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Color name
HEX #FDFA8F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDFA8F it is the complementary color #020570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDFA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDFA8F shade: #FFFA8A, #FFFF9D, #FFFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDFA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDFA8F shade: #FDFA8F, #ECE87C, #DBD669, #CAC456 and #B9B243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDFA8F shade: #FCF991, #FCDC91, #FCBF91, #FCA291 and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDFA8F shade: #FCF991, #E2FC91, #C5FC91, #A8FC91 and #91FC96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDFA8F shade matches the following richer shades: #FCF991

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDFA8F shade: #FCF991, #F3F19A, #EAE8A3, #E1E0AC and #D8D7B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDFA8F shade: #FCBF91, #FCDC91, #FCF991, #E3FC91 and #C6FC91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDFA8F shade: #FBF540, #FBF768, #FCF991, #FDFBB9 and #FEFDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDFA8F shade: #FDFA8F, #91FCA2 and #CE91FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDFA8F shade: #FDFA8F, #91FCF9 and #F991FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDFA8F shade: #FDFA8F, #91FCA2, #9194FC and #FC91EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDFA8F shade: #FDFA8F, #91FCC3, #9194FC and #FC91CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

Complementary color

CMYK 98 / 96 / 0 / 56

HEX #020570

RGB 2 5 112

HSL 238.36, 0.96%, 0.22%

LAB 11.21, 40.78, -57.33

 

CMYK 0 / 2 / 46 / 0

HEX #FFFA8A

RGB 255 250 138

HSL 57.44, 1%, 0.77%

LAB 96.6, -13.24, 53.97

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

CMYK 0 / 2 / 47 / 7

HEX #ECE87C

RGB 236 232 124

HSL 57.86, 0.75%, 0.71%

LAB 90.32, -13.1, 52.6

 

CMYK 0 / 2 / 52 / 14

HEX #DBD669

RGB 219 214 105

HSL 57.37, 0.61%, 0.64%

LAB 84.06, -12.58, 53.73

 

CMYK 0 / 3 / 57 / 21

HEX #CAC456

RGB 202 196 86

HSL 56.9, 0.52%, 0.56%

LAB 77.7, -11.96, 54.79

 

CMYK 0 / 4 / 64 / 27

HEX #B9B243

RGB 185 178 67

HSL 56.44, 0.47%, 0.49%

LAB 71.26, -11.21, 55.69

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 0 / 13 / 42 / 1

HEX #FCDC91

RGB 252 220 145

HSL 42.06, 0.95%, 0.78%

LAB 88.89, 1.25, 40.87

 

CMYK 0 / 24 / 42 / 1

HEX #FCBF91

RGB 252 191 145

HSL 25.79, 0.95%, 0.78%

LAB 81.84, 16.27, 31.68

 

CMYK 0 / 36 / 42 / 1

HEX #FCA291

RGB 252 162 145

HSL 9.53, 0.95%, 0.78%

LAB 75.19, 31.47, 22.75

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 10 / 0 / 42 / 1

HEX #E2FC91

RGB 226 252 145

HSL 74.58, 0.95%, 0.78%

LAB 95.09, -24.56, 48.31

 

CMYK 22 / 0 / 42 / 1

HEX #C5FC91

RGB 197 252 145

HSL 90.84, 0.95%, 0.78%

LAB 93.25, -35.07, 45.61

 

CMYK 33 / 0 / 42 / 1

HEX #A8FC91

RGB 168 252 145

HSL 107.1, 0.95%, 0.78%

LAB 91.68, -44.8, 43.29

 

CMYK 42 / 0 / 40 / 1

HEX #91FC96

RGB 145 252 150

HSL 122.8, 0.95%, 0.78%

LAB 90.71, -51.03, 39.39

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 0 / 1 / 37 / 5

HEX #F3F19A

RGB 243 241 154

HSL 58.65, 0.79%, 0.78%

LAB 93.58, -11.83, 42.28

 

CMYK 0 / 1 / 30 / 8

HEX #EAE8A3

RGB 234 232 163

HSL 58.31, 0.63%, 0.78%

LAB 90.71, -9.73, 33.89

 

CMYK 0 / 0 / 24 / 12

HEX #E1E0AC

RGB 225 224 172

HSL 58.87, 0.47%, 0.78%

LAB 88.11, -7.89, 25.67

 

