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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF4AEF it is the complementary color #00B510. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF4AEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF4AEF shade: #FF4AEA, #FF5CFD, #FF6EFF, #FF80FF and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF4AEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF4AEF shade: #FF4AEF, #EE38DC, #DD26C9, #CC14B6 and #BB02A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF4AEF shade: #FF4CEF, #FF4CBF, #FF4C8E, #FF4C5E and #FF4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF4AEF shade: #FF4CEF, #DE4CFF, #AE4CFF, #7E4CFF and #4E4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF4AEF shade matches the following richer shades: #FF4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF4AEF shade: #FF4CEF, #F05AE3, #E269D7, #D377CB and #C586BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF4AEF shade: #AE4CFF, #DE4CFF, #FF4CF0, #FF4CC0 and #FF4C90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF4AEF shade: #F800E2, #FF23EB, #FF4CEF, #FF75F2 and #FF9FF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF4AEF shade: #FF4AEF, #FF7F4C and #4CFFC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF4AEF shade: #FF4AEF, #F0FF4C and #4CF0FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF4AEF shade: #FF4AEF, #FF7F4C, #4CFF5B and #4CCCFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF4AEF shade: #FF4AEF, #FFB44C, #4CFF5B and #4C96FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

Complementary color

CMYK 100 / 0 / 91 / 29

HEX #00B510

RGB 0 181 16

HSL 125.3, 1%, 0.35%

LAB 64.23, -66.23, 62.22

 

CMYK 0 / 71 / 8 / 0

HEX #FF4AEA

RGB 255 74 234

HSL 306.96, 1%, 0.65%

LAB 63.42, 83.07, -44.25

 

CMYK 0 / 64 / 1 / 0

HEX #FF5CFD

RGB 255 92 253

HSL 300.74, 1%, 0.68%

LAB 66.52, 79.77, -49.87

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

CMYK 0 / 76 / 8 / 7

HEX #EE38DC

RGB 238 56 220

HSL 305.93, 0.84%, 0.58%

LAB 58.2, 82.7, -44.8

 

CMYK 0 / 83 / 9 / 13

HEX #DD26C9

RGB 221 38 201

HSL 306.56, 0.73%, 0.51%

LAB 52.92, 80.88, -42.49

 

CMYK 0 / 90 / 11 / 20

HEX #CC14B6

RGB 204 20 182

HSL 307.17, 0.82%, 0.44%

LAB 47.9, 78.1, -39.59

 

CMYK 0 / 99 / 13 / 27

HEX #BB02A3

RGB 187 2 163

HSL 307.78, 0.98%, 0.37%

LAB 43.14, 74.28, -36.04

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 0 / 70 / 25 / 0

HEX #FF4CBF

RGB 255 76 191

HSL 321.45, 1%, 0.65%

LAB 61.82, 76.71, -22.47

 

CMYK 0 / 70 / 44 / 0

HEX #FF4C8E

RGB 255 76 142

HSL 337.88, 1%, 0.65%

LAB 60.23, 71.53, 3.5

 

CMYK 0 / 70 / 63 / 0

HEX #FF4C5E

RGB 255 76 94

HSL 353.97, 1%, 0.65%

LAB 59.19, 68.01, 30.09

 

CMYK 0 / 70 / 70 / 0

HEX #FF4C4C

RGB 255 76 76

HSL 0, 1%, 0.65%

LAB 58.93, 67.1, 39.98

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 13 / 70 / 0 / 0

HEX #DE4CFF

RGB 222 76 255

HSL 288.94, 1%, 0.65%

LAB 59.82, 78.87, -61.94

 

CMYK 32 / 70 / 0 / 0

HEX #AE4CFF

RGB 174 76 255

HSL 272.85, 1%, 0.65%

LAB 53.37, 69.62, -72.66

 

CMYK 51 / 70 / 0 / 0

HEX #7E4CFF

RGB 126 76 255

HSL 256.76, 1%, 0.65%

LAB 48.04, 61.5, -81.58

 

CMYK 69 / 70 / 0 / 0

HEX #4E4CFF

RGB 78 76 255

HSL 240.67, 1%, 0.65%

LAB 44.25, 55.37, -87.95

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 0 / 63 / 5 / 6

HEX #F05AE3

RGB 240 90 227

HSL 305.2, 0.83%, 0.65%

LAB 62.83, 72.94, -41.43

 

