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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE1FD6 it is the complementary color #01E029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE1FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE1FD6 shade: #FF1FD1, #FF31E4, #FF43F7, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE1FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE1FD6 shade: #FE1FD6, #ED0DC3, #DC00B0, #CB009D and #BA008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE1FD6 shade: #FD1FD6, #FD1F9A, #FD1F5E, #FD1F22 and #FD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE1FD6 shade: #FD1FD6, #E91FFD, #AD1FFD, #711FFD and #361FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE1FD6 shade matches the following richer shades: #FD1FD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE1FD6 shade: #FD1FD6, #EB31CA, #D944BE, #C756B3 and #B568A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE1FD6 shade: #AC1FFD, #E71FFD, #FD1FD8, #FD1F9D and #FD1F62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE1FD6 shade: #CA01A6, #F301C7, #FD1FD6, #FE48DD and #FE71E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE1FD6 shade: #FE1FD6, #FD711F and #1FFDCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE1FD6 shade: #FE1FD6, #D8FD1F and #1FD8FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE1FD6 shade: #FE1FD6, #FD711F, #1FFD44 and #1FACFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE1FD6 shade: #FE1FD6, #FDB31F, #1FFD44 and #1F69FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

Complementary color

CMYK 100 / 0 / 82 / 12

HEX #01E029

RGB 1 224 41

HSL 130.76, 0.99%, 0.44%

LAB 78.16, -76.88, 69.21

 

CMYK 0 / 88 / 18 / 0

HEX #FF1FD1

RGB 255 31 209

HSL 312.32, 1%, 0.56%

LAB 58.83, 89.62, -37.37

 

CMYK 0 / 81 / 11 / 0

HEX #FF31E4

RGB 255 49 228

HSL 307.86, 1%, 0.6%

LAB 60.83, 88.84, -44.97

 

CMYK 0 / 74 / 3 / 0

HEX #FF43F7

RGB 255 67 247

HSL 302.55, 1%, 0.63%

LAB 63.33, 87.04, -51.61

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

CMYK 0 / 95 / 18 / 7

HEX #ED0DC3

RGB 237 13 195

HSL 311.25, 0.9%, 0.49%

LAB 54.27, 86.56, -36.71

 

CMYK 0 / 100 / 20 / 14

HEX #DC00B0

RGB 220 0 176

HSL 312, 1%, 0.43%

LAB 49.92, 82.11, -32.68

 

CMYK 0 / 100 / 23 / 20

HEX #CB009D

RGB 203 0 157

HSL 313.6, 1%, 0.4%

LAB 45.81, 76.68, -28.04

 

CMYK 0 / 100 / 26 / 27

HEX #BA008A

RGB 186 0 138

HSL 315.48, 1%, 0.36%

LAB 41.65, 71.18, -23.25

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD6

RGB 253 31 214

HSL 310.54, 0.98%, 0.56%

LAB 58.71, 89.86, -40.43

 

CMYK 0 / 88 / 39 / 1

HEX #FD1F9A

RGB 253 31 154

HSL 326.76, 0.98%, 0.56%

LAB 56.28, 83.35, -9.41

 

CMYK 0 / 88 / 63 / 1

HEX #FD1F5E

RGB 253 31 94

HSL 342.97, 0.98%, 0.56%

LAB 54.73, 79.01, 24.24

 

CMYK 0 / 88 / 87 / 1

HEX #FD1F22

RGB 253 31 34

HSL 359.19, 0.98%, 0.56%

LAB 54, 76.93, 56.63

 

CMYK 0 / 88 / 88 / 1

HEX #FD1F1F

RGB 253 31 31

HSL 0, 0.98%, 0.56%

LAB 53.99, 76.88, 57.92

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD6

RGB 253 31 214

HSL 310.54, 0.98%, 0.56%

LAB 58.71, 89.86, -40.43

 

CMYK 8 / 88 / 0 / 1

HEX #E91FFD

RGB 233 31 253

HSL 294.59, 0.98%, 0.56%

LAB 57.46, 91.84, -64.52

 

CMYK 32 / 88 / 0 / 1

HEX #AD1FFD

RGB 173 31 253

HSL 278.38, 0.98%, 0.56%

LAB 48.2, 83.18, -79.96

 

CMYK 55 / 88 / 0 / 1

HEX #711FFD

RGB 113 31 253

HSL 262.16, 0.98%, 0.56%

LAB 40.54, 76.76, -92.84

 

CMYK 79 / 88 / 0 / 1

HEX #361FFD

RGB 54 31 253

HSL 246.22, 0.98%, 0.56%

LAB 35.71, 73.24, -101.02

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD6

RGB 253 31 214

HSL 310.54, 0.98%, 0.56%

LAB 58.71, 89.86, -40.43

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD6

RGB 253 31 214

HSL 310.54, 0.98%, 0.56%

LAB 58.71, 89.86, -40.43

 

