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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDF75C it is the complementary color #0208A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDF75C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDF75C shade: #FFF757, #FFFF6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDF75C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDF75C shade: #FDF75C, #ECE549, #DBD336, #CAC123 and #B9AF10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDF75C shade: #FDF75D, #FDCC5D, #FDA15D, #FD765D and #FD5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDF75C shade: #FDF75D, #D8FD5D, #ADFD5D, #81FD5D and #5DFD64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDF75C shade matches the following richer shades: #FDF75D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDF75C shade: #FDF75D, #F0EB6A, #E2DE77, #D5D285 and #C8C692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDF75C shade: #FDA05D, #FDCA5D, #FDF55D, #DAFD5D and #B0FD5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDF75C shade: #FCF30B, #FCF534, #FDF75D, #FDF986 and #FEFBAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDF75C shade: #FDF75C, #5DFD75 and #B55DFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDF75C shade: #FDF75C, #5DFDF5 and #F55DFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDF75C shade: #FDF75C, #5DFD75, #5D65FD and #FD5DE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDF75C shade: #FDF75C, #5DFDA5, #5D65FD and #FD5DB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

Complementary color

CMYK 99 / 95 / 0 / 36

HEX #0208A3

RGB 2 8 163

HSL 237.76, 0.98%, 0.32%

LAB 19.35, 54.39, -75.84

 

CMYK 0 / 3 / 66 / 0

HEX #FFF757

RGB 255 247 87

HSL 57.14, 1%, 0.67%

LAB 95.36, -15.46, 74.5

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

CMYK 0 / 3 / 69 / 7

HEX #ECE549

RGB 236 229 73

HSL 57.42, 0.81%, 0.61%

LAB 89.09, -15.15, 72.88

 

CMYK 0 / 4 / 75 / 14

HEX #DBD336

RGB 219 211 54

HSL 57.09, 0.7%, 0.54%

LAB 82.87, -14.16, 72.9

 

CMYK 0 / 4 / 83 / 21

HEX #CAC123

RGB 202 193 35

HSL 56.77, 0.7%, 0.46%

LAB 76.57, -13, 72.18

 

CMYK 0 / 5 / 91 / 27

HEX #B9AF10

RGB 185 175 16

HSL 56.45, 0.84%, 0.39%

LAB 70.18, -11.64, 70.27

 

CMYK 0 / 2 / 63 / 1

HEX #FDF75D

RGB 253 247 93

HSL 57.75, 0.98%, 0.68%

LAB 95.24, -15.93, 72.02

 

CMYK 0 / 19 / 63 / 1

HEX #FDCC5D

RGB 253 204 93

HSL 41.63, 0.98%, 0.68%

LAB 84.41, 5.61, 60.39

 

CMYK 0 / 36 / 63 / 1

HEX #FDA15D

RGB 253 161 93

HSL 25.5, 0.98%, 0.68%

LAB 74.29, 28.04, 48.95

 

CMYK 0 / 53 / 63 / 1

HEX #FD765D

RGB 253 118 93

HSL 9.38, 0.98%, 0.68%

LAB 65.46, 49.7, 38.41

 

CMYK 0 / 63 / 63 / 1

HEX #FD5D5D

RGB 253 93 93

HSL 0, 0.98%, 0.68%

LAB 61.22, 60.84, 33.15

 

CMYK 0 / 2 / 63 / 1

HEX #FDF75D

RGB 253 247 93

HSL 57.75, 0.98%, 0.68%

LAB 95.24, -15.93, 72.02

 

CMYK 15 / 0 / 63 / 1

HEX #D8FD5D

RGB 216 253 93

HSL 73.88, 0.98%, 0.68%

LAB 94.16, -33.36, 70.07

 

CMYK 32 / 0 / 63 / 1

HEX #ADFD5D

RGB 173 253 93

HSL 90, 0.98%, 0.68%

LAB 91.65, -49.04, 66.63

 

CMYK 49 / 0 / 63 / 1

HEX #81FD5D

RGB 129 253 93

HSL 106.5, 0.98%, 0.68%

LAB 89.72, -62.7, 63.98

 

CMYK 63 / 0 / 60 / 1

HEX #5DFD64

RGB 93 253 100

HSL 122.63, 0.98%, 0.68%

LAB 88.68, -70.57, 59.62

 

CMYK 0 / 2 / 63 / 1

HEX #FDF75D

RGB 253 247 93

HSL 57.75, 0.98%, 0.68%

LAB 95.24, -15.93, 72.02

 

CMYK 0 / 2 / 63 / 1

HEX #FDF75D

RGB 253 247 93

HSL 57.75, 0.98%, 0.68%

LAB 95.24, -15.93, 72.02

 

CMYK 0 / 2 / 56 / 6

HEX #F0EB6A

RGB 240 235 106

HSL 57.76, 0.82%, 0.68%

LAB 91.23, -14.45, 61.94

 

