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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4BC4 it is the complementary color #00B43B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4BC4 shade: #FF4BBF, #FF5DD2, #FF6FE5, #FF81F8 and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4BC4 shade: #FF4BC4, #EE39B1, #DD279E, #CC158B and #BB0378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4BC4 shade: #FF4CC4, #FF4C94, #FF4C64 and #FF4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4BC4 shade: #FF4CC4, #FF4CF4, #D94CFF, #A94CFF and #784CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4BC4 shade matches the following richer shades: #FF4CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4BC4 shade: #FF4CC4, #F05ABF, #E269BA, #D377B5 and #C586B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4BC4 shade: #D84CFF, #FF4CF6, #FF4CC6, #FF4C96 and #FF4C67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4BC4 shade: #F800A7, #FF23B6, #FF4CC4, #FF75D2 and #FF9FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4BC4 shade: #FF4BC4, #FFA84C and #4CFFF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4BC4 shade: #FF4BC4, #C6FF4C and #4CC6FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4BC4 shade: #FF4BC4, #FFA84C, #4CFF85 and #4CA2FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4BC4 shade: #FF4BC4, #FFDE4C, #4CFF85 and #4C6DFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

Complementary color

CMYK 100 / 0 / 67 / 29

HEX #00B43B

RGB 0 180 59

HSL 139.67, 1%, 0.35%

LAB 64.13, -63.05, 49.14

 

CMYK 0 / 71 / 25 / 0

HEX #FF4BBF

RGB 255 75 191

HSL 321.33, 1%, 0.65%

LAB 61.7, 77.04, -22.65

 

CMYK 0 / 64 / 18 / 0

HEX #FF5DD2

RGB 255 93 210

HSL 316.67, 1%, 0.68%

LAB 64.76, 73.03, -28.73

 

CMYK 0 / 56 / 10 / 0

HEX #FF6FE5

RGB 255 111 229

HSL 310.83, 1%, 0.72%

LAB 68.23, 68.38, -33.96

 

CMYK 0 / 49 / 3 / 0

HEX #FF81F8

RGB 255 129 248

HSL 303.33, 1%, 0.75%

LAB 72.05, 63.3, -38.47

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

CMYK 0 / 76 / 26 / 7

HEX #EE39B1

RGB 238 57 177

HSL 320.22, 0.84%, 0.58%

LAB 56.36, 76.79, -23.02

 

CMYK 0 / 82 / 29 / 13

HEX #DD279E

RGB 221 39 158

HSL 320.77, 0.73%, 0.51%

LAB 51.03, 75.24, -20.3

 

CMYK 0 / 90 / 32 / 20

HEX #CC158B

RGB 204 21 139

HSL 321.31, 0.81%, 0.44%

LAB 45.96, 72.73, -16.93

 

CMYK 0 / 98 / 36 / 27

HEX #BB0378

RGB 187 3 120

HSL 321.85, 0.97%, 0.37%

LAB 41.19, 69.14, -12.8

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC4

RGB 255 76 196

HSL 319.78, 1%, 0.65%

LAB 62.01, 77.32, -25.03

 

CMYK 0 / 70 / 42 / 0

HEX #FF4C94

RGB 255 76 148

HSL 335.87, 1%, 0.65%

LAB 60.4, 72.08, 0.23

 

CMYK 0 / 70 / 61 / 0

HEX #FF4C64

RGB 255 76 100

HSL 351.96, 1%, 0.65%

LAB 59.3, 68.37, 26.75

 

CMYK 0 / 70 / 70 / 0

HEX #FF4C4C

RGB 255 76 76

HSL 0, 1%, 0.65%

LAB 58.93, 67.1, 39.98

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC4

RGB 255 76 196

HSL 319.78, 1%, 0.65%

LAB 62.01, 77.32, -25.03

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF4

RGB 255 76 244

HSL 303.69, 1%, 0.65%

LAB 64.13, 83.9, -48.69

 

CMYK 15 / 70 / 0 / 0

HEX #D94CFF

RGB 217 76 255

HSL 287.26, 1%, 0.65%

LAB 59.1, 77.87, -63.12

 

CMYK 34 / 70 / 0 / 0

HEX #A94CFF

RGB 169 76 255

HSL 271.17, 1%, 0.65%

LAB 52.76, 68.71, -73.68

 

CMYK 53 / 70 / 0 / 0

HEX #784CFF

RGB 120 76 255

HSL 254.75, 1%, 0.65%

LAB 47.47, 60.61, -82.53

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC4

RGB 255 76 196

HSL 319.78, 1%, 0.65%

LAB 62.01, 77.32, -25.03

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC4

RGB 255 76 196

HSL 319.78, 1%, 0.65%

LAB 62.01, 77.32, -25.03

 

