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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE73E3 it is the complementary color #018C1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE73E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE73E3 shade: #FF73DE, #FF85F1, #FF97FF, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE73E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE73E3 shade: #FE73E3, #ED61D0, #DC4FBD, #CB3DAA and #BA2B97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE73E3 shade: #FE70E2, #FE70BC, #FE7096 and #FE7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE73E3 shade: #FE70E2, #F370FE, #CD70FE, #A770FE and #8170FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE73E3 shade matches the following richer shades: #FE70E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE73E3 shade: #FE70E2, #F27CDB, #E788D4, #DB93CD and #D09FC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE73E3 shade: #CC70FE, #F270FE, #FE70E4, #FE70BE and #FE7098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE73E3 shade: #FD1ED2, #FE47DA, #FE70E2, #FE99EA and #FEC3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE73E3 shade: #FE73E3, #FEA770 and #70FEDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE73E3 shade: #FE73E3, #E4FE70 and #70E4FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE73E3 shade: #FE73E3, #FEA770, #70FE8A and #70C8FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE73E3 shade: #FE73E3, #FED170, #70FE8A and #709DFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

Complementary color

CMYK 99 / 0 / 80 / 45

HEX #018C1C

RGB 1 140 28

HSL 131.65, 0.99%, 0.28%

LAB 50.51, -53.81, 46.93

 

CMYK 0 / 55 / 13 / 0

HEX #FF73DE

RGB 255 115 222

HSL 314.14, 1%, 0.73%

LAB 68.6, 65.57, -29.5

 

CMYK 0 / 48 / 5 / 0

HEX #FF85F1

RGB 255 133 241

HSL 306.89, 1%, 0.76%

LAB 72.49, 60.25, -33.97

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

CMYK 0 / 59 / 12 / 7

HEX #ED61D0

RGB 237 97 208

HSL 312.43, 0.8%, 0.65%

LAB 62.6, 66.41, -31.15

 

CMYK 0 / 64 / 14 / 14

HEX #DC4FBD

RGB 220 79 189

HSL 313.19, 0.67%, 0.59%

LAB 56.57, 66.52, -29.88

 

CMYK 0 / 70 / 16 / 20

HEX #CB3DAA

RGB 203 61 170

HSL 313.94, 0.58%, 0.52%

LAB 50.61, 66.25, -28.29

 

CMYK 0 / 77 / 19 / 27

HEX #BA2B97

RGB 186 43 151

HSL 314.69, 0.62%, 0.45%

LAB 44.8, 65.38, -26.24

 

CMYK 0 / 56 / 11 / 0

HEX #FE70E2

RGB 254 112 226

HSL 311.83, 0.99%, 0.72%

LAB 68.13, 67.22, -32.46

 

CMYK 0 / 56 / 26 / 0

HEX #FE70BC

RGB 254 112 188

HSL 327.89, 0.99%, 0.72%

LAB 66.74, 61.89, -13.32

 

CMYK 0 / 56 / 41 / 0

HEX #FE7096

RGB 254 112 150

HSL 343.94, 0.99%, 0.72%

LAB 65.64, 57.49, 6.64

 

CMYK 0 / 56 / 56 / 0

HEX #FE7070

RGB 254 112 112

HSL 0, 0.99%, 0.72%

LAB 64.83, 54.14, 27.12

 

CMYK 0 / 56 / 11 / 0

HEX #FE70E2

RGB 254 112 226

HSL 311.83, 0.99%, 0.72%

LAB 68.13, 67.22, -32.46

 

CMYK 4 / 56 / 0 / 0

HEX #F370FE

RGB 243 112 254

HSL 295.35, 0.99%, 0.72%

LAB 67.87, 68.93, -48.41

 

CMYK 19 / 56 / 0 / 0

HEX #CD70FE

RGB 205 112 254

HSL 279.3, 0.99%, 0.72%

LAB 63.11, 59.53, -56.25

 

CMYK 34 / 56 / 0 / 0

HEX #A770FE

RGB 167 112 254

HSL 263.24, 0.99%, 0.72%

LAB 58.94, 50.5, -63.16

 

CMYK 49 / 56 / 0 / 0

HEX #8170FE

RGB 129 112 254

HSL 247.18, 0.99%, 0.72%

LAB 55.49, 42.32, -68.89

 

CMYK 0 / 56 / 11 / 0

HEX #FE70E2

RGB 254 112 226

HSL 311.83, 0.99%, 0.72%

LAB 68.13, 67.22, -32.46

 

CMYK 0 / 56 / 11 / 0

HEX #FE70E2

RGB 254 112 226

HSL 311.83, 0.99%, 0.72%

LAB 68.13, 67.22, -32.46

 

CMYK 0 / 49 / 10 / 5

HEX #F27CDB

RGB 242 124 219

HSL 311.69, 0.82%, 0.72%

LAB 68.32, 57.24, -28.42

 

