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Color name
HEX #FEC8EC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEC8EC it is the complementary color #013713. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEC8EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEC8EC shade: #FFC8E7, #FFDAFA, #FFECFF and #FFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEC8EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEC8EC shade: #FEC8EC, #EDB6D9, #DCA4C6, #CB92B3 and #BA80A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEC8EC shade: #FDC8EB, #FDC8DD, #FDC8CE and #FDC8C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEC8EC shade: #FDC8EB, #FDC8FA, #F2C8FD, #E4C8FD and #D5C8FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEC8EC shade matches the following richer shades: #FDC8EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEC8EC shade: #FDC8EB, #F9CCEA, #F4D1E8, #F0D5E7 and #EBDAE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEC8EC shade: #F3C8FD, #FDC8FA, #FDC8EB, #FDC8DD and #FDC8CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEC8EC shade: #FC77CF, #FD9FDD, #FDC8EB and #FEF0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEC8EC shade: #FEC8EC, #FDE4C8 and #C8FDFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEC8EC shade: #FEC8EC, #EBFDC8 and #C8EBFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEC8EC shade: #FEC8EC, #FDE4C8, #C8FDD9 and #C8E1FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEC8EC shade: #FEC8EC, #FDF4C8, #C8FDD9 and #C8D0FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

Complementary color

CMYK 98 / 0 / 65 / 78

HEX #013713

RGB 1 55 19

HSL 140, 0.96%, 0.11%

LAB 19.16, -26.26, 17.72

 

CMYK 0 / 22 / 9 / 0

HEX #FFC8E7

RGB 255 200 231

HSL 326.18, 1%, 0.89%

LAB 86.18, 24.32, -7.82

 

CMYK 0 / 15 / 2 / 0

HEX #FFDAFA

RGB 255 218 250

HSL 308.11, 1%, 0.93%

LAB 90.92, 18.14, -10.81

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

CMYK 0 / 23 / 8 / 7

HEX #EDB6D9

RGB 237 182 217

HSL 321.82, 0.6%, 0.82%

LAB 79.88, 25.37, -9.86

 

CMYK 0 / 25 / 10 / 14

HEX #DCA4C6

RGB 220 164 198

HSL 323.57, 0.44%, 0.75%

LAB 73.44, 25.97, -9.28

 

CMYK 0 / 28 / 12 / 20

HEX #CB92B3

RGB 203 146 179

HSL 325.26, 0.35%, 0.68%

LAB 66.91, 26.61, -8.66

 

CMYK 0 / 31 / 14 / 27

HEX #BA80A0

RGB 186 128 160

HSL 326.9, 0.3%, 0.62%

LAB 60.26, 27.31, -8

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 21 / 13 / 1

HEX #FDC8DD

RGB 253 200 221

HSL 336.23, 0.93%, 0.89%

LAB 85.71, 22.01, -3.21

 

CMYK 0 / 21 / 19 / 1

HEX #FDC8CE

RGB 253 200 206

HSL 353.21, 0.93%, 0.89%

LAB 85.33, 19.68, 4.21

 

CMYK 0 / 21 / 21 / 1

HEX #FDC8C8

RGB 253 200 200

HSL 0, 0.93%, 0.89%

LAB 85.18, 18.8, 7.19

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 21 / 1 / 1

HEX #FDC8FA

RGB 253 200 250

HSL 303.4, 0.93%, 0.89%

LAB 86.55, 26.93, -17.37

 

CMYK 4 / 21 / 0 / 1

HEX #F2C8FD

RGB 242 200 253

HSL 287.55, 0.93%, 0.89%

LAB 85.64, 23.92, -20.42

 

CMYK 10 / 21 / 0 / 1

HEX #E4C8FD

RGB 228 200 253

HSL 271.7, 0.93%, 0.89%

LAB 84.43, 19.46, -22.38

 

CMYK 16 / 21 / 0 / 1

HEX #D5C8FD

RGB 213 200 253

HSL 254.72, 0.93%, 0.89%

LAB 83.2, 14.77, -24.35

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 18 / 6 / 2

HEX #F9CCEA

RGB 249 204 234

HSL 320, 0.79%, 0.89%

LAB 86.64, 20.69, -8.79

 

CMYK 0 / 14 / 5 / 4

HEX #F4D1E8

RGB 244 209 232

HSL 320.57, 0.61%, 0.89%

LAB 87.32, 16.02, -6.77

 