CMYK 0 / 54 / 5 / 11

HEX #E269D7

RGB 226 105 215

HSL 305.45, 0.68%, 0.65%

LAB 62.66, 61.01, -35.12

 

CMYK 0 / 44 / 4 / 17

HEX #D377CB

RGB 211 119 203

HSL 305.22, 0.51%, 0.65%

LAB 62.81, 47.81, -28.3

 

CMYK 0 / 32 / 3 / 23

HEX #C586BF

RGB 197 134 191

HSL 305.71, 0.35%, 0.65%

LAB 63.9, 33.24, -20

 

CMYK 32 / 70 / 0 / 0

HEX #AE4CFF

RGB 174 76 255

HSL 272.85, 1%, 0.65%

LAB 53.37, 69.62, -72.66

 

CMYK 13 / 70 / 0 / 0

HEX #DE4CFF

RGB 222 76 255

HSL 288.94, 1%, 0.65%

LAB 59.82, 78.87, -61.94

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CF0

RGB 255 76 240

HSL 305.03, 1%, 0.65%

LAB 63.93, 83.31, -46.78

 

CMYK 0 / 70 / 25 / 0

HEX #FF4CC0

RGB 255 76 192

HSL 321.12, 1%, 0.65%

LAB 61.86, 76.83, -22.99

 

CMYK 0 / 70 / 44 / 0

HEX #FF4C90

RGB 255 76 144

HSL 337.21, 1%, 0.65%

LAB 60.29, 71.71, 2.41

 

CMYK 0 / 100 / 9 / 3

HEX #F800E2

RGB 248 0 226

HSL 305.32, 1%, 0.49%

LAB 57.51, 93.24, -49.18

 

CMYK 0 / 86 / 8 / 0

HEX #FF23EB

RGB 255 35 235

HSL 305.45, 1%, 0.57%

LAB 60.3, 92.35, -49.73

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CEF

RGB 255 76 239

HSL 305.36, 1%, 0.65%

LAB 63.89, 83.16, -46.3

 

CMYK 0 / 54 / 5 / 0

HEX #FF75F2

RGB 255 117 242

HSL 305.65, 1%, 0.73%

LAB 69.75, 67.79, -38.77

 

CMYK 0 / 38 / 4 / 0

HEX #FF9FF6

RGB 255 159 246

HSL 305.63, 1%, 0.81%

LAB 77.7, 48.22, -28.65

 

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

CMYK 0 / 50 / 70 / 0

HEX #FF7F4C

RGB 255 127 76

HSL 17.09, 1%, 0.65%

LAB 67.25, 45.16, 49.46

 

CMYK 70 / 0 / 22 / 0

HEX #4CFFC6

RGB 76 255 198

HSL 160.89, 1%, 0.65%

LAB 90.38, -57.81, 14.38

 

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

CMYK 6 / 0 / 70 / 0

HEX #F0FF4C

RGB 240 255 76

HSL 65.03, 1%, 0.65%

LAB 96.23, -25.86, 78.93

 

CMYK 70 / 6 / 0 / 0

HEX #4CF0FF

RGB 76 240 255

HSL 185.03, 1%, 0.65%

LAB 87.52, -36.78, -19.47

 

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

CMYK 0 / 50 / 70 / 0

HEX #FF7F4C

RGB 255 127 76

HSL 17.09, 1%, 0.65%

LAB 67.25, 45.16, 49.46

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 70 / 20 / 0 / 0

HEX #4CCCFF

RGB 76 204 255

HSL 197.09, 1%, 0.65%

LAB 77.25, -19.21, -35.17

 

CMYK 0 / 71 / 6 / 0

HEX #FF4AEF

RGB 255 74 239

HSL 305.3, 1%, 0.65%

LAB 63.66, 83.79, -46.65

 

CMYK 0 / 29 / 70 / 0

HEX #FFB44C

RGB 255 180 76

HSL 34.86, 1%, 0.65%

LAB 78.71, 17.97, 61.77

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 70 / 41 / 0 / 0

HEX #4C96FF

RGB 76 150 255

HSL 215.2, 1%, 0.65%

LAB 62.14, 10.79, -58.91

 

Description

Color code: HEX #FF4AEF | qconv.com Color code: HEX #FF4AEF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 74 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 74 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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