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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF0E55 it is the complementary color #00F1AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF0E55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF0E55 shade: #FF0E50, #FF2063, #FF3276, #FF4489 and #FF569C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF0E55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF0E55 shade: #FF0E55, #EE0042, #DD002F, #CC001C and #BB0009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF0E55 shade: #FF0F55, #FF0F15 and #FF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF0E55 shade: #FF0F55, #FF0F96, #FF0FD7, #E60FFF and #A50FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF0E55 shade matches the following richer shades: #FF0F55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF0E55 shade: #FF0F55, #EB225D, #D83665, #C4496D and #B15C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF0E55 shade: #FF0FD7, #FF0F97, #FF0F57, #FF0F17 and #FF470F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF0E55 shade: #BB0037, #E50043, #FF0F55, #FF3873 and #FF6190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF0E55 shade: #FF0E55, #FFE70F and #0FB7FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF0E55 shade: #FF0E55, #57FF0F and #0F57FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF0E55 shade: #FF0E55, #FFE70F, #0FFFB7 and #0F27FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF0E55 shade: #FF0E55, #CFFF0F, #0FFFB7 and #3F0FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

Complementary color

CMYK 100 / 0 / 29 / 5

HEX #00F1AA

RGB 0 241 170

HSL 162.32, 1%, 0.47%

LAB 84.9, -64.29, 21.02

 

CMYK 0 / 95 / 69 / 0

HEX #FF0E50

RGB 255 14 80

HSL 343.57, 1%, 0.53%

LAB 54.19, 80.84, 31.98

 

CMYK 0 / 87 / 61 / 0

HEX #FF2063

RGB 255 32 99

HSL 341.97, 1%, 0.56%

LAB 55.27, 79.61, 22.03

 

CMYK 0 / 80 / 54 / 0

HEX #FF3276

RGB 255 50 118

HSL 340.1, 1%, 0.6%

LAB 56.93, 77.22, 12.95

 

CMYK 0 / 73 / 46 / 0

HEX #FF4489

RGB 255 68 137

HSL 337.86, 1%, 0.63%

LAB 59.16, 73.72, 4.88

 

CMYK 0 / 66 / 39 / 0

HEX #FF569C

RGB 255 86 156

HSL 335.15, 1%, 0.67%

LAB 61.93, 69.26, -2.18

 

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

CMYK 0 / 100 / 72 / 7

HEX #EE0042

RGB 238 0 66

HSL 343.36, 1%, 0.47%

LAB 50.18, 77.31, 34.64

 

CMYK 0 / 100 / 79 / 13

HEX #DD002F

RGB 221 0 47

HSL 347.24, 1%, 0.43%

LAB 46.42, 72.65, 40.59

 

CMYK 0 / 100 / 86 / 20

HEX #CC001C

RGB 204 0 28

HSL 351.76, 1%, 0.4%

LAB 42.64, 68.06, 46.07

 

CMYK 0 / 100 / 95 / 27

HEX #BB0009

RGB 187 0 9

HSL 357.11, 1%, 0.37%

LAB 38.87, 63.55, 49.87

 

CMYK 0 / 94 / 67 / 0

HEX #FF0F55

RGB 255 15 85

HSL 342.5, 1%, 0.53%

LAB 54.3, 80.97, 29.14

 

CMYK 0 / 94 / 92 / 0

HEX #FF0F15

RGB 255 15 21

HSL 358.5, 1%, 0.53%

LAB 53.66, 79.2, 61.78

 

CMYK 0 / 94 / 94 / 0

HEX #FF0F0F

RGB 255 15 15

HSL 0, 1%, 0.53%

LAB 53.64, 79.14, 63.67

 

CMYK 0 / 94 / 67 / 0

HEX #FF0F55

RGB 255 15 85

HSL 342.5, 1%, 0.53%

LAB 54.3, 80.97, 29.14

 

CMYK 0 / 94 / 41 / 0

HEX #FF0F96

RGB 255 15 150

HSL 326.25, 1%, 0.53%

LAB 55.89, 85.28, -7.59

 

CMYK 0 / 94 / 16 / 0

HEX #FF0FD7

RGB 255 15 215

HSL 310, 1%, 0.53%

LAB 58.52, 92.1, -41.28

 

CMYK 10 / 94 / 0 / 0

HEX #E60FFF

RGB 230 15 255

HSL 293.75, 1%, 0.53%

LAB 56.47, 93.54, -67.25

 

CMYK 35 / 94 / 0 / 0

HEX #A50FFF

RGB 165 15 255

HSL 277.5, 1%, 0.53%

LAB 46.39, 85.09, -84.09

 

CMYK 0 / 94 / 67 / 0

HEX #FF0F55

RGB 255 15 85

HSL 342.5, 1%, 0.53%

LAB 54.3, 80.97, 29.14

 

CMYK 0 / 94 / 67 / 0

HEX #FF0F55

RGB 255 15 85

HSL 342.5, 1%, 0.53%

LAB 54.3, 80.97, 29.14

 

