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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE78F1 it is the complementary color #01870E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE78F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE78F1 shade: #FF78EC, #FF8AFF, #FF9CFF, #FFAEFF and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE78F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE78F1 shade: #FE78F1, #ED66DE, #DC54CB, #CB42B8 and #BA30A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE78F1 shade: #FE75F1, #FE75CC, #FE75A7, #FE7582 and #FE7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE78F1 shade: #FE75F1, #E675FE, #C275FE, #9D75FE and #7875FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE78F1 shade matches the following richer shades: #FE75F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE78F1 shade: #FE75F1, #F381E8, #E88CDF, #DC97D6 and #D1A2CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE78F1 shade: #C075FE, #E575FE, #FE75F2, #FE75CE and #FE75AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE78F1 shade: #FD23E8, #FE4CEC, #FE75F1, #FE9FF5 and #FEC8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE78F1 shade: #FE78F1, #FE9C75 and #75FED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE78F1 shade: #FE78F1, #F2FE75 and #75F2FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE78F1 shade: #FE78F1, #FE9C75, #75FE81 and #75D7FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE78F1 shade: #FE78F1, #FEC575, #75FE81 and #75AEFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

Complementary color

CMYK 99 / 0 / 90 / 47

HEX #01870E

RGB 1 135 14

HSL 125.82, 0.99%, 0.27%

LAB 48.72, -53.14, 49.19

 

CMYK 0 / 53 / 7 / 0

HEX #FF78EC

RGB 255 120 236

HSL 308.44, 1%, 0.74%

LAB 70, 65.49, -35.08

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 32 / 0 / 0

HEX #FFAEFF

RGB 255 174 255

HSL 300, 1%, 0.84%

LAB 81.16, 42.08, -28.2

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

CMYK 0 / 57 / 6 / 7

HEX #ED66DE

RGB 237 102 222

HSL 306.67, 0.79%, 0.66%

LAB 63.98, 66.43, -36.86

 

CMYK 0 / 62 / 8 / 14

HEX #DC54CB

RGB 220 84 203

HSL 307.5, 0.66%, 0.6%

LAB 57.91, 66.63, -35.8

 

CMYK 0 / 67 / 9 / 20

HEX #CB42B8

RGB 203 66 184

HSL 308.32, 0.57%, 0.53%

LAB 51.9, 66.5, -34.47

 

CMYK 0 / 74 / 11 / 27

HEX #BA30A5

RGB 186 48 165

HSL 309.13, 0.59%, 0.46%

LAB 46, 65.83, -32.75

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F1

RGB 254 117 241

HSL 305.69, 0.99%, 0.73%

LAB 69.57, 67.36, -38.5

 

CMYK 0 / 54 / 20 / 0

HEX #FE75CC

RGB 254 117 204

HSL 321.9, 0.99%, 0.73%

LAB 68.13, 61.78, -20.2

 

CMYK 0 / 54 / 34 / 0

HEX #FE75A7

RGB 254 117 167

HSL 338.1, 0.99%, 0.73%

LAB 66.96, 57.05, -1.1

 

CMYK 0 / 54 / 49 / 0

HEX #FE7582

RGB 254 117 130

HSL 354.31, 0.99%, 0.73%

LAB 66.06, 53.28, 18.61

 

CMYK 0 / 54 / 54 / 0

HEX #FE7575

RGB 254 117 117

HSL 0, 0.99%, 0.73%

LAB 65.81, 52.2, 25.6

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F1

RGB 254 117 241

HSL 305.69, 0.99%, 0.73%

LAB 69.57, 67.36, -38.5

 

CMYK 9 / 54 / 0 / 0

HEX #E675FE

RGB 230 117 254

HSL 289.49, 0.99%, 0.73%

LAB 67.05, 63.38, -49.81

 

CMYK 24 / 54 / 0 / 0

HEX #C275FE

RGB 194 117 254

HSL 273.72, 0.99%, 0.73%

LAB 62.8, 54.32, -56.82

 

CMYK 38 / 54 / 0 / 0

HEX #9D75FE

RGB 157 117 254

HSL 257.52, 0.99%, 0.73%

LAB 59.02, 45.49, -63.09

 

CMYK 53 / 54 / 0 / 0

HEX #7875FE

RGB 120 117 254

HSL 241.31, 0.99%, 0.73%

LAB 55.96, 37.66, -68.17

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F1

RGB 254 117 241

HSL 305.69, 0.99%, 0.73%

LAB 69.57, 67.36, -38.5

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F1

RGB 254 117 241

HSL 305.69, 0.99%, 0.73%

LAB 69.57, 67.36, -38.5

 

