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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF49E5 it is the complementary color #00B61A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF49E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF49E5 shade: #FF49E0, #FF5BF3, #FF6DFF, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF49E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF49E5 shade: #FF49E5, #EE37D2, #DD25BF, #CC13AC and #BB0199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF49E5 shade: #FF47E4, #FF47B3, #FF4781, #FF4750 and #FF4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF49E5 shade: #FF47E4, #E747FF, #B647FF, #8447FF and #5347FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF49E5 shade matches the following richer shades: #FF47E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF49E5 shade: #FF47E4, #F056DA, #E165CF, #D273C4 and #C382BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF49E5 shade: #B547FF, #E647FF, #FF47E6, #FF47B5 and #FF4784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF49E5 shade: #F300D1, #FF1EDE, #FF47E4, #FF70EA and #FF99F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF49E5 shade: #FF49E5, #FF8447 and #47FFCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF49E5 shade: #FF49E5, #E6FF47 and #47E6FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF49E5 shade: #FF49E5, #FF8447, #47FF5F and #47C1FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF49E5 shade: #FF49E5, #FFBB47, #47FF5F and #478AFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

Complementary color

CMYK 100 / 0 / 86 / 29

HEX #00B61A

RGB 0 182 26

HSL 128.57, 1%, 0.36%

LAB 64.59, -66.12, 60.55

 

CMYK 0 / 71 / 12 / 0

HEX #FF49E0

RGB 255 73 224

HSL 310.22, 1%, 0.64%

LAB 62.85, 81.97, -39.56

 

CMYK 0 / 64 / 5 / 0

HEX #FF5BF3

RGB 255 91 243

HSL 304.39, 1%, 0.68%

LAB 65.91, 78.58, -45.32

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

CMYK 0 / 77 / 12 / 7

HEX #EE37D2

RGB 238 55 210

HSL 309.18, 0.84%, 0.57%

LAB 57.62, 81.56, -40.05

 

CMYK 0 / 83 / 14 / 13

HEX #DD25BF

RGB 221 37 191

HSL 309.78, 0.73%, 0.51%

LAB 52.35, 79.72, -37.62

 

CMYK 0 / 91 / 16 / 20

HEX #CC13AC

RGB 204 19 172

HSL 310.38, 0.83%, 0.44%

LAB 47.34, 76.9, -34.57

 

CMYK 0 / 99 / 18 / 27

HEX #BB0199

RGB 187 1 153

HSL 310.97, 0.99%, 0.37%

LAB 42.59, 73.08, -30.89

 

CMYK 0 / 72 / 11 / 0

HEX #FF47E4

RGB 255 71 228

HSL 308.8, 1%, 0.64%

LAB 62.82, 83.14, -41.85

 

CMYK 0 / 72 / 30 / 0

HEX #FF47B3

RGB 255 71 179

HSL 324.78, 1%, 0.64%

LAB 60.8, 76.93, -17.14

 

CMYK 0 / 72 / 49 / 0

HEX #FF4781

RGB 255 71 129

HSL 341.09, 1%, 0.64%

LAB 59.3, 72.1, 9.78

 

CMYK 0 / 72 / 69 / 0

HEX #FF4750

RGB 255 71 80

HSL 357.07, 1%, 0.64%

LAB 58.36, 68.99, 37.07

 

CMYK 0 / 72 / 72 / 0

HEX #FF4747

RGB 255 71 71

HSL 0, 1%, 0.64%

LAB 58.25, 68.6, 41.97

 

CMYK 0 / 72 / 11 / 0

HEX #FF47E4

RGB 255 71 228

HSL 308.8, 1%, 0.64%

LAB 62.82, 83.14, -41.85

 

CMYK 9 / 72 / 0 / 0

HEX #E747FF

RGB 231 71 255

HSL 292.17, 1%, 0.64%

LAB 60.53, 82.34, -60.72

 

CMYK 29 / 72 / 0 / 0

HEX #B647FF

RGB 182 71 255

HSL 276.2, 1%, 0.64%

LAB 53.68, 73.09, -72.11

 

CMYK 48 / 72 / 0 / 0

HEX #8447FF

RGB 132 71 255

HSL 259.89, 1%, 0.64%

LAB 47.79, 64.78, -81.95

 

CMYK 67 / 72 / 0 / 0

HEX #5347FF

RGB 83 71 255

HSL 243.91, 1%, 0.64%

LAB 43.6, 58.55, -88.99

 

CMYK 0 / 72 / 11 / 0

HEX #FF47E4

RGB 255 71 228

HSL 308.8, 1%, 0.64%

LAB 62.82, 83.14, -41.85

 

CMYK 0 / 72 / 11 / 0

HEX #FF47E4

RGB 255 71 228

HSL 308.8, 1%, 0.64%

LAB 62.82, 83.14, -41.85

 