CMYK 0 / 11 / 4 / 6

HEX #F0D5E7

RGB 240 213 231

HSL 320, 0.47%, 0.89%

LAB 87.91, 12.39, -5.4

 

CMYK 0 / 7 / 3 / 8

HEX #EBDAE5

RGB 235 218 229

HSL 321.18, 0.3%, 0.89%

LAB 88.67, 7.73, -3.28

 

CMYK 4 / 21 / 0 / 1

HEX #F3C8FD

RGB 243 200 253

HSL 288.68, 0.93%, 0.89%

LAB 85.73, 24.24, -20.28

 

CMYK 0 / 21 / 1 / 1

HEX #FDC8FA

RGB 253 200 250

HSL 303.4, 0.93%, 0.89%

LAB 86.55, 26.93, -17.37

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 21 / 13 / 1

HEX #FDC8DD

RGB 253 200 221

HSL 336.23, 0.93%, 0.89%

LAB 85.71, 22.01, -3.21

 

CMYK 0 / 21 / 18 / 1

HEX #FDC8CF

RGB 253 200 207

HSL 352.08, 0.93%, 0.89%

LAB 85.35, 19.83, 3.71

 

CMYK 0 / 53 / 18 / 1

HEX #FC77CF

RGB 252 119 207

HSL 320.3, 0.96%, 0.73%

LAB 68.31, 60.7, -21.63

 

CMYK 0 / 37 / 13 / 1

HEX #FD9FDD

RGB 253 159 221

HSL 320.43, 0.96%, 0.81%

LAB 76.62, 43.45, -16.75

 

CMYK 0 / 21 / 7 / 1

HEX #FDC8EB

RGB 253 200 235

HSL 320.38, 0.93%, 0.89%

LAB 86.1, 24.31, -10.08

 

CMYK 0 / 6 / 2 / 0

HEX #FEF0F9

RGB 254 240 249

HSL 321.43, 0.88%, 0.97%

LAB 96.09, 6.25, -2.65

 

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

CMYK 0 / 10 / 21 / 1

HEX #FDE4C8

RGB 253 228 200

HSL 31.7, 0.93%, 0.89%

LAB 91.93, 4.27, 16.78

 

CMYK 21 / 0 / 1 / 1

HEX #C8FDFA

RGB 200 253 250

HSL 176.6, 0.93%, 0.89%

LAB 95.76, -17.24, -4.08

 

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

CMYK 7 / 0 / 21 / 1

HEX #EBFDC8

RGB 235 253 200

HSL 80.38, 0.93%, 0.89%

LAB 96.85, -14.73, 23.45

 

CMYK 21 / 7 / 0 / 1

HEX #C8EBFD

RGB 200 235 253

HSL 200.38, 0.93%, 0.89%

LAB 91.14, -7.58, -12.48

 

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

CMYK 0 / 10 / 21 / 1

HEX #FDE4C8

RGB 253 228 200

HSL 31.7, 0.93%, 0.89%

LAB 91.93, 4.27, 16.78

 

CMYK 21 / 0 / 14 / 1

HEX #C8FDD9

RGB 200 253 217

HSL 139.25, 0.93%, 0.89%

LAB 94.97, -23.63, 11.78

 

CMYK 21 / 11 / 0 / 1

HEX #C8E1FD

RGB 200 225 253

HSL 211.7, 0.93%, 0.89%

LAB 88.55, -2.43, -16.35

 

CMYK 0 / 21 / 7 / 0

HEX #FEC8EC

RGB 254 200 236

HSL 320, 0.96%, 0.89%

LAB 86.22, 24.82, -10.42

 

CMYK 0 / 4 / 21 / 1

HEX #FDF4C8

RGB 253 244 200

HSL 49.81, 0.93%, 0.89%

LAB 95.89, -3.85, 22.32

 

CMYK 21 / 0 / 14 / 1

HEX #C8FDD9

RGB 200 253 217

HSL 139.25, 0.93%, 0.89%

LAB 94.97, -23.63, 11.78

 

CMYK 21 / 18 / 0 / 1

HEX #C8D0FD

RGB 200 208 253

HSL 230.94, 0.93%, 0.89%

LAB 84.22, 6.52, -22.9

 

Description

Color code: HEX #FEC8EC | qconv.com Color code: HEX #FEC8EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 200 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 200 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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