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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE6D29 it is the complementary color #0192D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE6D29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE6D29 shade: #FF6D24, #FF7F37, #FF914A, #FFA35D and #FFB570

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE6D29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE6D29 shade: #FE6D29, #ED5B16, #DC4903, #CB3700 and #BA2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE6D29 shade: #FD6D29, #FD3429 and #FD2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE6D29 shade: #FD6D29, #FDA629, #FDDF29, #E2FD29 and #A9FD29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE6D29 shade matches the following richer shades: #FD6D29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE6D29 shade: #FD6D29, #EC733B, #DB7A4C, #C9805D and #B8866F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE6D29 shade: #FD2957, #FD3429, #FD6D29, #FDA529 and #FDDE29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE6D29 shade: #D44401, #FD5101, #FD6D29, #FE8952 and #FEA57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE6D29 shade: #FE6D29, #90FD29 and #293BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE6D29 shade: #FE6D29, #29FD6D and #6D29FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE6D29 shade: #FE6D29, #90FD29, #29BAFD and #9729FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE6D29 shade: #FE6D29, #50FD29, #29BAFD and #D729FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

Complementary color

CMYK 100 / 32 / 0 / 16

HEX #0192D6

RGB 1 146 214

HSL 199.15, 0.99%, 0.42%

LAB 57.48, -7.75, -43.71

 

CMYK 0 / 57 / 86 / 0

HEX #FF6D24

RGB 255 109 36

HSL 20, 1%, 0.57%

LAB 63.61, 52.32, 63.64

 

CMYK 0 / 50 / 78 / 0

HEX #FF7F37

RGB 255 127 55

HSL 21.6, 1%, 0.61%

LAB 67.06, 44.3, 59.13

 

CMYK 0 / 43 / 71 / 0

HEX #FF914A

RGB 255 145 74

HSL 23.54, 1%, 0.65%

LAB 70.87, 36.05, 54.39

 

CMYK 0 / 36 / 64 / 0

HEX #FFA35D

RGB 255 163 93

HSL 25.93, 1%, 0.68%

LAB 74.98, 27.8, 49.8

 

CMYK 0 / 29 / 56 / 0

HEX #FFB570

RGB 255 181 112

HSL 28.95, 1%, 0.72%

LAB 79.32, 19.71, 45.5

 

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

CMYK 0 / 62 / 91 / 7

HEX #ED5B16

RGB 237 91 22

HSL 19.26, 0.86%, 0.51%

LAB 57.6, 53.69, 62.45

 

CMYK 0 / 67 / 99 / 14

HEX #DC4903

RGB 220 73 3

HSL 19.35, 0.97%, 0.44%

LAB 51.82, 55.18, 61.96

 

CMYK 0 / 73 / 100 / 20

HEX #CB3700

RGB 203 55 0

HSL 16.26, 1%, 0.4%

LAB 46.22, 56.38, 58.2

 

CMYK 0 / 80 / 100 / 27

HEX #BA2500

RGB 186 37 0

HSL 11.94, 1%, 0.36%

LAB 40.84, 56.86, 53.88

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 79 / 84 / 1

HEX #FD3429

RGB 253 52 41

HSL 3.11, 0.98%, 0.58%

LAB 55.58, 72.7, 54.72

 

CMYK 0 / 84 / 84 / 1

HEX #FD2929

RGB 253 41 41

HSL 0, 0.98%, 0.58%

LAB 54.69, 75.24, 53.94

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 34 / 84 / 1

HEX #FDA629

RGB 253 166 41

HSL 35.38, 0.98%, 0.58%

LAB 75.02, 23.16, 71.3

 

CMYK 0 / 12 / 84 / 1

HEX #FDDF29

RGB 253 223 41

HSL 51.51, 0.98%, 0.58%

LAB 88.84, -6.24, 82.78

 

CMYK 11 / 0 / 84 / 1

HEX #E2FD29

RGB 226 253 41

HSL 67.64, 0.98%, 0.58%

LAB 94.56, -31.81, 86.68

 

CMYK 33 / 0 / 84 / 1

HEX #A9FD29

RGB 169 253 41

HSL 83.77, 0.98%, 0.58%

LAB 91.16, -53.27, 82.44

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 51 / 75 / 7

HEX #EC733B

RGB 236 115 59

HSL 18.98, 0.82%, 0.58%

LAB 62.01, 43.12, 51.36

 

CMYK 0 / 44 / 65 / 14

HEX #DB7A4C

RGB 219 122 76

HSL 19.3, 0.67%, 0.58%

LAB 61.22, 33.8, 41.26

 