CMYK 0 / 2 / 47 / 11

HEX #E2DE77

RGB 226 222 119

HSL 57.76, 0.65%, 0.68%

LAB 86.87, -12.56, 50.62

 

CMYK 0 / 1 / 38 / 16

HEX #D5D285

RGB 213 210 133

HSL 57.75, 0.49%, 0.68%

LAB 82.88, -10.25, 38.54

 

CMYK 0 / 1 / 27 / 22

HEX #C8C692

RGB 200 198 146

HSL 57.78, 0.33%, 0.68%

LAB 78.89, -7.55, 26.39

 

CMYK 0 / 37 / 63 / 1

HEX #FDA05D

RGB 253 160 93

HSL 25.13, 0.98%, 0.68%

LAB 74.07, 28.56, 48.69

 

CMYK 0 / 20 / 63 / 1

HEX #FDCA5D

RGB 253 202 93

HSL 40.88, 0.98%, 0.68%

LAB 83.92, 6.65, 59.85

 

CMYK 0 / 3 / 63 / 1

HEX #FDF55D

RGB 253 245 93

HSL 57, 0.98%, 0.68%

LAB 94.73, -14.96, 71.48

 

CMYK 14 / 0 / 63 / 1

HEX #DAFD5D

RGB 218 253 93

HSL 73.13, 0.98%, 0.68%

LAB 94.29, -32.59, 70.24

 

CMYK 30 / 0 / 63 / 1

HEX #B0FD5D

RGB 176 253 93

HSL 88.88, 0.98%, 0.68%

LAB 91.81, -48.01, 66.85

 

CMYK 0 / 4 / 96 / 1

HEX #FCF30B

RGB 252 243 11

HSL 57.76, 0.98%, 0.52%

LAB 93.81, -16.97, 91.14

 

CMYK 0 / 3 / 79 / 1

HEX #FCF534

RGB 252 245 52

HSL 57.9, 0.97%, 0.6%

LAB 94.42, -17.18, 84.78

 

CMYK 0 / 2 / 63 / 1

HEX #FDF75D

RGB 253 247 93

HSL 57.75, 0.98%, 0.68%

LAB 95.24, -15.93, 72.02

 

CMYK 0 / 2 / 47 / 1

HEX #FDF986

RGB 253 249 134

HSL 57.98, 0.97%, 0.76%

LAB 96.14, -13.89, 55.25

 

CMYK 0 / 1 / 31 / 0

HEX #FEFBAF

RGB 254 251 175

HSL 57.72, 0.98%, 0.84%

LAB 97.29, -10.21, 36.87

 

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

CMYK 63 / 0 / 54 / 1

HEX #5DFD75

RGB 93 253 117

HSL 129, 0.98%, 0.68%

LAB 88.86, -68.58, 52.36

 

CMYK 28 / 63 / 0 / 1

HEX #B55DFD

RGB 181 93 253

HSL 273, 0.98%, 0.68%

LAB 56.83, 62.96, -65.92

 

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

CMYK 63 / 0 / 3 / 1

HEX #5DFDF5

RGB 93 253 245

HSL 177, 0.98%, 0.68%

LAB 91.31, -43.08, -8.55

 

CMYK 3 / 63 / 0 / 1

HEX #F55DFD

RGB 245 93 253

HSL 297, 0.98%, 0.68%

LAB 65.23, 77.13, -52.02

 

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

CMYK 63 / 0 / 54 / 1

HEX #5DFD75

RGB 93 253 117

HSL 129, 0.98%, 0.68%

LAB 88.86, -68.58, 52.36

 

CMYK 63 / 60 / 0 / 1

HEX #5D65FD

RGB 93 101 253

HSL 237, 0.98%, 0.68%

LAB 50.37, 42.21, -76.77

 

CMYK 0 / 63 / 9 / 1

HEX #FD5DE5

RGB 253 93 229

HSL 309, 0.98%, 0.68%

LAB 65.25, 75.24, -38.61

 

CMYK 0 / 2 / 64 / 1

HEX #FDF75C

RGB 253 247 92

HSL 57.76, 0.98%, 0.68%

LAB 95.24, -15.99, 72.41

 

CMYK 63 / 0 / 35 / 1

HEX #5DFDA5

RGB 93 253 165

HSL 147, 0.98%, 0.68%

LAB 89.53, -61.09, 30.07

 

CMYK 63 / 60 / 0 / 1

HEX #5D65FD

RGB 93 101 253

HSL 237, 0.98%, 0.68%

LAB 50.37, 42.21, -76.77

 

CMYK 0 / 63 / 28 / 1

HEX #FD5DB5

RGB 253 93 181

HSL 327, 0.98%, 0.68%

LAB 63.38, 68.76, -14.41

 

Description

Color code: HEX #FDF75C | qconv.com Color code: HEX #FDF75C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 247 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 247 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 64 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 64% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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