CMYK 0 / 63 / 20 / 6

HEX #F05ABF

RGB 240 90 191

HSL 319.6, 0.83%, 0.65%

LAB 61.31, 67.69, -23.46

 

CMYK 0 / 54 / 18 / 11

HEX #E269BA

RGB 226 105 186

HSL 319.83, 0.68%, 0.65%

LAB 61.5, 56.47, -20.5

 

CMYK 0 / 44 / 14 / 17

HEX #D377B5

RGB 211 119 181

HSL 319.57, 0.51%, 0.65%

LAB 61.98, 44.12, -17.11

 

CMYK 0 / 32 / 11 / 23

HEX #C586B0

RGB 197 134 176

HSL 320, 0.35%, 0.65%

LAB 63.39, 30.58, -12.3

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF6

RGB 255 76 246

HSL 303.02, 1%, 0.65%

LAB 64.23, 84.2, -49.64

 

CMYK 0 / 70 / 22 / 0

HEX #FF4CC6

RGB 255 76 198

HSL 319.11, 1%, 0.65%

LAB 62.09, 77.57, -26.05

 

CMYK 0 / 70 / 41 / 0

HEX #FF4C96

RGB 255 76 150

HSL 335.2, 1%, 0.65%

LAB 60.45, 72.27, -0.85

 

CMYK 0 / 70 / 60 / 0

HEX #FF4C67

RGB 255 76 103

HSL 350.95, 1%, 0.65%

LAB 59.35, 68.55, 25.08

 

CMYK 0 / 100 / 33 / 3

HEX #F800A7

RGB 248 0 167

HSL 319.6, 1%, 0.49%

LAB 54.81, 86.45, -19.39

 

CMYK 0 / 86 / 29 / 0

HEX #FF23B6

RGB 255 35 182

HSL 319.91, 1%, 0.57%

LAB 57.88, 85.92, -23.33

 

CMYK 0 / 70 / 23 / 0

HEX #FF4CC4

RGB 255 76 196

HSL 319.78, 1%, 0.65%

LAB 62.01, 77.32, -25.03

 

CMYK 0 / 54 / 18 / 0

HEX #FF75D2

RGB 255 117 210

HSL 319.57, 1%, 0.73%

LAB 68.49, 62.92, -23

 

CMYK 0 / 38 / 13 / 0

HEX #FF9FDF

RGB 255 159 223

HSL 320, 1%, 0.81%

LAB 76.91, 44.42, -17.38

 

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

CMYK 0 / 34 / 70 / 0

HEX #FFA84C

RGB 255 168 76

HSL 30.84, 1%, 0.65%

LAB 75.94, 24.24, 58.87

 

CMYK 70 / 0 / 6 / 0

HEX #4CFFF0

RGB 76 255 240

HSL 174.97, 1%, 0.65%

LAB 91.39, -47.58, -5.87

 

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

CMYK 22 / 0 / 70 / 0

HEX #C6FF4C

RGB 198 255 76

HSL 79.11, 1%, 0.65%

LAB 93.47, -42.1, 75.28

 

CMYK 70 / 22 / 0 / 0

HEX #4CC6FF

RGB 76 198 255

HSL 199.11, 1%, 0.65%

LAB 75.54, -16.09, -37.81

 

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

CMYK 0 / 34 / 70 / 0

HEX #FFA84C

RGB 255 168 76

HSL 30.84, 1%, 0.65%

LAB 75.94, 24.24, 58.87

 

CMYK 70 / 0 / 48 / 0

HEX #4CFF85

RGB 76 255 133

HSL 139.11, 1%, 0.65%

LAB 89.28, -70.01, 45.35

 

CMYK 70 / 36 / 0 / 0

HEX #4CA2FF

RGB 76 162 255

HSL 211.17, 1%, 0.65%

LAB 65.43, 3.76, -53.68

 

CMYK 0 / 71 / 23 / 0

HEX #FF4BC4

RGB 255 75 196

HSL 319.67, 1%, 0.65%

LAB 61.89, 77.65, -25.21

 

CMYK 0 / 13 / 70 / 0

HEX #FFDE4C

RGB 255 222 76

HSL 48.94, 1%, 0.65%

LAB 88.93, -3.66, 72.17

 

CMYK 70 / 0 / 48 / 0

HEX #4CFF85

RGB 76 255 133

HSL 139.11, 1%, 0.65%

LAB 89.28, -70.01, 45.35

 

CMYK 70 / 57 / 0 / 0

HEX #4C6DFF

RGB 76 109 255

HSL 228.94, 1%, 0.65%

LAB 51.49, 35.74, -76.09

 

Description

Color code: HEX #FF4BC4 | qconv.com Color code: HEX #FF4BC4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 75 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 75 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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