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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4F3D it is the complementary color #00B0C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4F3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4F3D shade: #FF4F38, #FF614B, #FF735E, #FF8571 and #FF9784

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4F3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4F3D shade: #FF4F3D, #EE3D2A, #DD2B17, #CC1904 and #BB0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4F3D shade: #FF4F3D and #FF3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4F3D shade: #FF4F3D, #FF833D, #FFB73D, #FFEB3D and #DDFF3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4F3D shade matches the following richer shades: #FF4F3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4F3D shade: #FF4F3D, #EF5B4C, #DF685C, #CF756C and #C0827B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4F3D shade: #FF3D94, #FF3D60, #FF4D3D, #FF813D and #FFB43D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4F3D shade: #E91500, #FF2913, #FF4F3D, #FF7466 and #FF9A8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4F3D shade: #FF4F3D, #C8FF3D and #3D7AFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4F3D shade: #FF4F3D, #3DFF4D and #4D3DFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4F3D shade: #FF4F3D, #C8FF3D, #3DEEFF and #743DFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4F3D shade: #FF4F3D, #8DFF3D, #3DEEFF and #AE3DFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

Complementary color

CMYK 100 / 9 / 0 / 24

HEX #00B0C2

RGB 0 176 194

HSL 185.57, 1%, 0.38%

LAB 65.71, -30.7, -19.8

 

CMYK 0 / 69 / 78 / 0

HEX #FF4F38

RGB 255 79 56

HSL 6.93, 1%, 0.61%

LAB 59.1, 65.26, 50.84

 

CMYK 0 / 62 / 71 / 0

HEX #FF614B

RGB 255 97 75

HSL 7.33, 1%, 0.65%

LAB 61.93, 58.89, 43.99

 

CMYK 0 / 55 / 63 / 0

HEX #FF735E

RGB 255 115 94

HSL 7.83, 1%, 0.68%

LAB 65.22, 51.88, 37.64

 

CMYK 0 / 48 / 56 / 0

HEX #FF8571

RGB 255 133 113

HSL 8.45, 1%, 0.72%

LAB 68.92, 44.51, 31.92

 

CMYK 0 / 41 / 48 / 0

HEX #FF9784

RGB 255 151 132

HSL 9.27, 1%, 0.76%

LAB 72.93, 37.02, 26.83

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 74 / 82 / 7

HEX #EE3D2A

RGB 238 61 42

HSL 5.82, 0.85%, 0.55%

LAB 53.69, 65.84, 51.48

 

CMYK 0 / 81 / 90 / 13

HEX #DD2B17

RGB 221 43 23

HSL 6.06, 0.81%, 0.48%

LAB 48.46, 65.71, 54.32

 

CMYK 0 / 88 / 98 / 20

HEX #CC1904

RGB 204 25 4

HSL 6.3, 0.96%, 0.41%

LAB 43.57, 64.76, 55.89

 

CMYK 0 / 96 / 100 / 27

HEX #BB0700

RGB 187 7 0

HSL 2.25, 1%, 0.37%

LAB 39.1, 62.69, 53.33

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 76 / 76 / 0

HEX #FF3D3D

RGB 255 61 61

HSL 0, 1%, 0.62%

LAB 57.01, 71.35, 46.06

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 49 / 76 / 0

HEX #FF833D

RGB 255 131 61

HSL 21.65, 1%, 0.62%

LAB 67.89, 42.55, 57.3

 

CMYK 0 / 28 / 76 / 0

HEX #FFB73D

RGB 255 183 61

HSL 37.73, 1%, 0.62%

LAB 79.31, 15.75, 68.41

 

CMYK 0 / 8 / 76 / 0

HEX #FFEB3D

RGB 255 235 61

HSL 53.81, 1%, 0.62%

LAB 92.14, -10.76, 80.32

 

CMYK 13 / 0 / 76 / 0

HEX #DDFF3D

RGB 221 255 61

HSL 70.52, 1%, 0.62%

LAB 94.84, -34.04, 81.84

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 62 / 68 / 6

HEX #EF5B4C

RGB 239 91 76

HSL 5.52, 0.84%, 0.62%

LAB 58.37, 56.12, 38.65

 

CMYK 0 / 53 / 59 / 13

HEX #DF685C

RGB 223 104 92

HSL 5.5, 0.67%, 0.62%

LAB 58.38, 45.51, 29.14

 

