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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF1912 it is the complementary color #00E6ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF1912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF1912 shade: #FF190D, #FF2B20, #FF3D33, #FF4F46 and #FF6159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF1912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF1912 shade: #FF1912, #EE0700, #DD0000, #CC0000 and #BB0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF1912 shade: #FF1B14 and #FF1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF1912 shade: #FF1B14, #FF5A14, #FF9914, #FFD914 and #E5FF14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF1912 shade matches the following richer shades: #FF1B14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF1912 shade: #FF1B14, #EC2D27, #D93F3A, #C6504D and #B36260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF1912 shade: #FF148D, #FF144F, #FF1814, #FF5614 and #FF9514

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF1912 shade: #C00500, #EA0600, #FF1B14, #FF433D and #FF6B66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF1912 shade: #FF1912, #CCFF14 and #146EFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF1912 shade: #FF1912, #14FF18 and #1814FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF1912 shade: #FF1912, #CCFF14, #14FBFF and #4714FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF1912 shade: #FF1912, #85FF14, #14FBFF and #8D14FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

Complementary color

CMYK 100 / 3 / 0 / 7

HEX #00E6ED

RGB 0 230 237

HSL 181.77, 1%, 0.46%

LAB 83.29, -42.4, -16.46

 

CMYK 0 / 90 / 95 / 0

HEX #FF190D

RGB 255 25 13

HSL 2.98, 1%, 0.53%

LAB 54.01, 78.04, 64.41

 

CMYK 0 / 83 / 87 / 0

HEX #FF2B20

RGB 255 43 32

HSL 2.96, 1%, 0.56%

LAB 55.17, 75.18, 58.56

 

CMYK 0 / 76 / 80 / 0

HEX #FF3D33

RGB 255 61 51

HSL 2.94, 1%, 0.6%

LAB 56.92, 71.05, 51.19

 

CMYK 0 / 69 / 73 / 0

HEX #FF4F46

RGB 255 79 70

HSL 2.92, 1%, 0.64%

LAB 59.25, 65.77, 43.65

 

CMYK 0 / 62 / 65 / 0

HEX #FF6159

RGB 255 97 89

HSL 2.89, 1%, 0.67%

LAB 62.11, 59.6, 36.57

 

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

CMYK 0 / 97 / 100 / 7

HEX #EE0700

RGB 238 7 0

HSL 1.76, 1%, 0.47%

LAB 49.89, 75.5, 63.86

 

CMYK 0 / 100 / 100 / 13

HEX #DD0000

RGB 221 0 0

HSL 0, 1%, 0.43%

LAB 46.14, 71.9, 60.33

 

CMYK 0 / 100 / 100 / 20

HEX #CC0000

RGB 204 0 0

HSL 0, 1%, 0.4%

LAB 42.52, 67.71, 56.82

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 89 / 92 / 0

HEX #FF1B14

RGB 255 27 20

HSL 1.79, 1%, 0.54%

LAB 54.13, 77.83, 62.4

 

CMYK 0 / 92 / 92 / 0

HEX #FF1414

RGB 255 20 20

HSL 0, 1%, 0.54%

LAB 53.83, 78.7, 62.22

 

CMYK 0 / 89 / 92 / 0

HEX #FF1B14

RGB 255 27 20

HSL 1.79, 1%, 0.54%

LAB 54.13, 77.83, 62.4

 

CMYK 0 / 65 / 92 / 0

HEX #FF5A14

RGB 255 90 20

HSL 17.87, 1%, 0.54%

LAB 60.45, 60.25, 66.37

 

CMYK 0 / 40 / 92 / 0

HEX #FF9914

RGB 255 153 20

HSL 33.96, 1%, 0.54%

LAB 72.29, 30.35, 74.5

 

CMYK 0 / 15 / 92 / 0

HEX #FFD914

RGB 255 217 20

HSL 50.3, 1%, 0.54%

LAB 87.45, -2.76, 85.6

 

CMYK 10 / 0 / 92 / 0

HEX #E5FF14

RGB 229 255 20

HSL 66.64, 1%, 0.54%

LAB 95.26, -31.93, 90.64

 

CMYK 0 / 89 / 92 / 0

HEX #FF1B14

RGB 255 27 20

HSL 1.79, 1%, 0.54%

LAB 54.13, 77.83, 62.4

 

CMYK 0 / 89 / 92 / 0

HEX #FF1B14

RGB 255 27 20

HSL 1.79, 1%, 0.54%

LAB 54.13, 77.83, 62.4

 

CMYK 0 / 81 / 83 / 7

HEX #EC2D27

RGB 236 45 39

HSL 1.83, 0.84%, 0.54%

LAB 51.67, 69.72, 50.98

 

