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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC1F0 it is the complementary color #013E0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC1F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC1F0 shade: #FFC1EB, #FFD3FE, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC1F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC1F0 shade: #FEC1F0, #EDAFDD, #DC9DCA, #CB8BB7 and #BA79A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC1F0 shade: #FEC2F0, #FEC2E0, #FEC2D0 and #FEC2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC1F0 shade: #FEC2F0, #FBC2FE, #EBC2FE, #DBC2FE and #CBC2FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC1F0 shade matches the following richer shades: #FEC2F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC1F0 shade: #FEC2F0, #F9C7ED, #F4CCEB, #EFD1E8 and #EAD6E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC1F0 shade: #EBC2FE, #FBC2FE, #FEC2F1, #FEC2E1 and #FEC2D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC1F0 shade: #FC71DC, #FD9AE6, #FEC2F0 and #FEEBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC1F0 shade: #FEC1F0, #FEDBC2 and #C2FEF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC1F0 shade: #FEC1F0, #F1FEC2 and #C2F1FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC1F0 shade: #FEC1F0, #FEDBC2, #C2FECF and #C2E5FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC1F0 shade: #FEC1F0, #FEEDC2, #C2FECF and #C2D3FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

Complementary color

CMYK 98 / 0 / 76 / 76

HEX #013E0F

RGB 1 62 15

HSL 133.77, 0.97%, 0.12%

LAB 21.89, -29.54, 23.05

 

CMYK 0 / 24 / 8 / 0

HEX #FFC1EB

RGB 255 193 235

HSL 319.35, 1%, 0.88%

LAB 84.69, 28.66, -12.17

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FE

RGB 255 211 254

HSL 301.36, 1%, 0.91%

LAB 89.4, 22.52, -15.19

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

CMYK 0 / 26 / 7 / 7

HEX #EDAFDD

RGB 237 175 221

HSL 315.48, 0.63%, 0.81%

LAB 78.39, 29.78, -14.25

 

CMYK 0 / 29 / 8 / 14

HEX #DC9DCA

RGB 220 157 202

HSL 317.14, 0.47%, 0.74%

LAB 71.96, 30.43, -13.71

 

CMYK 0 / 32 / 10 / 20

HEX #CB8BB7

RGB 203 139 183

HSL 318.75, 0.38%, 0.67%

LAB 65.42, 31.12, -13.13

 

CMYK 0 / 35 / 12 / 27

HEX #BA79A4

RGB 186 121 164

HSL 320.31, 0.32%, 0.6%

LAB 58.78, 31.85, -12.51

 

CMYK 0 / 24 / 6 / 0

HEX #FEC2F0

RGB 254 194 240

HSL 314, 0.97%, 0.88%

LAB 84.97, 28.65, -14.42

 

CMYK 0 / 24 / 12 / 0

HEX #FEC2E0

RGB 254 194 224

HSL 330, 0.97%, 0.88%

LAB 84.5, 25.99, -6.58

 

CMYK 0 / 24 / 18 / 0

HEX #FEC2D0

RGB 254 194 208

HSL 346, 0.97%, 0.88%

LAB 84.07, 23.49, 1.34

 

CMYK 0 / 24 / 24 / 0

HEX #FEC2C2

RGB 254 194 194

HSL 0, 0.97%, 0.88%

LAB 83.73, 21.45, 8.33

 

CMYK 0 / 24 / 6 / 0

HEX #FEC2F0

RGB 254 194 240

HSL 314, 0.97%, 0.88%

LAB 84.97, 28.65, -14.42

 

CMYK 1 / 24 / 0 / 0

HEX #FBC2FE

RGB 251 194 254

HSL 297, 0.97%, 0.88%

LAB 85.12, 30.16, -21.66

 

CMYK 7 / 24 / 0 / 0

HEX #EBC2FE

RGB 235 194 254

HSL 281, 0.97%, 0.88%

LAB 83.65, 25.07, -24.03

 

CMYK 14 / 24 / 0 / 0

HEX #DBC2FE

RGB 219 194 254

HSL 265, 0.97%, 0.88%

LAB 82.27, 20.06, -26.26

 

CMYK 20 / 24 / 0 / 0

HEX #CBC2FE

RGB 203 194 254

HSL 249, 0.97%, 0.88%

LAB 80.98, 15.17, -28.35

 

CMYK 0 / 24 / 6 / 0

HEX #FEC2F0

RGB 254 194 240

HSL 314, 0.97%, 0.88%

LAB 84.97, 28.65, -14.42

 

CMYK 0 / 24 / 6 / 0

HEX #FEC2F0

RGB 254 194 240

HSL 314, 0.97%, 0.88%

LAB 84.97, 28.65, -14.42

 