CMYK 0 / 43 / 48 / 19

HEX #CF756C

RGB 207 117 108

HSL 5.45, 0.51%, 0.62%

LAB 59.04, 34.25, 20.48

 

CMYK 0 / 32 / 36 / 25

HEX #C0827B

RGB 192 130 123

HSL 6.09, 0.35%, 0.62%

LAB 60.43, 23.04, 13.52

 

CMYK 0 / 76 / 42 / 0

HEX #FF3D94

RGB 255 61 148

HSL 333.09, 1%, 0.62%

LAB 58.73, 76.77, -2.21

 

CMYK 0 / 76 / 62 / 0

HEX #FF3D60

RGB 255 61 96

HSL 349.18, 1%, 0.62%

LAB 57.5, 72.93, 26.75

 

CMYK 0 / 70 / 76 / 0

HEX #FF4D3D

RGB 255 77 61

HSL 4.95, 1%, 0.62%

LAB 58.89, 66.15, 48.05

 

CMYK 0 / 49 / 76 / 0

HEX #FF813D

RGB 255 129 61

HSL 21.03, 1%, 0.62%

LAB 67.5, 43.53, 56.9

 

CMYK 0 / 29 / 76 / 0

HEX #FFB43D

RGB 255 180 61

HSL 36.8, 1%, 0.62%

LAB 78.6, 17.32, 67.74

 

CMYK 0 / 91 / 100 / 9

HEX #E91500

RGB 233 21 0

HSL 5.41, 1%, 0.46%

LAB 49.33, 72.91, 63.02

 

CMYK 0 / 84 / 93 / 0

HEX #FF2913

RGB 255 41 19

HSL 5.59, 1%, 0.54%

LAB 54.96, 75.42, 63.22

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 0 / 55 / 60 / 0

HEX #FF7466

RGB 255 116 102

HSL 5.49, 1%, 0.7%

LAB 65.52, 51.92, 33.63

 

CMYK 0 / 40 / 44 / 0

HEX #FF9A8F

RGB 255 154 143

HSL 5.89, 1%, 0.78%

LAB 73.77, 36.54, 21.96

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 22 / 0 / 76 / 0

HEX #C8FF3D

RGB 200 255 61

HSL 77.01, 1%, 0.62%

LAB 93.51, -42.1, 80.13

 

CMYK 76 / 52 / 0 / 0

HEX #3D7AFF

RGB 61 122 255

HSL 221.13, 1%, 0.62%

LAB 54.17, 25.98, -71.77

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 76 / 0 / 70 / 0

HEX #3DFF4D

RGB 61 255 77

HSL 124.95, 1%, 0.62%

LAB 88.47, -78.68, 68.23

 

CMYK 70 / 76 / 0 / 0

HEX #4D3DFF

RGB 77 61 255

HSL 244.95, 1%, 0.62%

LAB 41.43, 63.03, -92.59

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 22 / 0 / 76 / 0

HEX #C8FF3D

RGB 200 255 61

HSL 77.01, 1%, 0.62%

LAB 93.51, -42.1, 80.13

 

CMYK 76 / 7 / 0 / 0

HEX #3DEEFF

RGB 61 238 255

HSL 185.26, 1%, 0.62%

LAB 86.68, -37.5, -20.76

 

CMYK 55 / 76 / 0 / 0

HEX #743DFF

RGB 116 61 255

HSL 257.01, 1%, 0.62%

LAB 44.62, 67.08, -87.23

 

CMYK 0 / 69 / 76 / 0

HEX #FF4F3D

RGB 255 79 61

HSL 5.57, 1%, 0.62%

LAB 59.15, 65.43, 48.33

 

CMYK 45 / 0 / 76 / 0

HEX #8DFF3D

RGB 141 255 61

HSL 95.26, 1%, 0.62%

LAB 90.56, -62.29, 76.31

 

CMYK 76 / 7 / 0 / 0

HEX #3DEEFF

RGB 61 238 255

HSL 185.26, 1%, 0.62%

LAB 86.68, -37.5, -20.76

 

CMYK 32 / 76 / 0 / 0

HEX #AE3DFF

RGB 174 61 255

HSL 274.95, 1%, 0.62%

LAB 51.33, 75.43, -75.97

 

Description

Color code: HEX #FF4F3D | qconv.com Color code: HEX #FF4F3D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 79 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 79 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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