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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE69D5 it is the complementary color #01962A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE69D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE69D5 shade: #FF69D0, #FF7BE3, #FF8DF6, #FF9FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE69D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE69D5 shade: #FE69D5, #ED57C2, #DC45AF, #CB339C and #BA2189

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE69D5 shade: #FE66D4, #FE66AB, #FE6682 and #FE6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE69D5 shade: #FE66D4, #FE66FD, #D666FE, #AD66FE and #8466FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE69D5 shade matches the following richer shades: #FE66D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE69D5 shade: #FE66D4, #F173CE, #E57FC9, #D98BC3 and #CC98BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE69D5 shade: #D566FE, #FE66FE, #FE66D5, #FE66AD and #FE6685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE69D5 shade: #FD14BD, #FE3DC9, #FE66D4, #FE8FE0 and #FEB8EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE69D5 shade: #FE69D5, #FEAD66 and #66FEEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE69D5 shade: #FE69D5, #D5FE66 and #66D5FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE69D5 shade: #FE69D5, #FEAD66, #66FE8F and #66B7FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE69D5 shade: #FE69D5, #FEDA66, #66FE8F and #668AFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

Complementary color

CMYK 99 / 0 / 72 / 41

HEX #01962A

RGB 1 150 42

HSL 136.51, 0.99%, 0.3%

LAB 54.01, -55.65, 45.3

 

CMYK 0 / 59 / 18 / 0

HEX #FF69D0

RGB 255 105 208

HSL 318.8, 1%, 0.71%

LAB 66.46, 67.89, -24.99

 

CMYK 0 / 52 / 11 / 0

HEX #FF7BE3

RGB 255 123 227

HSL 312.73, 1%, 0.74%

LAB 70.16, 62.71, -29.87

 

CMYK 0 / 45 / 4 / 0

HEX #FF8DF6

RGB 255 141 246

HSL 304.74, 1%, 0.78%

LAB 74.17, 57.22, -34.1

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

CMYK 0 / 63 / 18 / 7

HEX #ED57C2

RGB 237 87 194

HSL 317.2, 0.81%, 0.64%

LAB 60.53, 68.5, -26.41

 

CMYK 0 / 69 / 20 / 14

HEX #DC45AF

RGB 220 69 175

HSL 317.88, 0.68%, 0.57%

LAB 54.62, 68.34, -24.79

 

CMYK 0 / 75 / 23 / 20

HEX #CB339C

RGB 203 51 156

HSL 318.55, 0.6%, 0.5%

LAB 48.84, 67.67, -22.75

 

CMYK 0 / 82 / 26 / 27

HEX #BA2189

RGB 186 33 137

HSL 319.22, 0.7%, 0.43%

LAB 43.26, 66.24, -20.14

 

CMYK 0 / 60 / 17 / 0

HEX #FE66D4

RGB 254 102 212

HSL 316.58, 0.99%, 0.7%

LAB 66, 69.44, -27.94

 

CMYK 0 / 60 / 33 / 0

HEX #FE66AB

RGB 254 102 171

HSL 332.76, 0.99%, 0.7%

LAB 64.57, 64.17, -6.9

 

CMYK 0 / 60 / 49 / 0

HEX #FE6682

RGB 254 102 130

HSL 348.95, 0.99%, 0.7%

LAB 63.5, 60.04, 15.06

 

CMYK 0 / 60 / 60 / 0

HEX #FE6666

RGB 254 102 102

HSL 0, 0.99%, 0.7%

LAB 62.95, 57.91, 30.31

 

CMYK 0 / 60 / 17 / 0

HEX #FE66D4

RGB 254 102 212

HSL 316.58, 0.99%, 0.7%

LAB 66, 69.44, -27.94

 

CMYK 0 / 60 / 0 / 0

HEX #FE66FD

RGB 254 102 253

HSL 300.39, 0.99%, 0.7%

LAB 67.77, 75.67, -47.91

 

CMYK 16 / 60 / 0 / 0

HEX #D666FE

RGB 214 102 254

HSL 284.21, 0.99%, 0.7%

LAB 62.47, 66.4, -57.21

 

CMYK 32 / 60 / 0 / 0

HEX #AD66FE

RGB 173 102 254

HSL 268.03, 0.99%, 0.7%

LAB 57.6, 57.06, -65.28

 

CMYK 48 / 60 / 0 / 0

HEX #8466FE

RGB 132 102 254

HSL 251.84, 0.99%, 0.7%

LAB 53.56, 48.57, -72

 

CMYK 0 / 60 / 17 / 0

HEX #FE66D4

RGB 254 102 212

HSL 316.58, 0.99%, 0.7%

LAB 66, 69.44, -27.94

 

CMYK 0 / 60 / 17 / 0

HEX #FE66D4

RGB 254 102 212

HSL 316.58, 0.99%, 0.7%

LAB 66, 69.44, -27.94

 

CMYK 0 / 52 / 15 / 5

HEX #F173CE

RGB 241 115 206

HSL 316.67, 0.82%, 0.7%

LAB 66.07, 59.19, -24.63

 