CMYK 0 / 36 / 54 / 21

HEX #C9805D

RGB 201 128 93

HSL 19.44, 0.5%, 0.58%

LAB 60.47, 24.57, 30.65

 

CMYK 0 / 27 / 40 / 28

HEX #B8866F

RGB 184 134 111

HSL 18.9, 0.34%, 0.58%

LAB 60.24, 16.16, 19.93

 

CMYK 0 / 84 / 66 / 1

HEX #FD2957

RGB 253 41 87

HSL 346.98, 0.98%, 0.58%

LAB 55.23, 76.86, 29.05

 

CMYK 0 / 79 / 84 / 1

HEX #FD3429

RGB 253 52 41

HSL 3.11, 0.98%, 0.58%

LAB 55.58, 72.7, 54.72

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 35 / 84 / 1

HEX #FDA529

RGB 253 165 41

HSL 35.09, 0.98%, 0.58%

LAB 74.8, 23.68, 71.11

 

CMYK 0 / 12 / 84 / 1

HEX #FDDE29

RGB 253 222 41

HSL 51.23, 0.98%, 0.58%

LAB 88.58, -5.74, 82.57

 

CMYK 0 / 68 / 100 / 17

HEX #D44401

RGB 212 68 1

HSL 19.05, 0.99%, 0.42%

LAB 49.66, 54.46, 60.53

 

CMYK 0 / 68 / 100 / 1

HEX #FD5101

RGB 253 81 1

HSL 19.05, 0.99%, 0.5%

LAB 58.76, 62.94, 69.13

 

CMYK 0 / 57 / 84 / 1

HEX #FD6D29

RGB 253 109 41

HSL 19.25, 0.98%, 0.58%

LAB 63.33, 51.71, 61.4

 

CMYK 0 / 46 / 68 / 0

HEX #FE8952

RGB 254 137 82

HSL 19.19, 0.99%, 0.66%

LAB 69.16, 40.12, 48.57

 

CMYK 0 / 35 / 52 / 0

HEX #FEA57B

RGB 254 165 123

HSL 19.24, 0.98%, 0.74%

LAB 75.71, 28.58, 35.28

 

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

CMYK 43 / 0 / 84 / 1

HEX #90FD29

RGB 144 253 41

HSL 90.85, 0.98%, 0.58%

LAB 90.02, -61.51, 81

 

CMYK 84 / 77 / 0 / 1

HEX #293BFD

RGB 41 59 253

HSL 234.91, 0.98%, 0.58%

LAB 39.06, 61.11, -95.47

 

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

CMYK 84 / 0 / 57 / 1

HEX #29FD6D

RGB 41 253 109

HSL 139.25, 0.98%, 0.58%

LAB 87.88, -76.87, 54.58

 

CMYK 57 / 84 / 0 / 1

HEX #6D29FD

RGB 109 41 253

HSL 259.25, 0.98%, 0.58%

LAB 41.1, 73.49, -91.93

 

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

CMYK 43 / 0 / 84 / 1

HEX #90FD29

RGB 144 253 41

HSL 90.85, 0.98%, 0.58%

LAB 90.02, -61.51, 81

 

CMYK 84 / 26 / 0 / 1

HEX #29BAFD

RGB 41 186 253

HSL 198.96, 0.98%, 0.58%

LAB 71.34, -14.01, -43.34

 

CMYK 40 / 84 / 0 / 1

HEX #9729FD

RGB 151 41 253

HSL 271.13, 0.98%, 0.58%

LAB 45.98, 78.05, -83.72

 

CMYK 0 / 57 / 84 / 0

HEX #FE6D29

RGB 254 109 41

HSL 19.15, 0.99%, 0.58%

LAB 63.48, 52.07, 61.6

 

CMYK 68 / 0 / 84 / 1

HEX #50FD29

RGB 80 253 41

HSL 108.96, 0.98%, 0.58%

LAB 88.02, -77.36, 78.48

 

CMYK 84 / 26 / 0 / 1

HEX #29BAFD

RGB 41 186 253

HSL 198.96, 0.98%, 0.58%

LAB 71.34, -14.01, -43.34

 

CMYK 15 / 84 / 0 / 1

HEX #D729FD

RGB 215 41 253

HSL 289.25, 0.98%, 0.58%

LAB 55.2, 87.21, -68.31

 

Description

Color code: HEX #FE6D29 | qconv.com Color code: HEX #FE6D29 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 109 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 109 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 84 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 84% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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