CMYK 0 / 64 / 9 / 6

HEX #F056DA

RGB 240 86 218

HSL 308.57, 0.84%, 0.64%

LAB 61.86, 73.11, -37.9

 

CMYK 0 / 55 / 8 / 12

HEX #E165CF

RGB 225 101 207

HSL 308.71, 0.67%, 0.64%

LAB 61.5, 61.25, -32.43

 

CMYK 0 / 45 / 7 / 18

HEX #D273C4

RGB 210 115 196

HSL 308.84, 0.51%, 0.64%

LAB 61.61, 48.34, -26.2

 

CMYK 0 / 33 / 5 / 24

HEX #C382BA

RGB 195 130 186

HSL 308.31, 0.35%, 0.64%

LAB 62.6, 33.85, -19.17

 

CMYK 29 / 72 / 0 / 0

HEX #B547FF

RGB 181 71 255

HSL 275.87, 1%, 0.64%

LAB 53.55, 72.91, -72.33

 

CMYK 10 / 72 / 0 / 0

HEX #E647FF

RGB 230 71 255

HSL 291.85, 1%, 0.64%

LAB 60.38, 82.15, -60.97

 

CMYK 0 / 72 / 10 / 0

HEX #FF47E6

RGB 255 71 230

HSL 308.15, 1%, 0.64%

LAB 62.91, 83.42, -42.82

 

CMYK 0 / 72 / 29 / 0

HEX #FF47B5

RGB 255 71 181

HSL 324.13, 1%, 0.64%

LAB 60.87, 77.16, -18.18

 

CMYK 0 / 72 / 48 / 0

HEX #FF4784

RGB 255 71 132

HSL 340.11, 1%, 0.64%

LAB 59.37, 72.34, 8.12

 

CMYK 0 / 100 / 14 / 5

HEX #F300D1

RGB 243 0 209

HSL 308.4, 1%, 0.48%

LAB 55.74, 90.23, -42.37

 

CMYK 0 / 88 / 13 / 0

HEX #FF1EDE

RGB 255 30 222

HSL 308.8, 1%, 0.56%

LAB 59.4, 91.38, -43.85

 

CMYK 0 / 72 / 11 / 0

HEX #FF47E4

RGB 255 71 228

HSL 308.8, 1%, 0.64%

LAB 62.82, 83.14, -41.85

 

CMYK 0 / 56 / 8 / 0

HEX #FF70EA

RGB 255 112 234

HSL 308.81, 1%, 0.72%

LAB 68.6, 68.72, -36.15

 

CMYK 0 / 40 / 6 / 0

HEX #FF99F0

RGB 255 153 240

HSL 308.82, 1%, 0.8%

LAB 76.27, 50.25, -27.59

 

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

CMYK 0 / 48 / 72 / 0

HEX #FF8447

RGB 255 132 71

HSL 19.89, 1%, 0.64%

LAB 68.18, 42.46, 52.93

 

CMYK 72 / 0 / 19 / 0

HEX #47FFCE

RGB 71 255 206

HSL 164.02, 1%, 0.64%

LAB 90.47, -56.63, 10.37

 

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

CMYK 10 / 0 / 72 / 0

HEX #E6FF47

RGB 230 255 71

HSL 68.15, 1%, 0.64%

LAB 95.5, -30.06, 79.62

 

CMYK 72 / 10 / 0 / 0

HEX #47E6FF

RGB 71 230 255

HSL 188.15, 1%, 0.64%

LAB 84.56, -32.69, -23.96

 

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

CMYK 0 / 48 / 72 / 0

HEX #FF8447

RGB 255 132 71

HSL 19.89, 1%, 0.64%

LAB 68.18, 42.46, 52.93

 

CMYK 72 / 0 / 63 / 0

HEX #47FF5F

RGB 71 255 95

HSL 127.83, 1%, 0.64%

LAB 88.77, -75.6, 61.67

 

CMYK 72 / 24 / 0 / 0

HEX #47C1FF

RGB 71 193 255

HSL 200.22, 1%, 0.64%

LAB 74, -14.11, -40.22

 

CMYK 0 / 71 / 10 / 0

HEX #FF49E5

RGB 255 73 229

HSL 308.57, 1%, 0.64%

LAB 63.08, 82.67, -42

 

CMYK 0 / 27 / 72 / 0

HEX #FFBB47

RGB 255 187 71

HSL 37.83, 1%, 0.64%

LAB 80.32, 14.08, 65.51

 

CMYK 72 / 0 / 63 / 0

HEX #47FF5F

RGB 71 255 95

HSL 127.83, 1%, 0.64%

LAB 88.77, -75.6, 61.67

 

CMYK 72 / 46 / 0 / 0

HEX #478AFF

RGB 71 138 255

HSL 218.15, 1%, 0.64%

LAB 58.73, 17.32, -64.39

 

Description

Color code: HEX #FF49E5 | qconv.com Color code: HEX #FF49E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 73 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 73 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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