CMYK 0 / 41 / 8 / 9

HEX #E788D4

RGB 231 136 212

HSL 312, 0.66%, 0.72%

LAB 69, 46.8, -23.6

 

CMYK 0 / 33 / 6 / 14

HEX #DB93CD

RGB 219 147 205

HSL 311.67, 0.5%, 0.72%

LAB 69.71, 35.98, -18.77

 

CMYK 0 / 24 / 5 / 18

HEX #D09FC6

RGB 208 159 198

HSL 312.24, 0.34%, 0.72%

LAB 71.07, 24.55, -12.96

 

CMYK 20 / 56 / 0 / 0

HEX #CC70FE

RGB 204 112 254

HSL 278.87, 0.99%, 0.72%

LAB 63, 59.29, -56.44

 

CMYK 5 / 56 / 0 / 0

HEX #F270FE

RGB 242 112 254

HSL 294.93, 0.99%, 0.72%

LAB 67.74, 68.68, -48.62

 

CMYK 0 / 56 / 10 / 0

HEX #FE70E4

RGB 254 112 228

HSL 310.99, 0.99%, 0.72%

LAB 68.21, 67.53, -33.44

 

CMYK 0 / 56 / 25 / 0

HEX #FE70BE

RGB 254 112 190

HSL 327.04, 0.99%, 0.72%

LAB 66.81, 62.14, -14.35

 

CMYK 0 / 56 / 40 / 0

HEX #FE7098

RGB 254 112 152

HSL 343.1, 0.99%, 0.72%

LAB 65.69, 57.7, 5.58

 

CMYK 0 / 88 / 17 / 1

HEX #FD1ED2

RGB 253 30 210

HSL 311.57, 0.98%, 0.55%

LAB 58.48, 89.51, -38.52

 

CMYK 0 / 72 / 14 / 0

HEX #FE47DA

RGB 254 71 218

HSL 311.8, 0.99%, 0.64%

LAB 62.2, 81.54, -37.21

 

CMYK 0 / 56 / 11 / 0

HEX #FE70E2

RGB 254 112 226

HSL 311.83, 0.99%, 0.72%

LAB 68.13, 67.22, -32.46

 

CMYK 0 / 40 / 8 / 0

HEX #FE99EA

RGB 254 153 234

HSL 311.88, 0.98%, 0.8%

LAB 75.94, 48.94, -24.85

 

CMYK 0 / 23 / 4 / 0

HEX #FEC3F3

RGB 254 195 243

HSL 311.19, 0.97%, 0.88%

LAB 85.29, 28.65, -15.54

 

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

CMYK 0 / 34 / 56 / 0

HEX #FEA770

RGB 254 167 112

HSL 23.24, 0.99%, 0.72%

LAB 75.99, 26.63, 41.39

 

CMYK 56 / 0 / 12 / 0

HEX #70FEDF

RGB 112 254 223

HSL 166.9, 0.99%, 0.72%

LAB 91.53, -45.72, 3.24

 

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

CMYK 10 / 0 / 56 / 0

HEX #E4FE70

RGB 228 254 112

HSL 70.99, 0.99%, 0.72%

LAB 95.39, -27.82, 63.8

 

CMYK 56 / 10 / 0 / 0

HEX #70E4FE

RGB 112 228 254

HSL 190.99, 0.99%, 0.72%

LAB 85.04, -25.76, -22.61

 

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

CMYK 0 / 34 / 56 / 0

HEX #FEA770

RGB 254 167 112

HSL 23.24, 0.99%, 0.72%

LAB 75.99, 26.63, 41.39

 

CMYK 56 / 0 / 46 / 0

HEX #70FE8A

RGB 112 254 138

HSL 130.99, 0.99%, 0.72%

LAB 89.94, -62.04, 43.99

 

CMYK 56 / 21 / 0 / 0

HEX #70C8FE

RGB 112 200 254

HSL 202.82, 0.99%, 0.72%

LAB 77.23, -11.49, -34.58

 

CMYK 0 / 55 / 11 / 0

HEX #FE73E3

RGB 254 115 227

HSL 311.65, 0.99%, 0.72%

LAB 68.66, 66.05, -32.19

 

CMYK 0 / 18 / 56 / 0

HEX #FED170

RGB 254 209 112

HSL 40.99, 0.99%, 0.72%

LAB 85.93, 4.76, 53.41

 

CMYK 56 / 0 / 46 / 0

HEX #70FE8A

RGB 112 254 138

HSL 130.99, 0.99%, 0.72%

LAB 89.94, -62.04, 43.99

 

CMYK 56 / 38 / 0 / 0

HEX #709DFE

RGB 112 157 254

HSL 220.99, 0.99%, 0.72%

LAB 65.53, 12.45, -52.89

 

Description

Color code: HEX #FE73E3 | qconv.com Color code: HEX #FE73E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 115 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 115 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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