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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE4394 it is the complementary color #01BC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE4394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE4394 shade: #FF438F, #FF55A2, #FF67B5, #FF79C8 and #FF8BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE4394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE4394 shade: #FE4394, #ED3181, #DC1F6E, #CB0D5B and #BA0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE4394 shade: #FE4394, #FE4361 and #FE4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE4394 shade: #FE4394, #FE43C6, #FE43F8, #D043FE and #9E43FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE4394 shade matches the following richer shades: #FE4394

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE4394 shade: #FE4394, #EE5296, #DF6198, #D0719A and #C0809C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE4394 shade: #FE43F7, #FE43C6, #FE4394, #FE4362 and #FE5543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE4394 shade: #ED0167, #FD1A7C, #FE4394, #FE6CAB and #FE95C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE4394 shade: #FE4394, #FED243 and #43DEFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE4394 shade: #FE4394, #94FE43 and #4394FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE4394 shade: #FE4394, #FED243, #43FEAD and #436EFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE4394 shade: #FE4394, #F1FE43, #43FEAD and #4F43FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

Complementary color

CMYK 99 / 0 / 43 / 26

HEX #01BC6B

RGB 1 188 107

HSL 154.01, 0.99%, 0.37%

LAB 67.3, -58.48, 29.99

 

CMYK 0 / 74 / 44 / 0

HEX #FF438F

RGB 255 67 143

HSL 335.74, 1%, 0.63%

LAB 59.21, 74.55, 1.43

 

CMYK 0 / 67 / 36 / 0

HEX #FF55A2

RGB 255 85 162

HSL 332.82, 1%, 0.67%

LAB 61.97, 70.26, -5.58

 

CMYK 0 / 60 / 29 / 0

HEX #FF67B5

RGB 255 103 181

HSL 329.21, 1%, 0.7%

LAB 65.2, 65.23, -11.65

 

CMYK 0 / 53 / 22 / 0

HEX #FF79C8

RGB 255 121 200

HSL 324.63, 1%, 0.74%

LAB 68.83, 59.69, -16.9

 

CMYK 0 / 45 / 14 / 0

HEX #FF8BDB

RGB 255 139 219

HSL 318.62, 1%, 0.77%

LAB 72.79, 53.85, -21.44

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 79 / 46 / 7

HEX #ED3181

RGB 237 49 129

HSL 334.47, 0.84%, 0.56%

LAB 53.8, 73.79, 1.46

 

CMYK 0 / 86 / 50 / 14

HEX #DC1F6E

RGB 220 31 110

HSL 334.92, 0.75%, 0.49%

LAB 48.66, 72.06, 5.15

 

CMYK 0 / 94 / 55 / 20

HEX #CB0D5B

RGB 203 13 91

HSL 335.37, 0.88%, 0.42%

LAB 43.86, 69.3, 9.65

 

CMYK 0 / 100 / 61 / 27

HEX #BA0048

RGB 186 0 72

HSL 336.77, 1%, 0.36%

LAB 39.42, 65.38, 15.03

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 74 / 62 / 0

HEX #FE4361

RGB 254 67 97

HSL 350.37, 0.99%, 0.63%

LAB 57.99, 70.89, 26.75

 

CMYK 0 / 74 / 74 / 0

HEX #FE4343

RGB 254 67 67

HSL 0, 0.99%, 0.63%

LAB 57.55, 69.45, 43.33

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 74 / 22 / 0

HEX #FE43C6

RGB 254 67 198

HSL 317.97, 0.99%, 0.63%

LAB 60.92, 80.16, -27.86

 

CMYK 0 / 74 / 2 / 0

HEX #FE43F8

RGB 254 67 248

HSL 301.93, 0.99%, 0.63%

LAB 63.23, 86.99, -52.34

 

CMYK 18 / 74 / 0 / 0

HEX #D043FE

RGB 208 67 254

HSL 285.24, 0.99%, 0.63%

LAB 56.66, 79.1, -66.56

 

CMYK 38 / 74 / 0 / 0

HEX #9E43FE

RGB 158 67 254

HSL 269.2, 0.99%, 0.63%

LAB 50.02, 70.34, -77.63

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 66 / 37 / 7

HEX #EE5296

RGB 238 82 150

HSL 333.85, 0.82%, 0.63%

LAB 58.43, 65.34, -4.15

 

