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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE2F63 it is the complementary color #01D09C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE2F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE2F63 shade: #FF2F5E, #FF4171, #FF5384, #FF6597 and #FF77AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE2F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE2F63 shade: #FE2F63, #ED1D50, #DC0B3D, #CB002A and #BA0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE2F63 shade: #FD2E62 and #FD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE2F63 shade: #FD2E62, #FD2E9A, #FD2ED2, #F12EFD and #B92EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE2F63 shade matches the following richer shades: #FD2E62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE2F63 shade: #FD2E62, #ED3F6B, #DC5073, #CB617C and #BA7284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE2F63 shade: #FD2ED4, #FD2E9D, #FD2E66, #FD2E2E and #FD662E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE2F63 shade: #D90137, #FD0544, #FD2E62, #FE5781 and #FE81A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE2F63 shade: #FE2F63, #FDF02E and #2EB8FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE2F63 shade: #FE2F63, #66FD2E and #2E66FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE2F63 shade: #FE2F63, #FDF02E, #2EFDC6 and #2E3CFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE2F63 shade: #FE2F63, #CDFD2E, #2EFDC6 and #5F2EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

Complementary color

CMYK 100 / 0 / 25 / 18

HEX #01D09C

RGB 1 208 156

HSL 164.93, 0.99%, 0.41%

LAB 74.52, -55.24, 13.89

 

CMYK 0 / 82 / 63 / 0

HEX #FF2F5E

RGB 255 47 94

HSL 346.44, 1%, 0.59%

LAB 56.19, 76.44, 26.21

 

CMYK 0 / 75 / 56 / 0

HEX #FF4171

RGB 255 65 113

HSL 344.84, 1%, 0.63%

LAB 58.26, 72.8, 17.75

 

CMYK 0 / 67 / 48 / 0

HEX #FF5384

RGB 255 83 132

HSL 342.91, 1%, 0.66%

LAB 60.88, 68.16, 10.26

 

CMYK 0 / 60 / 41 / 0

HEX #FF6597

RGB 255 101 151

HSL 340.52, 1%, 0.7%

LAB 64, 62.74, 3.73

 

CMYK 0 / 53 / 33 / 0

HEX #FF77AA

RGB 255 119 170

HSL 337.5, 1%, 0.73%

LAB 67.54, 56.79, -1.94

 

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

CMYK 0 / 88 / 66 / 7

HEX #ED1D50

RGB 237 29 80

HSL 345.29, 0.85%, 0.52%

LAB 51.22, 74.71, 27.49

 

CMYK 0 / 95 / 72 / 14

HEX #DC0B3D

RGB 220 11 61

HSL 345.65, 0.9%, 0.45%

LAB 46.7, 71.97, 32.61

 

CMYK 0 / 100 / 79 / 20

HEX #CB002A

RGB 203 0 42

HSL 347.59, 1%, 0.4%

LAB 42.56, 68.16, 38.27

 

CMYK 0 / 100 / 88 / 27

HEX #BA0017

RGB 186 0 23

HSL 352.58, 1%, 0.36%

LAB 38.73, 63.49, 43.77

 

CMYK 0 / 82 / 61 / 1

HEX #FD2E62

RGB 253 46 98

HSL 344.93, 0.98%, 0.59%

LAB 55.8, 76.37, 23.26

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 82 / 61 / 1

HEX #FD2E62

RGB 253 46 98

HSL 344.93, 0.98%, 0.59%

LAB 55.8, 76.37, 23.26

 

CMYK 0 / 82 / 39 / 1

HEX #FD2E9A

RGB 253 46 154

HSL 328.7, 0.98%, 0.59%

LAB 57.24, 80.59, -7.98

 

CMYK 0 / 82 / 17 / 1

HEX #FD2ED2

RGB 253 46 210

HSL 312.46, 0.98%, 0.59%

LAB 59.42, 86.74, -37.04

 

CMYK 5 / 82 / 0 / 1

HEX #F12EFD

RGB 241 46 253

HSL 296.52, 0.98%, 0.59%

LAB 59.66, 90.49, -60.92

 

CMYK 27 / 82 / 0 / 1

HEX #B92EFD

RGB 185 46 253

HSL 280.29, 0.98%, 0.59%

LAB 51.11, 81.39, -75.16

 

CMYK 0 / 82 / 61 / 1

HEX #FD2E62

RGB 253 46 98

HSL 344.93, 0.98%, 0.59%

LAB 55.8, 76.37, 23.26

 

CMYK 0 / 82 / 61 / 1

HEX #FD2E62

RGB 253 46 98

HSL 344.93, 0.98%, 0.59%

LAB 55.8, 76.37, 23.26

 

CMYK 0 / 73 / 55 / 7

HEX #ED3F6B

RGB 237 63 107

HSL 344.83, 0.83%, 0.59%

LAB 54.68, 68.02, 15.88

 

