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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF00F8 it is the complementary color #00FF07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF00F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF00F8 shade: #FF00F3, #FF12FF, #FF24FF, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF00F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF00F8 shade: #FF00F8, #EE00E5, #DD00D2, #CC00BF and #BB00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF00F8 shade: #FF00F7, #FF00B3, #FF006E, #FF0029 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF00F8 shade: #FF00F7, #C100FF, #7C00FF, #3700FF and #0000FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF00F8 shade matches the following richer shades: #FF00F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF00F8 shade: #FF00F7, #EA14E4, #D529D0, #C13DBD and #AC52AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF00F8 shade: #7B00FF, #BF00FF, #FF00FA, #FF00B6 and #FF0072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF00F8 shade: #AC00A7, #D500CF, #FF00F7, #FF29F9 and #FF52FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF00F8 shade: #FF00F8, #FF3700 and #00FF9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF00F8 shade: #FF00F8, #FAFF00 and #00FAFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF00F8 shade: #FF00F8, #FF3700, #00FF04 and #00C7FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF00F8 shade: #FF00F8, #FF8300, #00FF04 and #007BFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

Complementary color

CMYK 100 / 0 / 97 / 0

HEX #00FF07

RGB 0 255 7

HSL 121.65, 1%, 0.5%

LAB 87.74, -86.09, 82.66

 

CMYK 0 / 100 / 5 / 0

HEX #FF00F3

RGB 255 0 243

HSL 302.82, 1%, 0.5%

LAB 59.64, 96.62, -55.25

 

CMYK 0 / 93 / 0 / 0

HEX #FF12FF

RGB 255 18 255

HSL 300, 1%, 0.54%

LAB 60.7, 97.12, -60.23

 

CMYK 0 / 86 / 0 / 0

HEX #FF24FF

RGB 255 36 255

HSL 300, 1%, 0.57%

LAB 61.43, 94.98, -59.07

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

CMYK 0 / 100 / 4 / 7

HEX #EE00E5

RGB 238 0 229

HSL 302.27, 1%, 0.47%

LAB 55.92, 92.01, -53.51

 

CMYK 0 / 100 / 5 / 13

HEX #DD00D2

RGB 221 0 210

HSL 302.99, 1%, 0.43%

LAB 51.87, 86.65, -49.34

 

CMYK 0 / 100 / 6 / 20

HEX #CC00BF

RGB 204 0 191

HSL 303.82, 1%, 0.4%

LAB 47.75, 81.21, -45.09

 

CMYK 0 / 100 / 8 / 27

HEX #BB00AC

RGB 187 0 172

HSL 304.81, 1%, 0.37%

LAB 43.57, 75.68, -40.74

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F7

RGB 255 0 247

HSL 301.88, 1%, 0.5%

LAB 59.87, 97.16, -57.13

 

CMYK 0 / 100 / 30 / 0

HEX #FF00B3

RGB 255 0 179

HSL 317.88, 1%, 0.5%

LAB 56.6, 89.01, -23.56

 

CMYK 0 / 100 / 57 / 0

HEX #FF006E

RGB 255 0 110

HSL 334.12, 1%, 0.5%

LAB 54.43, 83.35, 14.27

 

CMYK 0 / 100 / 84 / 0

HEX #FF0029

RGB 255 0 41

HSL 350.35, 1%, 0.5%

LAB 53.41, 80.58, 52.97

 

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F7

RGB 255 0 247

HSL 301.88, 1%, 0.5%

LAB 59.87, 97.16, -57.13

 

CMYK 24 / 100 / 0 / 0

HEX #C100FF

RGB 193 0 255

HSL 285.41, 1%, 0.5%

LAB 50.17, 89.63, -77.75

 

CMYK 51 / 100 / 0 / 0

HEX #7C00FF

RGB 124 0 255

HSL 269.18, 1%, 0.5%

LAB 40.42, 82.89, -94.13

 

CMYK 78 / 100 / 0 / 0

HEX #3700FF

RGB 55 0 255

HSL 252.94, 1%, 0.5%

LAB 34.05, 79.8, -104.9

 

CMYK 100 / 100 / 0 / 0

HEX #0000FF

RGB 0 0 255

HSL 240, 1%, 0.5%

LAB 32.3, 79.2, -107.86

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F7

RGB 255 0 247

HSL 301.88, 1%, 0.5%

LAB 59.87, 97.16, -57.13

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F7

RGB 255 0 247

HSL 301.88, 1%, 0.5%

LAB 59.87, 97.16, -57.13

 

CMYK 0 / 91 / 3 / 8

HEX #EA14E4

RGB 234 20 228

HSL 301.68, 0.84%, 0.5%

LAB 55.68, 89.72, -53.37

 