CMYK 0 / 71 / 73 / 15

HEX #D93F3A

RGB 217 63 58

HSL 1.89, 0.68%, 0.54%

LAB 50.23, 59.28, 38.28

 

CMYK 0 / 60 / 61 / 22

HEX #C6504D

RGB 198 80 77

HSL 1.49, 0.51%, 0.54%

LAB 49.83, 46.93, 26.06

 

CMYK 0 / 45 / 46 / 30

HEX #B36260

RGB 179 98 96

HSL 1.45, 0.35%, 0.54%

LAB 50.88, 32.39, 15.72

 

CMYK 0 / 92 / 45 / 0

HEX #FF148D

RGB 255 20 141

HSL 329.11, 1%, 0.54%

LAB 55.77, 84.06, -2.42

 

CMYK 0 / 92 / 69 / 0

HEX #FF144F

RGB 255 20 79

HSL 344.94, 1%, 0.54%

LAB 54.37, 80.22, 32.79

 

CMYK 0 / 91 / 92 / 0

HEX #FF1814

RGB 255 24 20

HSL 1.02, 1%, 0.54%

LAB 53.99, 78.23, 62.32

 

CMYK 0 / 66 / 92 / 0

HEX #FF5614

RGB 255 86 20

HSL 16.85, 1%, 0.54%

LAB 59.86, 61.84, 65.98

 

CMYK 0 / 42 / 92 / 0

HEX #FF9514

RGB 255 149 20

HSL 32.94, 1%, 0.54%

LAB 71.42, 32.41, 73.88

 

CMYK 0 / 97 / 100 / 25

HEX #C00500

RGB 192 5 0

HSL 1.56, 1%, 0.38%

LAB 40.11, 64.19, 54.36

 

CMYK 0 / 97 / 100 / 8

HEX #EA0600

RGB 234 6 0

HSL 1.54, 1%, 0.46%

LAB 49.04, 74.6, 63.04

 

CMYK 0 / 89 / 92 / 0

HEX #FF1B14

RGB 255 27 20

HSL 1.79, 1%, 0.54%

LAB 54.13, 77.83, 62.4

 

CMYK 0 / 74 / 76 / 0

HEX #FF433D

RGB 255 67 61

HSL 1.86, 1%, 0.62%

LAB 57.67, 69.52, 46.76

 

CMYK 0 / 58 / 60 / 0

HEX #FF6B66

RGB 255 107 102

HSL 1.96, 1%, 0.7%

LAB 63.95, 56.04, 31.62

 

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

CMYK 20 / 0 / 92 / 0

HEX #CCFF14

RGB 204 255 20

HSL 73.02, 1%, 0.54%

LAB 93.63, -41.74, 88.67

 

CMYK 92 / 57 / 0 / 0

HEX #146EFF

RGB 20 110 255

HSL 217.02, 1%, 0.54%

LAB 50.12, 30.65, -78.39

 

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

CMYK 92 / 0 / 91 / 0

HEX #14FF18

RGB 20 255 24

HSL 121.02, 1%, 0.54%

LAB 87.84, -85.11, 81.06

 

CMYK 91 / 92 / 0 / 0

HEX #1814FF

RGB 24 20 255

HSL 241.02, 1%, 0.54%

LAB 33.8, 76.01, -105.34

 

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

CMYK 20 / 0 / 92 / 0

HEX #CCFF14

RGB 204 255 20

HSL 73.02, 1%, 0.54%

LAB 93.63, -41.74, 88.67

 

CMYK 92 / 2 / 0 / 0

HEX #14FBFF

RGB 20 251 255

HSL 181.02, 1%, 0.54%

LAB 90.03, -45.9, -15.76

 

CMYK 72 / 92 / 0 / 0

HEX #4714FF

RGB 71 20 255

HSL 253.02, 1%, 0.54%

LAB 36.1, 77.22, -101.45

 

CMYK 0 / 90 / 93 / 0

HEX #FF1912

RGB 255 25 18

HSL 1.77, 1%, 0.54%

LAB 54.03, 78.08, 62.99

 

CMYK 48 / 0 / 92 / 0

HEX #85FF14

RGB 133 255 20

HSL 91.15, 1%, 0.54%

LAB 90.12, -66.1, 84.38

 

CMYK 92 / 2 / 0 / 0

HEX #14FBFF

RGB 20 251 255

HSL 181.02, 1%, 0.54%

LAB 90.03, -45.9, -15.76

 

CMYK 45 / 92 / 0 / 0

HEX #8D14FF

RGB 141 20 255

HSL 270.89, 1%, 0.54%

LAB 43.33, 81.95, -89.24

 

Description

Color code: HEX #FF1912 | qconv.com Color code: HEX #FF1912 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 25 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 25 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 93 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 93% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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