CMYK 0 / 64 / 48 / 14

HEX #DC5073

RGB 220 80 115

HSL 345, 0.67%, 0.59%

LAB 54.23, 57.3, 10.05

 

CMYK 0 / 52 / 39 / 20

HEX #CB617C

RGB 203 97 124

HSL 344.72, 0.5%, 0.59%

LAB 54.76, 44.77, 5.12

 

CMYK 0 / 39 / 29 / 27

HEX #BA7284

RGB 186 114 132

HSL 345, 0.34%, 0.59%

LAB 56.23, 30.73, 2.25

 

CMYK 0 / 82 / 16 / 1

HEX #FD2ED4

RGB 253 46 212

HSL 311.88, 0.98%, 0.59%

LAB 59.52, 86.99, -38.03

 

CMYK 0 / 82 / 38 / 1

HEX #FD2E9D

RGB 253 46 157

HSL 327.83, 0.98%, 0.59%

LAB 57.34, 80.87, -9.6

 

CMYK 0 / 82 / 60 / 1

HEX #FD2E66

RGB 253 46 102

HSL 343.77, 0.98%, 0.59%

LAB 55.88, 76.61, 20.99

 

CMYK 0 / 82 / 82 / 1

HEX #FD2E2E

RGB 253 46 46

HSL 0, 0.98%, 0.59%

LAB 55.11, 74.28, 51.86

 

CMYK 0 / 60 / 82 / 1

HEX #FD662E

RGB 253 102 46

HSL 16.23, 0.98%, 0.59%

LAB 62.15, 54.99, 58.32

 

CMYK 0 / 100 / 75 / 15

HEX #D90137

RGB 217 1 55

HSL 345, 0.99%, 0.43%

LAB 45.7, 71.87, 34.89

 

CMYK 0 / 98 / 73 / 1

HEX #FD0544

RGB 253 5 68

HSL 344.76, 0.98%, 0.51%

LAB 53.39, 80.53, 38

 

CMYK 0 / 82 / 61 / 1

HEX #FD2E62

RGB 253 46 98

HSL 344.93, 0.98%, 0.59%

LAB 55.8, 76.37, 23.26

 

CMYK 0 / 66 / 49 / 0

HEX #FE5781

RGB 254 87 129

HSL 344.91, 0.99%, 0.67%

LAB 61.2, 66.1, 12.43

 

CMYK 0 / 49 / 37 / 0

HEX #FE81A0

RGB 254 129 160

HSL 345.12, 0.98%, 0.75%

LAB 68.97, 50.56, 5.77

 

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

CMYK 0 / 5 / 82 / 1

HEX #FDF02E

RGB 253 240 46

HSL 56.23, 0.98%, 0.59%

LAB 93.19, -14.51, 85.24

 

CMYK 82 / 27 / 0 / 1

HEX #2EB8FD

RGB 46 184 253

HSL 200, 0.98%, 0.59%

LAB 70.84, -12.55, -44.12

 

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

CMYK 60 / 0 / 82 / 1

HEX #66FD2E

RGB 102 253 46

HSL 103.77, 0.98%, 0.59%

LAB 88.58, -72.67, 78.03

 

CMYK 82 / 60 / 0 / 1

HEX #2E66FD

RGB 46 102 253

HSL 223.77, 0.98%, 0.59%

LAB 48.48, 36.37, -79.94

 

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

CMYK 0 / 5 / 82 / 1

HEX #FDF02E

RGB 253 240 46

HSL 56.23, 0.98%, 0.59%

LAB 93.19, -14.51, 85.24

 

CMYK 82 / 0 / 22 / 1

HEX #2EFDC6

RGB 46 253 198

HSL 164.06, 0.98%, 0.59%

LAB 89.35, -60.27, 12.86

 

CMYK 82 / 76 / 0 / 1

HEX #2E3CFD

RGB 46 60 253

HSL 235.94, 0.98%, 0.59%

LAB 39.42, 60.84, -94.86

 

CMYK 0 / 81 / 61 / 0

HEX #FE2F63

RGB 254 47 99

HSL 344.93, 0.99%, 0.59%

LAB 56.09, 76.46, 23.09

 

CMYK 19 / 0 / 82 / 1

HEX #CDFD2E

RGB 205 253 46

HSL 73.91, 0.98%, 0.59%

LAB 93.2, -39.89, 83.89

 

CMYK 82 / 0 / 22 / 1

HEX #2EFDC6

RGB 46 253 198

HSL 164.06, 0.98%, 0.59%

LAB 89.35, -60.27, 12.86

 

CMYK 62 / 82 / 0 / 1

HEX #5F2EFD

RGB 95 46 253

HSL 254.2, 0.98%, 0.59%

LAB 40.38, 70.49, -93.18

 

Description

Color code: HEX #FE2F63 | qconv.com Color code: HEX #FE2F63 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 47 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 47 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 61 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 61% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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