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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE40E8 it is the complementary color #01BF17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE40E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE40E8 shade: #FF40E3, #FF52F6, #FF64FF, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE40E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE40E8 shade: #FE40E8, #ED2ED5, #DC1CC2, #CB0AAF and #BA009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE40E8 shade: #FE3EE7, #FE3EB4, #FE3E80, #FE3E4C and #FE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE40E8 shade: #FE3EE7, #E03EFE, #AC3EFE, #793EFE and #453EFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE40E8 shade matches the following richer shades: #FE3EE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE40E8 shade: #FE3EE7, #EE4DDB, #DE5DCF, #CE6DC3 and #BF7CB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE40E8 shade: #AA3EFE, #DE3EFE, #FE3EEA, #FE3EB7 and #FE3E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE40E8 shade: #E801CD, #FD15E2, #FE3EE7, #FE67EC and #FE90F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE40E8 shade: #FE40E8, #FE773E and #3EFEC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE40E8 shade: #FE40E8, #EAFE3E and #3EEAFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE40E8 shade: #FE40E8, #FE773E, #3EFE51 and #3EC4FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE40E8 shade: #FE40E8, #FEB13E, #3EFE51 and #3E8AFE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

Complementary color

CMYK 99 / 0 / 88 / 25

HEX #01BF17

RGB 1 191 23

HSL 126.95, 0.99%, 0.38%

LAB 67.52, -68.7, 63.79

 

CMYK 0 / 75 / 11 / 0

HEX #FF40E3

RGB 255 64 227

HSL 308.8, 1%, 0.63%

LAB 62.06, 85.03, -42.48

 

CMYK 0 / 68 / 4 / 0

HEX #FF52F6

RGB 255 82 246

HSL 303.12, 1%, 0.66%

LAB 64.92, 82.23, -48.55

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

CMYK 0 / 81 / 10 / 7

HEX #ED2ED5

RGB 237 46 213

HSL 307.54, 0.84%, 0.55%

LAB 56.84, 83.95, -42.99

 

CMYK 0 / 87 / 12 / 14

HEX #DC1CC2

RGB 220 28 194

HSL 308.13, 0.77%, 0.49%

LAB 51.77, 81.54, -40.28

 

CMYK 0 / 95 / 14 / 20

HEX #CB0AAF

RGB 203 10 175

HSL 308.7, 0.91%, 0.42%

LAB 46.99, 78.06, -36.92

 

CMYK 0 / 100 / 16 / 27

HEX #BA009C

RGB 186 0 156

HSL 309.68, 1%, 0.36%

LAB 42.52, 73.37, -32.83

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 0 / 76 / 29 / 0

HEX #FE3EB4

RGB 254 62 180

HSL 323.13, 0.99%, 0.62%

LAB 59.72, 79.49, -19.38

 

CMYK 0 / 76 / 50 / 0

HEX #FE3E80

RGB 254 62 128

HSL 339.38, 0.99%, 0.62%

LAB 58.11, 74.53, 8.65

 

CMYK 0 / 76 / 70 / 0

HEX #FE3E4C

RGB 254 62 76

HSL 355.63, 0.99%, 0.62%

LAB 57.11, 71.36, 37.8

 

CMYK 0 / 76 / 76 / 0

HEX #FE3E3E

RGB 254 62 62

HSL 0, 0.99%, 0.62%

LAB 56.94, 70.81, 45.39

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 12 / 76 / 0 / 0

HEX #E03EFE

RGB 224 62 254

HSL 290.63, 0.99%, 0.62%

LAB 58.46, 83.62, -63.54

 

CMYK 32 / 76 / 0 / 0

HEX #AC3EFE

RGB 172 62 254

HSL 274.38, 0.99%, 0.62%

LAB 51.12, 74.54, -75.77

 

CMYK 52 / 76 / 0 / 0

HEX #793EFE

RGB 121 62 254

HSL 258.44, 0.99%, 0.62%

LAB 45.17, 67.01, -85.74

 

CMYK 73 / 76 / 0 / 0

HEX #453EFE

RGB 69 62 254

HSL 242.19, 0.99%, 0.62%

LAB 41, 61.6, -92.76

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 0 / 68 / 8 / 7

HEX #EE4DDB

RGB 238 77 219

HSL 307.08, 0.83%, 0.62%

LAB 60.43, 76.08, -40.73

 

CMYK 0 / 58 / 7 / 13

HEX #DE5DCF

RGB 222 93 207

HSL 306.98, 0.66%, 0.62%

LAB 59.77, 63.99, -35.16

 