CMYK 0 / 79 / 14 / 8

HEX #EB31CA

RGB 235 49 202

HSL 310.65, 0.82%, 0.56%

LAB 56.21, 81.37, -37.73

 

CMYK 0 / 69 / 12 / 15

HEX #D944BE

RGB 217 68 190

HSL 310.87, 0.66%, 0.56%

LAB 54.66, 70.05, -33.46

 

CMYK 0 / 57 / 10 / 22

HEX #C756B3

RGB 199 86 179

HSL 310.62, 0.5%, 0.56%

LAB 54.08, 56.36, -28.21

 

CMYK 0 / 43 / 8 / 29

HEX #B568A7

RGB 181 104 167

HSL 310.91, 0.34%, 0.56%

LAB 54.57, 39.93, -20.7

 

CMYK 32 / 88 / 0 / 1

HEX #AC1FFD

RGB 172 31 253

HSL 278.11, 0.98%, 0.56%

LAB 48.06, 83.05, -80.21

 

CMYK 9 / 88 / 0 / 1

HEX #E71FFD

RGB 231 31 253

HSL 294.05, 0.98%, 0.56%

LAB 57.13, 91.53, -65.06

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD8

RGB 253 31 216

HSL 310, 0.98%, 0.56%

LAB 58.81, 90.11, -41.41

 

CMYK 0 / 88 / 38 / 1

HEX #FD1F9D

RGB 253 31 157

HSL 325.95, 0.98%, 0.56%

LAB 56.38, 83.62, -11.03

 

CMYK 0 / 88 / 61 / 1

HEX #FD1F62

RGB 253 31 98

HSL 341.89, 0.98%, 0.56%

LAB 54.81, 79.23, 21.94

 

CMYK 0 / 100 / 18 / 21

HEX #CA01A6

RGB 202 1 166

HSL 310.75, 0.99%, 0.4%

LAB 46.08, 77.49, -33.01

 

CMYK 0 / 100 / 18 / 5

HEX #F301C7

RGB 243 1 199

HSL 310.91, 0.99%, 0.48%

LAB 55.28, 88.95, -37.37

 

CMYK 0 / 88 / 15 / 1

HEX #FD1FD6

RGB 253 31 214

HSL 310.54, 0.98%, 0.56%

LAB 58.71, 89.86, -40.43

 

CMYK 0 / 72 / 13 / 0

HEX #FE48DD

RGB 254 72 221

HSL 310.88, 0.99%, 0.64%

LAB 62.45, 81.64, -38.52

 

CMYK 0 / 56 / 10 / 0

HEX #FE71E5

RGB 254 113 229

HSL 310.64, 0.99%, 0.72%

LAB 68.42, 67.24, -33.68

 

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

CMYK 0 / 55 / 88 / 1

HEX #FD711F

RGB 253 113 31

HSL 22.16, 0.98%, 0.56%

LAB 63.99, 49.64, 65.51

 

CMYK 88 / 0 / 20 / 1

HEX #1FFDCA

RGB 31 253 202

HSL 166.22, 0.98%, 0.56%

LAB 89.3, -60.33, 10.71

 

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

CMYK 15 / 0 / 88 / 1

HEX #D8FD1F

RGB 216 253 31

HSL 70, 0.98%, 0.56%

LAB 93.86, -36, 87.67

 

CMYK 88 / 15 / 0 / 1

HEX #1FD8FD

RGB 31 216 253

HSL 190, 0.98%, 0.56%

LAB 79.89, -29.95, -30.09

 

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

CMYK 0 / 55 / 88 / 1

HEX #FD711F

RGB 253 113 31

HSL 22.16, 0.98%, 0.56%

LAB 63.99, 49.64, 65.51

 

CMYK 88 / 0 / 73 / 1

HEX #1FFD44

RGB 31 253 68

HSL 130, 0.98%, 0.56%

LAB 87.47, -81.77, 70.21

 

CMYK 88 / 32 / 0 / 1

HEX #1FACFD

RGB 31 172 253

HSL 201.89, 0.98%, 0.56%

LAB 67.19, -7, -49.87

 

CMYK 0 / 88 / 16 / 0

HEX #FE1FD6

RGB 254 31 214

HSL 310.76, 0.99%, 0.56%

LAB 58.89, 90.05, -40.14

 

CMYK 0 / 29 / 88 / 1

HEX #FDB31F

RGB 253 179 31

HSL 40, 0.98%, 0.56%

LAB 78.01, 16.14, 76.36

 

CMYK 88 / 0 / 73 / 1

HEX #1FFD44

RGB 31 253 68

HSL 130, 0.98%, 0.56%

LAB 87.47, -81.77, 70.21

 

CMYK 88 / 58 / 0 / 1

HEX #1F69FD

RGB 31 105 253

HSL 220, 0.98%, 0.56%

LAB 48.87, 33.53, -79.32

 

Description

Color code: HEX #FE1FD6 | qconv.com Color code: HEX #FE1FD6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 31 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 31 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 16 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 16% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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