CMYK 0 / 47 / 5 / 5

HEX #F381E8

RGB 243 129 232

HSL 305.79, 0.83%, 0.73%

LAB 69.88, 57.25, -33.18

 

CMYK 0 / 40 / 4 / 9

HEX #E88CDF

RGB 232 140 223

HSL 305.87, 0.67%, 0.73%

LAB 70.34, 46.94, -27.62

 

CMYK 0 / 31 / 3 / 14

HEX #DC97D6

RGB 220 151 214

HSL 305.22, 0.5%, 0.73%

LAB 71.01, 35.77, -21.76

 

CMYK 0 / 22 / 2 / 18

HEX #D1A2CD

RGB 209 162 205

HSL 305.11, 0.34%, 0.73%

LAB 72.1, 24.53, -15.26

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 10 / 54 / 0 / 0

HEX #E575FE

RGB 229 117 254

HSL 289.05, 0.99%, 0.73%

LAB 66.93, 63.12, -50.02

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F2

RGB 254 117 242

HSL 305.26, 0.99%, 0.73%

LAB 69.61, 67.52, -38.99

 

CMYK 0 / 54 / 19 / 0

HEX #FE75CE

RGB 254 117 206

HSL 321.02, 0.99%, 0.73%

LAB 68.2, 62.06, -21.21

 

CMYK 0 / 54 / 33 / 0

HEX #FE75AA

RGB 254 117 170

HSL 336.79, 0.99%, 0.73%

LAB 67.05, 57.4, -2.68

 

CMYK 0 / 86 / 8 / 1

HEX #FD23E8

RGB 253 35 232

HSL 305.78, 0.98%, 0.56%

LAB 59.81, 91.59, -48.86

 

CMYK 0 / 70 / 7 / 0

HEX #FE4CEC

RGB 254 76 236

HSL 306.07, 0.99%, 0.65%

LAB 63.59, 82.5, -45.11

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F1

RGB 254 117 241

HSL 305.69, 0.99%, 0.73%

LAB 69.57, 67.36, -38.5

 

CMYK 0 / 37 / 4 / 0

HEX #FE9FF5

RGB 254 159 245

HSL 305.68, 0.98%, 0.81%

LAB 77.55, 47.75, -28.35

 

CMYK 0 / 21 / 2 / 0

HEX #FEC8F9

RGB 254 200 249

HSL 305.56, 0.96%, 0.89%

LAB 86.61, 27.07, -16.73

 

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

CMYK 0 / 39 / 54 / 0

HEX #FE9C75

RGB 254 156 117

HSL 17.08, 0.99%, 0.73%

LAB 73.63, 32.76, 35.8

 

CMYK 54 / 0 / 17 / 0

HEX #75FED3

RGB 117 254 211

HSL 161.17, 0.99%, 0.73%

LAB 91.4, -47.45, 9.27

 

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

CMYK 5 / 0 / 54 / 0

HEX #F2FE75

RGB 242 254 117

HSL 65.26, 0.99%, 0.73%

LAB 96.43, -22.01, 63.07

 

CMYK 54 / 5 / 0 / 0

HEX #75F2FE

RGB 117 242 254

HSL 185.26, 0.99%, 0.73%

LAB 89.13, -31.56, -16.42

 

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

CMYK 0 / 39 / 54 / 0

HEX #FE9C75

RGB 254 156 117

HSL 17.08, 0.99%, 0.73%

LAB 73.63, 32.76, 35.8

 

CMYK 54 / 0 / 49 / 0

HEX #75FE81

RGB 117 254 129

HSL 125.26, 0.99%, 0.73%

LAB 89.98, -62.13, 48.34

 

CMYK 54 / 15 / 0 / 0

HEX #75D7FE

RGB 117 215 254

HSL 197.08, 0.99%, 0.73%

LAB 81.59, -18.28, -27.85

 

CMYK 0 / 53 / 5 / 0

HEX #FE78F1

RGB 254 120 241

HSL 305.82, 0.99%, 0.73%

LAB 70.07, 66.02, -37.72

 

CMYK 0 / 22 / 54 / 0

HEX #FEC575

RGB 254 197 117

HSL 35.04, 0.99%, 0.73%

LAB 83.07, 11.35, 47.56

 

CMYK 54 / 0 / 49 / 0

HEX #75FE81

RGB 117 254 129

HSL 125.26, 0.99%, 0.73%

LAB 89.98, -62.13, 48.34

 

CMYK 54 / 31 / 0 / 0

HEX #75AEFE

RGB 117 174 254

HSL 215.04, 0.99%, 0.73%

LAB 70.32, 3.74, -45.31

 

Description

Color code: HEX #FE78F1 | qconv.com Color code: HEX #FE78F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 120 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 120 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 5 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 5% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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