CMYK 0 / 86 / 60 / 8

HEX #EB225D

RGB 235 34 93

HSL 342.39, 0.83%, 0.53%

LAB 51.38, 74.03, 19.75

 

CMYK 0 / 75 / 53 / 15

HEX #D83665

RGB 216 54 101

HSL 342.59, 0.68%, 0.53%

LAB 49.71, 64.56, 12.03

 

CMYK 0 / 63 / 44 / 23

HEX #C4496D

RGB 196 73 109

HSL 342.44, 0.51%, 0.53%

LAB 49.01, 52.1, 5.69

 

CMYK 0 / 48 / 34 / 31

HEX #B15C75

RGB 177 92 117

HSL 342.35, 0.35%, 0.53%

LAB 49.84, 37.28, 1.69

 

CMYK 0 / 94 / 16 / 0

HEX #FF0FD7

RGB 255 15 215

HSL 310, 1%, 0.53%

LAB 58.52, 92.1, -41.28

 

CMYK 0 / 94 / 41 / 0

HEX #FF0F97

RGB 255 15 151

HSL 326, 1%, 0.53%

LAB 55.92, 85.36, -8.13

 

CMYK 0 / 94 / 66 / 0

HEX #FF0F57

RGB 255 15 87

HSL 342, 1%, 0.53%

LAB 54.33, 81.07, 27.99

 

CMYK 0 / 94 / 91 / 0

HEX #FF0F17

RGB 255 15 23

HSL 358, 1%, 0.53%

LAB 53.67, 79.23, 61.07

 

CMYK 0 / 72 / 94 / 0

HEX #FF470F

RGB 255 71 15

HSL 14, 1%, 0.53%

LAB 57.85, 67.24, 66.02

 

CMYK 0 / 100 / 71 / 27

HEX #BB0037

RGB 187 0 55

HSL 342.35, 1%, 0.37%

LAB 39.31, 64.74, 25.76

 

CMYK 0 / 100 / 71 / 10

HEX #E50043

RGB 229 0 67

HSL 342.45, 1%, 0.45%

LAB 48.34, 75.25, 31.4

 

CMYK 0 / 94 / 67 / 0

HEX #FF0F55

RGB 255 15 85

HSL 342.5, 1%, 0.53%

LAB 54.3, 80.97, 29.14

 

CMYK 0 / 78 / 55 / 0

HEX #FF3873

RGB 255 56 115

HSL 342.21, 1%, 0.61%

LAB 57.39, 75.5, 15.37

 

CMYK 0 / 62 / 44 / 0

HEX #FF6190

RGB 255 97 144

HSL 342.15, 1%, 0.69%

LAB 63.2, 63.74, 6.6

 

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

CMYK 0 / 9 / 94 / 0

HEX #FFE70F

RGB 255 231 15

HSL 54, 1%, 0.53%

LAB 90.98, -9.81, 88.81

 

CMYK 94 / 28 / 0 / 0

HEX #0FB7FF

RGB 15 183 255

HSL 198, 1%, 0.53%

LAB 70.31, -13.02, -46.05

 

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

CMYK 66 / 0 / 94 / 0

HEX #57FF0F

RGB 87 255 15

HSL 102, 1%, 0.53%

LAB 88.72, -77.4, 83.21

 

CMYK 94 / 66 / 0 / 0

HEX #0F57FF

RGB 15 87 255

HSL 222, 1%, 0.53%

LAB 44.43, 44.91, -87.72

 

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

CMYK 0 / 9 / 94 / 0

HEX #FFE70F

RGB 255 231 15

HSL 54, 1%, 0.53%

LAB 90.98, -9.81, 88.81

 

CMYK 94 / 0 / 28 / 0

HEX #0FFFB7

RGB 15 255 183

HSL 162, 1%, 0.53%

LAB 89.41, -66.1, 20.61

 

CMYK 94 / 85 / 0 / 0

HEX #0F27FF

RGB 15 39 255

HSL 234, 1%, 0.53%

LAB 35.54, 70.05, -102.45

 

CMYK 0 / 95 / 67 / 0

HEX #FF0E55

RGB 255 14 85

HSL 342.32, 1%, 0.53%

LAB 54.27, 81.06, 29.1

 

CMYK 19 / 0 / 94 / 0

HEX #CFFF0F

RGB 207 255 15

HSL 72, 1%, 0.53%

LAB 93.81, -40.65, 89.4

 

CMYK 94 / 0 / 28 / 0

HEX #0FFFB7

RGB 15 255 183

HSL 162, 1%, 0.53%

LAB 89.41, -66.1, 20.61

 

CMYK 75 / 94 / 0 / 0

HEX #3F0FFF

RGB 63 15 255

HSL 252, 1%, 0.53%

LAB 35.24, 77.87, -102.9

 

Description

Color code: HEX #FF0E55 | qconv.com Color code: HEX #FF0E55 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 14 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 14 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 67 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 67% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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