CMYK 0 / 57 / 32 / 13

HEX #DF6198

RGB 223 97 152

HSL 333.81, 0.66%, 0.63%

LAB 58.51, 54.68, -5.46

 

CMYK 0 / 46 / 26 / 18

HEX #D0719A

RGB 208 113 154

HSL 334.11, 0.5%, 0.63%

LAB 59.48, 42.18, -5.41

 

CMYK 0 / 33 / 19 / 25

HEX #C0809C

RGB 192 128 156

HSL 333.75, 0.34%, 0.63%

LAB 60.82, 28.81, -4.8

 

CMYK 0 / 74 / 3 / 0

HEX #FE43F7

RGB 254 67 247

HSL 302.25, 0.99%, 0.63%

LAB 63.18, 86.84, -51.87

 

CMYK 0 / 74 / 22 / 0

HEX #FE43C6

RGB 254 67 198

HSL 317.97, 0.99%, 0.63%

LAB 60.92, 80.16, -27.86

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 74 / 61 / 0

HEX #FE4362

RGB 254 67 98

HSL 350.05, 0.99%, 0.63%

LAB 58.01, 70.95, 26.19

 

CMYK 0 / 67 / 74 / 0

HEX #FE5543

RGB 254 85 67

HSL 5.78, 0.99%, 0.63%

LAB 59.86, 63.08, 45.9

 

CMYK 0 / 100 / 57 / 7

HEX #ED0167

RGB 237 1 103

HSL 334.07, 0.99%, 0.47%

LAB 50.69, 78.87, 12.79

 

CMYK 0 / 90 / 51 / 1

HEX #FD1A7C

RGB 253 26 124

HSL 334.1, 0.98%, 0.55%

LAB 55.15, 81.61, 6.8

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 57 / 33 / 0

HEX #FE6CAB

RGB 254 108 171

HSL 334.11, 0.99%, 0.71%

LAB 65.54, 61.58, -5.47

 

CMYK 0 / 41 / 24 / 0

HEX #FE95C2

RGB 254 149 194

HSL 334.29, 0.98%, 0.79%

LAB 73.84, 44.87, -6.07

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 17 / 74 / 0

HEX #FED243

RGB 254 210 67

HSL 45.88, 0.99%, 0.63%

LAB 85.79, 1.61, 72.37

 

CMYK 74 / 13 / 0 / 0

HEX #43DEFE

RGB 67 222 254

HSL 190.27, 0.99%, 0.63%

LAB 82.16, -29.61, -27.1

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 42 / 0 / 74 / 0

HEX #94FE43

RGB 148 254 67

HSL 94.01, 0.99%, 0.63%

LAB 90.59, -59.43, 74.58

 

CMYK 74 / 42 / 0 / 0

HEX #4394FE

RGB 67 148 254

HSL 214.01, 0.99%, 0.63%

LAB 61.25, 10.45, -59.82

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 0 / 17 / 74 / 0

HEX #FED243

RGB 254 210 67

HSL 45.88, 0.99%, 0.63%

LAB 85.79, 1.61, 72.37

 

CMYK 74 / 0 / 32 / 0

HEX #43FEAD

RGB 67 254 173

HSL 154.01, 0.99%, 0.63%

LAB 89.44, -63.91, 25.82

 

CMYK 74 / 57 / 0 / 0

HEX #436EFE

RGB 67 110 254

HSL 226.2, 0.99%, 0.63%

LAB 51.27, 33.71, -75.91

 

CMYK 0 / 74 / 42 / 0

HEX #FE4394

RGB 254 67 148

HSL 334.01, 0.99%, 0.63%

LAB 59.18, 74.74, -1.57

 

CMYK 5 / 0 / 74 / 0

HEX #F1FE43

RGB 241 254 67

HSL 64.17, 0.99%, 0.63%

LAB 95.99, -25.4, 81.63

 

CMYK 74 / 0 / 32 / 0

HEX #43FEAD

RGB 67 254 173

HSL 154.01, 0.99%, 0.63%

LAB 89.44, -63.91, 25.82

 

CMYK 69 / 74 / 0 / 0

HEX #4F43FE

RGB 79 67 254

HSL 243.85, 0.99%, 0.63%

LAB 42.51, 59.93, -90.25

 

Description

Color code: HEX #FE4394 | qconv.com Color code: HEX #FE4394 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 67 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 67 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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