CMYK 0 / 0 / 16 / 15

HEX #D8D7B5

RGB 216 215 181

HSL 58.29, 0.31%, 0.78%

LAB 85.27, -5.31, 16.93

 

CMYK 0 / 24 / 42 / 1

HEX #FCBF91

RGB 252 191 145

HSL 25.79, 0.95%, 0.78%

LAB 81.84, 16.27, 31.68

 

CMYK 0 / 13 / 42 / 1

HEX #FCDC91

RGB 252 220 145

HSL 42.06, 0.95%, 0.78%

LAB 88.89, 1.25, 40.87

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 10 / 0 / 42 / 1

HEX #E3FC91

RGB 227 252 145

HSL 74.02, 0.95%, 0.78%

LAB 95.16, -24.19, 48.42

 

CMYK 21 / 0 / 42 / 1

HEX #C6FC91

RGB 198 252 145

HSL 90.28, 0.95%, 0.78%

LAB 93.31, -34.72, 45.69

 

CMYK 0 / 2 / 75 / 2

HEX #FBF540

RGB 251 245 64

HSL 58.07, 0.96%, 0.62%

LAB 94.39, -17.18, 81.34

 

CMYK 0 / 2 / 59 / 2

HEX #FBF768

RGB 251 247 104

HSL 58.37, 0.95%, 0.7%

LAB 95.17, -16.05, 67.43

 

CMYK 0 / 1 / 42 / 1

HEX #FCF991

RGB 252 249 145

HSL 58.32, 0.95%, 0.78%

LAB 96.2, -13.25, 50.11

 

CMYK 0 / 1 / 27 / 1

HEX #FDFBB9

RGB 253 251 185

HSL 58.24, 0.94%, 0.86%

LAB 97.38, -9.34, 31.97

 

CMYK 0 / 0 / 11 / 0

HEX #FEFDE1

RGB 254 253 225

HSL 57.93, 0.94%, 0.94%

LAB 98.73, -4.3, 13.52

 

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

CMYK 42 / 0 / 36 / 1

HEX #91FCA2

RGB 145 252 162

HSL 129.53, 0.95%, 0.78%

LAB 90.89, -49.18, 33.7

 

CMYK 18 / 42 / 0 / 1

HEX #CE91FC

RGB 206 145 252

HSL 274.21, 0.95%, 0.78%

LAB 69.75, 42.3, -44.65

 

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

CMYK 42 / 0 / 1 / 1

HEX #91FCF9

RGB 145 252 249

HSL 178.32, 0.95%, 0.78%

LAB 92.79, -31.61, -8.25

 

CMYK 1 / 42 / 0 / 1

HEX #F991FC

RGB 249 145 252

HSL 298.32, 0.95%, 0.78%

LAB 74.46, 54.56, -36.96

 

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

CMYK 42 / 0 / 36 / 1

HEX #91FCA2

RGB 145 252 162

HSL 129.53, 0.95%, 0.78%

LAB 90.89, -49.18, 33.7

 

CMYK 42 / 41 / 0 / 1

HEX #9194FC

RGB 145 148 252

HSL 238.32, 0.95%, 0.78%

LAB 65.14, 24.43, -52.28

 

CMYK 0 / 42 / 7 / 1

HEX #FC91EA

RGB 252 145 234

HSL 310.09, 0.95%, 0.78%

LAB 74.12, 52.35, -27.66

 

CMYK 0 / 1 / 43 / 1

HEX #FDFA8F

RGB 253 250 143

HSL 58.36, 0.96%, 0.78%

LAB 96.51, -13.55, 51.46

 

CMYK 42 / 0 / 23 / 1

HEX #91FCC3

RGB 145 252 195

HSL 148.04, 0.95%, 0.78%

LAB 91.5, -43.34, 17.79

 

CMYK 42 / 41 / 0 / 1

HEX #9194FC

RGB 145 148 252

HSL 238.32, 0.95%, 0.78%

LAB 65.14, 24.43, -52.28

 

CMYK 0 / 42 / 20 / 1

HEX #FC91CA

RGB 252 145 202

HSL 328.04, 0.95%, 0.78%

LAB 73.03, 47.37, -11.73

 

Description

Color code: HEX #FDFA8F | qconv.com Color code: HEX #FDFA8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 250 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 250 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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