CMYK 0 / 47 / 5 / 19

HEX #CE6DC3

RGB 206 109 195

HSL 306.8, 0.5%, 0.62%

LAB 59.89, 49.99, -28.33

 

CMYK 0 / 35 / 4 / 25

HEX #BF7CB7

RGB 191 124 183

HSL 307.16, 0.34%, 0.62%

LAB 60.7, 35.26, -20.41

 

CMYK 33 / 76 / 0 / 0

HEX #AA3EFE

RGB 170 62 254

HSL 273.75, 0.99%, 0.62%

LAB 50.86, 74.21, -76.21

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 0 / 76 / 8 / 0

HEX #FE3EEA

RGB 254 62 234

HSL 306.25, 0.99%, 0.62%

LAB 62.05, 86.34, -46.43

 

CMYK 0 / 76 / 28 / 0

HEX #FE3EB7

RGB 254 62 183

HSL 322.19, 0.99%, 0.62%

LAB 59.83, 79.83, -20.94

 

CMYK 0 / 76 / 48 / 0

HEX #FE3E84

RGB 254 62 132

HSL 338.13, 0.99%, 0.62%

LAB 58.21, 74.85, 6.44

 

CMYK 0 / 100 / 12 / 9

HEX #E801CD

RGB 232 1 205

HSL 307.01, 0.99%, 0.46%

LAB 53.58, 87.76, -43.62

 

CMYK 0 / 92 / 11 / 1

HEX #FD15E2

RGB 253 21 226

HSL 306.98, 0.98%, 0.54%

LAB 58.89, 92.59, -46.93

 

CMYK 0 / 76 / 9 / 0

HEX #FE3EE7

RGB 254 62 231

HSL 307.19, 0.99%, 0.62%

LAB 61.9, 85.92, -44.98

 

CMYK 0 / 59 / 7 / 0

HEX #FE67EC

RGB 254 103 236

HSL 307.15, 0.99%, 0.7%

LAB 67.15, 72.57, -39.53

 

CMYK 0 / 43 / 5 / 0

HEX #FE90F1

RGB 254 144 241

HSL 307.09, 0.98%, 0.78%

LAB 74.42, 54.61, -30.99

 

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

CMYK 0 / 53 / 76 / 0

HEX #FE773E

RGB 254 119 62

HSL 17.81, 0.99%, 0.62%

LAB 65.45, 48.05, 54.31

 

CMYK 76 / 0 / 23 / 0

HEX #3EFEC4

RGB 62 254 196

HSL 161.88, 0.99%, 0.62%

LAB 89.81, -59.59, 14.57

 

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

CMYK 8 / 0 / 76 / 0

HEX #EAFE3E

RGB 234 254 62

HSL 66.25, 0.99%, 0.62%

LAB 95.46, -28.4, 82.45

 

CMYK 76 / 8 / 0 / 0

HEX #3EEAFE

RGB 62 234 254

HSL 186.25, 0.99%, 0.62%

LAB 85.52, -35.84, -22

 

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

CMYK 0 / 53 / 76 / 0

HEX #FE773E

RGB 254 119 62

HSL 17.81, 0.99%, 0.62%

LAB 65.45, 48.05, 54.31

 

CMYK 76 / 0 / 68 / 0

HEX #3EFE51

RGB 62 254 81

HSL 125.94, 0.99%, 0.62%

LAB 88.21, -77.91, 66.5

 

CMYK 76 / 23 / 0 / 0

HEX #3EC4FE

RGB 62 196 254

HSL 198.13, 0.99%, 0.62%

LAB 74.61, -17.07, -38.75

 

CMYK 0 / 75 / 9 / 0

HEX #FE40E8

RGB 254 64 232

HSL 306.95, 0.99%, 0.62%

LAB 62.14, 85.52, -45.17

 

CMYK 0 / 30 / 76 / 0

HEX #FEB13E

RGB 254 177 62

HSL 35.94, 0.99%, 0.62%

LAB 77.79, 18.51, 66.54

 

CMYK 76 / 0 / 68 / 0

HEX #3EFE51

RGB 62 254 81

HSL 125.94, 0.99%, 0.62%

LAB 88.21, -77.91, 66.5

 

CMYK 76 / 46 / 0 / 0

HEX #3E8AFE

RGB 62 138 254

HSL 216.25, 0.99%, 0.62%

LAB 58.37, 15.89, -64.43

 

Description

Color code: HEX #FE40E8 | qconv.com Color code: HEX #FE40E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 64 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 64 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 9 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 9% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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