CMYK 0 / 20 / 5 / 2

HEX #F9C7ED

RGB 249 199 237

HSL 314.4, 0.81%, 0.88%

LAB 85.55, 23.84, -12

 

CMYK 0 / 16 / 4 / 4

HEX #F4CCEB

RGB 244 204 235

HSL 313.5, 0.65%, 0.88%

LAB 86.21, 19.18, -10

 

CMYK 0 / 13 / 3 / 6

HEX #EFD1E8

RGB 239 209 232

HSL 314, 0.48%, 0.88%

LAB 86.89, 14.33, -7.46

 

CMYK 0 / 9 / 2 / 8

HEX #EAD6E5

RGB 234 214 229

HSL 315, 0.32%, 0.88%

LAB 87.6, 9.49, -4.86

 

CMYK 7 / 24 / 0 / 0

HEX #EBC2FE

RGB 235 194 254

HSL 281, 0.97%, 0.88%

LAB 83.65, 25.07, -24.03

 

CMYK 1 / 24 / 0 / 0

HEX #FBC2FE

RGB 251 194 254

HSL 297, 0.97%, 0.88%

LAB 85.12, 30.16, -21.66

 

CMYK 0 / 24 / 5 / 0

HEX #FEC2F1

RGB 254 194 241

HSL 313, 0.97%, 0.88%

LAB 85, 28.83, -14.91

 

CMYK 0 / 24 / 11 / 0

HEX #FEC2E1

RGB 254 194 225

HSL 329, 0.97%, 0.88%

LAB 84.53, 26.15, -7.08

 

CMYK 0 / 24 / 18 / 0

HEX #FEC2D1

RGB 254 194 209

HSL 345, 0.97%, 0.88%

LAB 84.1, 23.64, 0.84

 

CMYK 0 / 55 / 13 / 1

HEX #FC71DC

RGB 252 113 220

HSL 313.81, 0.96%, 0.72%

LAB 67.78, 65.33, -29.69

 

CMYK 0 / 39 / 9 / 1

HEX #FD9AE6

RGB 253 154 230

HSL 313.94, 0.96%, 0.8%

LAB 75.89, 47.46, -22.76

 

CMYK 0 / 24 / 6 / 0

HEX #FEC2F0

RGB 254 194 240

HSL 314, 0.97%, 0.88%

LAB 84.97, 28.65, -14.42

 

CMYK 0 / 7 / 2 / 0

HEX #FEEBFA

RGB 254 235 250

HSL 312.63, 0.9%, 0.96%

LAB 94.9, 8.99, -4.92

 

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

CMYK 0 / 14 / 24 / 0

HEX #FEDBC2

RGB 254 219 194

HSL 25, 0.97%, 0.88%

LAB 89.69, 8.42, 16.77

 

CMYK 24 / 0 / 4 / 0

HEX #C2FEF3

RGB 194 254 243

HSL 169, 0.97%, 0.88%

LAB 95.51, -20.93, -0.88

 

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

CMYK 5 / 0 / 24 / 0

HEX #F1FEC2

RGB 241 254 194

HSL 73, 0.97%, 0.88%

LAB 97.42, -13.96, 27.33

 

CMYK 24 / 5 / 0 / 0

HEX #C2F1FE

RGB 194 241 254

HSL 193, 0.97%, 0.88%

LAB 92.37, -12.18, -11.21

 

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

CMYK 0 / 14 / 24 / 0

HEX #FEDBC2

RGB 254 219 194

HSL 25, 0.97%, 0.88%

LAB 89.69, 8.42, 16.77

 

CMYK 24 / 0 / 19 / 0

HEX #C2FECF

RGB 194 254 207

HSL 133, 0.97%, 0.88%

LAB 94.68, -27.79, 16.45

 

CMYK 24 / 10 / 0 / 0

HEX #C2E5FE

RGB 194 229 254

HSL 205, 0.97%, 0.88%

LAB 89.24, -6.07, -15.89

 

CMYK 0 / 24 / 6 / 0

HEX #FEC1F0

RGB 254 193 240

HSL 313.77, 0.97%, 0.88%

LAB 84.74, 29.18, -14.76

 

CMYK 0 / 7 / 24 / 0

HEX #FEEDC2

RGB 254 237 194

HSL 43, 0.97%, 0.88%

LAB 94.11, -0.79, 22.94

 

CMYK 24 / 0 / 19 / 0

HEX #C2FECF

RGB 194 254 207

HSL 133, 0.97%, 0.88%

LAB 94.68, -27.79, 16.45

 

CMYK 24 / 17 / 0 / 0

HEX #C2D3FE

RGB 194 211 254

HSL 223, 0.97%, 0.88%

LAB 84.59, 3.35, -22.9

 

Description

Color code: HEX #FEC1F0 | qconv.com Color code: HEX #FEC1F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 193 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 193 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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