CMYK 0 / 81 / 2 / 16

HEX #D529D0

RGB 213 41 208

HSL 301.74, 0.68%, 0.5%

LAB 52.16, 79.71, -47.81

 

CMYK 0 / 68 / 2 / 24

HEX #C13DBD

RGB 193 61 189

HSL 301.82, 0.52%, 0.5%

LAB 49.92, 66.75, -40.6

 

CMYK 0 / 52 / 1 / 33

HEX #AC52AA

RGB 172 82 170

HSL 301.33, 0.35%, 0.5%

LAB 49.14, 49.07, -30.94

 

CMYK 52 / 100 / 0 / 0

HEX #7B00FF

RGB 123 0 255

HSL 268.94, 1%, 0.5%

LAB 40.3, 82.82, -94.34

 

CMYK 25 / 100 / 0 / 0

HEX #BF00FF

RGB 191 0 255

HSL 284.94, 1%, 0.5%

LAB 49.85, 89.39, -78.27

 

CMYK 0 / 100 / 2 / 0

HEX #FF00FA

RGB 255 0 250

HSL 301.18, 1%, 0.5%

LAB 60.03, 97.57, -58.53

 

CMYK 0 / 100 / 29 / 0

HEX #FF00B6

RGB 255 0 182

HSL 317.18, 1%, 0.5%

LAB 56.72, 89.32, -25.12

 

CMYK 0 / 100 / 55 / 0

HEX #FF0072

RGB 255 0 114

HSL 333.18, 1%, 0.5%

LAB 54.53, 83.6, 11.99

 

CMYK 0 / 100 / 3 / 33

HEX #AC00A7

RGB 172 0 167

HSL 301.74, 1%, 0.34%

LAB 40.51, 72.4, -42.79

 

CMYK 0 / 100 / 3 / 16

HEX #D500CF

RGB 213 0 207

HSL 301.69, 1%, 0.42%

LAB 50.28, 84.93, -50.24

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F7

RGB 255 0 247

HSL 301.88, 1%, 0.5%

LAB 59.87, 97.16, -57.13

 

CMYK 0 / 84 / 2 / 0

HEX #FF29F9

RGB 255 41 249

HSL 301.68, 1%, 0.58%

LAB 61.38, 93.3, -55.82

 

CMYK 0 / 68 / 2 / 0

HEX #FF52FA

RGB 255 82 250

HSL 301.73, 1%, 0.66%

LAB 65.12, 82.84, -50.44

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

CMYK 0 / 78 / 100 / 0

HEX #FF3700

RGB 255 55 0

HSL 12.94, 1%, 0.5%

LAB 56.08, 71.97, 68.31

 

CMYK 100 / 0 / 38 / 0

HEX #00FF9D

RGB 0 255 157

HSL 156.94, 1%, 0.5%

LAB 88.9, -71.79, 33.04

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

CMYK 2 / 0 / 100 / 0

HEX #FAFF00

RGB 250 255 0

HSL 61.18, 1%, 0.5%

LAB 96.76, -23.6, 94.03

 

CMYK 100 / 2 / 0 / 0

HEX #00FAFF

RGB 0 250 255

HSL 181.18, 1%, 0.5%

LAB 89.67, -45.92, -16.31

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

CMYK 0 / 78 / 100 / 0

HEX #FF3700

RGB 255 55 0

HSL 12.94, 1%, 0.5%

LAB 56.08, 71.97, 68.31

 

CMYK 100 / 0 / 98 / 0

HEX #00FF04

RGB 0 255 4

HSL 120.94, 1%, 0.5%

LAB 87.74, -86.13, 82.88

 

CMYK 100 / 22 / 0 / 0

HEX #00C7FF

RGB 0 199 255

HSL 193.18, 1%, 0.5%

LAB 74.87, -21.8, -38.94

 

CMYK 0 / 100 / 3 / 0

HEX #FF00F8

RGB 255 0 248

HSL 301.65, 1%, 0.5%

LAB 59.92, 97.29, -57.59

 

CMYK 0 / 49 / 100 / 0

HEX #FF8300

RGB 255 131 0

HSL 30.82, 1%, 0.5%

LAB 67.64, 41.35, 74.38

 

CMYK 100 / 0 / 98 / 0

HEX #00FF04

RGB 0 255 4

HSL 120.94, 1%, 0.5%

LAB 87.74, -86.13, 82.88

 

CMYK 100 / 52 / 0 / 0

HEX #007BFF

RGB 0 123 255

HSL 211.06, 1%, 0.5%

LAB 53.37, 21.92, -73.11

 

Description

Color code: HEX #FF00F8 | qconv.com Color code: HEX #FF00F8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, none green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 0 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 3 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 3% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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