEX #FF28B9

RGB 255 40 185

HSL 319.53, 1%, 0.58%

LAB 58.3, 85.38, -24.42

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C6

RGB 255 81 198

HSL 319.66, 1%, 0.66%

LAB 62.69, 75.87, -25.12

 

CMYK 0 / 52 / 17 / 0

HEX #FF7AD3

RGB 255 122 211

HSL 319.85, 1%, 0.74%

LAB 69.39, 60.78, -22.19

 

CMYK 0 / 36 / 12 / 0

HEX #FFA4E1

RGB 255 164 225

HSL 319.78, 1%, 0.82%

LAB 78.02, 42.16, -16.79

 

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

CMYK 0 / 33 / 68 / 0

HEX #FFAB51

RGB 255 171 81

HSL 31.03, 1%, 0.66%

LAB 76.67, 22.93, 57.39

 

CMYK 68 / 0 / 6 / 0

HEX #51FFF0

RGB 81 255 240

HSL 174.83, 1%, 0.66%

LAB 91.49, -46.95, -5.72

 

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

CMYK 22 / 0 / 68 / 0

HEX #C8FF51

RGB 200 255 81

HSL 78.97, 1%, 0.66%

LAB 93.62, -41.06, 73.71

 

CMYK 68 / 22 / 0 / 0

HEX #51C8FF

RGB 81 200 255

HSL 198.97, 1%, 0.66%

LAB 76.24, -16.45, -36.72

 

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

CMYK 0 / 33 / 68 / 0

HEX #FFAB51

RGB 255 171 81

HSL 31.03, 1%, 0.66%

LAB 76.67, 22.93, 57.39

 

CMYK 68 / 0 / 47 / 0

HEX #51FF88

RGB 81 255 136

HSL 138.97, 1%, 0.66%

LAB 89.41, -68.77, 44.12

 

CMYK 68 / 35 / 0 / 0

HEX #51A5FF

RGB 81 165 255

HSL 211.03, 1%, 0.66%

LAB 66.43, 2.74, -52.09

 

CMYK 0 / 69 / 22 / 0

HEX #FF50C6

RGB 255 80 198

HSL 319.54, 1%, 0.66%

LAB 62.57, 76.22, -25.31

 

CMYK 0 / 13 / 68 / 0

HEX #FFDF51

RGB 255 223 81

HSL 48.97, 1%, 0.66%

LAB 89.22, -3.91, 70.55

 

CMYK 68 / 0 / 47 / 0

HEX #51FF88

RGB 81 255 136

HSL 138.97, 1%, 0.66%

LAB 89.41, -68.77, 44.12

 

CMYK 68 / 56 / 0 / 0

HEX #5171FF

RGB 81 113 255

HSL 228.97, 1%, 0.66%

LAB 52.71, 33.94, -74.1

 

Description

Color code: HEX #FF50C6 | qconv.com Color code: HEX #FF50C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 80 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 80 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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