CMYK 0 / 45 / 12 / 10

HEX #E57FC9

RGB 229 127 201

HSL 316.47, 0.66%, 0.7%

LAB 66.56, 48.95, -21.22

 

CMYK 0 / 36 / 10 / 15

HEX #D98BC3

RGB 217 139 195

HSL 316.92, 0.51%, 0.7%

LAB 67.39, 37.88, -16.73

 

CMYK 0 / 25 / 7 / 20

HEX #CC98BE

RGB 204 152 190

HSL 316.15, 0.34%, 0.7%

LAB 68.76, 25.58, -12.03

 

CMYK 16 / 60 / 0 / 0

HEX #D566FE

RGB 213 102 254

HSL 283.82, 0.99%, 0.7%

LAB 62.34, 66.16, -57.42

 

CMYK 0 / 60 / 0 / 0

HEX #FE66FE

RGB 254 102 254

HSL 300, 0.99%, 0.7%

LAB 67.82, 75.84, -48.39

 

CMYK 0 / 60 / 16 / 0

HEX #FE66D5

RGB 254 102 213

HSL 316.18, 0.99%, 0.7%

LAB 66.04, 69.58, -28.44

 

CMYK 0 / 60 / 32 / 0

HEX #FE66AD

RGB 254 102 173

HSL 331.97, 0.99%, 0.7%

LAB 64.64, 64.41, -7.95

 

CMYK 0 / 60 / 48 / 0

HEX #FE6685

RGB 254 102 133

HSL 347.76, 0.99%, 0.7%

LAB 63.56, 60.3, 13.43

 

CMYK 0 / 92 / 25 / 1

HEX #FD14BD

RGB 253 20 189

HSL 316.48, 0.98%, 0.54%

LAB 57.13, 88.26, -28.57

 

CMYK 0 / 76 / 21 / 0

HEX #FE3DC9

RGB 254 61 201

HSL 316.48, 0.99%, 0.62%

LAB 60.45, 82.24, -30.3

 

CMYK 0 / 60 / 17 / 0

HEX #FE66D4

RGB 254 102 212

HSL 316.58, 0.99%, 0.7%

LAB 66, 69.44, -27.94

 

CMYK 0 / 44 / 12 / 0

HEX #FE8FE0

RGB 254 143 224

HSL 316.22, 0.98%, 0.78%

LAB 73.61, 52.34, -22.94

 

CMYK 0 / 28 / 7 / 0

HEX #FEB8EB

RGB 254 184 235

HSL 316.29, 0.97%, 0.86%

LAB 82.57, 33.06, -15.35

 

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

CMYK 0 / 32 / 60 / 0

HEX #FEAD66

RGB 254 173 102

HSL 28.03, 0.99%, 0.7%

LAB 77.23, 22.76, 47.97

 

CMYK 60 / 0 / 8 / 0

HEX #66FEEA

RGB 102 254 234

HSL 172.11, 0.99%, 0.7%

LAB 91.53, -44.88, -2.5

 

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

CMYK 16 / 0 / 60 / 0

HEX #D5FE66

RGB 213 254 102

HSL 76.18, 0.99%, 0.7%

LAB 94.31, -34.32, 66.54

 

CMYK 60 / 16 / 0 / 0

HEX #66D5FE

RGB 102 213 254

HSL 196.18, 0.99%, 0.7%

LAB 80.5, -20.1, -29.57

 

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

CMYK 0 / 32 / 60 / 0

HEX #FEAD66

RGB 254 173 102

HSL 28.03, 0.99%, 0.7%

LAB 77.23, 22.76, 47.97

 

CMYK 60 / 0 / 44 / 0

HEX #66FE8F

RGB 102 254 143

HSL 136.18, 0.99%, 0.7%

LAB 89.72, -63.45, 41.24

 

CMYK 60 / 28 / 0 / 0

HEX #66B7FE

RGB 102 183 254

HSL 208.03, 0.99%, 0.7%

LAB 72.13, -4.22, -42.53

 

CMYK 0 / 59 / 16 / 0

HEX #FE69D5

RGB 254 105 213

HSL 316.51, 0.99%, 0.7%

LAB 66.5, 68.32, -27.73

 

CMYK 0 / 14 / 60 / 0

HEX #FEDA66

RGB 254 218 102

HSL 45.79, 0.99%, 0.7%

LAB 88.05, -0.56, 60.46

 

CMYK 60 / 0 / 44 / 0

HEX #66FE8F

RGB 102 254 143

HSL 136.18, 0.99%, 0.7%

LAB 89.72, -63.45, 41.24

 

CMYK 60 / 46 / 0 / 0

HEX #668AFE

RGB 102 138 254

HSL 225.79, 0.99%, 0.7%

LAB 60.03, 21.77, -61.68

 

Description

Color code: HEX #FE69D5 | qconv.com Color code: HEX #FE69D5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 105 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 105 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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