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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDEF10 it is the complementary color #0210EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDEF10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDEF10 shade: #FFEF0B, #FFFF1E, #FFFF31, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDEF10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDEF10 shade: #FDEF10, #ECDD00, #DBCB00, #CAB900 and #B9A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDEF10 shade: #FCEE11, #FCAF11, #FC7011, #FC3011 and #FC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDEF10 shade: #FCEE11, #CBFC11, #8BFC11, #4CFC11 and #11FC16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDEF10 shade matches the following richer shades: #FCEE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDEF10 shade: #FCEE11, #E9DD25, #D5CC38, #C2BB4B and #AFAA5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDEF10 shade: #FC6F11, #FCAE11, #FCEC11, #CDFC11 and #8EFC11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDEF10 shade: #B9AF01, #E2D502, #FCEE11, #FDF13A and #FDF463

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDEF10 shade: #FDEF10, #11FC31 and #8E11FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDEF10 shade: #FDEF10, #11FCEC and #EC11FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDEF10 shade: #FDEF10, #11FC31, #1121FC and #FC11DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDEF10 shade: #FDEF10, #11FC77, #1121FC and #FC1196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

Complementary color

CMYK 99 / 93 / 0 / 6

HEX #0210EF

RGB 2 16 239

HSL 236.46, 0.98%, 0.47%

LAB 30.92, 72.65, -101.15

 

CMYK 0 / 6 / 96 / 0

HEX #FFEF0B

RGB 255 239 11

HSL 56.07, 1%, 0.52%

LAB 93.02, -13.78, 90.67

 

CMYK 0 / 0 / 88 / 0

HEX #FFFF1E

RGB 255 255 30

HSL 60, 1%, 0.56%

LAB 97.18, -21.25, 91.65

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF31

RGB 255 255 49

HSL 60, 1%, 0.6%

LAB 97.23, -20.83, 88.02

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

CMYK 0 / 6 / 100 / 7

HEX #ECDD00

RGB 236 221 0

HSL 56.19, 1%, 0.46%

LAB 86.77, -13.01, 86.25

 

CMYK 0 / 7 / 100 / 14

HEX #DBCB00

RGB 219 203 0

HSL 55.62, 1%, 0.43%

LAB 80.61, -11.28, 81.14

 

CMYK 0 / 8 / 100 / 21

HEX #CAB900

RGB 202 185 0

HSL 54.95, 1%, 0.4%

LAB 74.35, -9.5, 75.95

 

CMYK 0 / 10 / 100 / 27

HEX #B9A700

RGB 185 167 0

HSL 54.16, 1%, 0.36%

LAB 67.99, -7.67, 70.68

 

CMYK 0 / 6 / 93 / 1

HEX #FCEE11

RGB 252 238 17

HSL 56.43, 0.98%, 0.53%

LAB 92.52, -14.49, 89.64

 

CMYK 0 / 31 / 93 / 1

HEX #FCAF11

RGB 252 175 17

HSL 40.34, 0.98%, 0.53%

LAB 76.92, 17.6, 78.14

 

CMYK 0 / 56 / 93 / 1

HEX #FC7011

RGB 252 112 17

HSL 24.26, 0.98%, 0.53%

LAB 63.61, 49.53, 68.92

 

CMYK 0 / 81 / 93 / 1

HEX #FC3011

RGB 252 48 17

HSL 7.91, 0.98%, 0.53%

LAB 54.92, 73.04, 63.49

 

CMYK 0 / 93 / 93 / 1

HEX #FC1111

RGB 252 17 17

HSL 0, 0.98%, 0.53%

LAB 53.1, 78.24, 62.46

 

CMYK 0 / 6 / 93 / 1

HEX #FCEE11

RGB 252 238 17

HSL 56.43, 0.98%, 0.53%

LAB 92.52, -14.49, 89.64

 

CMYK 19 / 0 / 93 / 1

HEX #CBFC11

RGB 203 252 17

HSL 72.51, 0.98%, 0.53%

LAB 92.73, -40.86, 88.26

 

CMYK 45 / 0 / 93 / 1

HEX #8BFC11

RGB 139 252 17

HSL 88.85, 0.98%, 0.53%

LAB 89.46, -63.28, 84.28

 

CMYK 70 / 0 / 93 / 1

HEX #4CFC11

RGB 76 252 17

HSL 104.94, 0.98%, 0.53%

LAB 87.58, -78.48, 81.97

 

CMYK 93 / 0 / 91 / 1

HEX #11FC16

RGB 17 252 22

HSL 121.28, 0.98%, 0.53%

LAB 86.9, -84.51, 80.53

 

CMYK 0 / 6 / 93 / 1

HEX #FCEE11

RGB 252 238 17

HSL 56.43, 0.98%, 0.53%

LAB 92.52, -14.49, 89.64

 

CMYK 0 / 6 / 93 / 1

HEX #FCEE11

RGB 252 238 17

HSL 56.43, 0.98%, 0.53%

LAB 92.52, -14.49, 89.64

 

CMYK 0 / 5 / 84 / 9

HEX #E9DD25

RGB 233 221 37

HSL 56.33, 0.82%, 0.53%

LAB 86.59, -13.76, 81.12

 

CMYK 0 / 4 / 74 / 16

HEX #D5CC38

RGB 213 204 56

HSL 56.56, 0.65%, 0.53%

LAB 80.53, -13.11, 69.9

 

CMYK 0 / 4 / 61 / 24

HEX #C2BB4B

RGB 194 187 75

HSL 56.47, 0.49%, 0.53%

LAB 74.52, -11.5, 55.97

 

CMYK 0 / 3 / 46 / 31

HEX #AFAA5F

RGB 175 170 95

HSL 56.25, 0.33%, 0.53%

LAB 68.53, -8.98, 39.11

 

CMYK 0 / 56 / 93 / 1

HEX #FC6F11

RGB 252 111 17

HSL 24, 0.98%, 0.53%

LAB 63.43, 50, 68.81

 

CMYK 0 / 31 / 93 / 1

HEX #FCAE11

RGB 252 174 17

HSL 40.09, 0.98%, 0.53%

LAB 76.68, 18.12, 77.97

 

CMYK 0 / 6 / 93 / 1

HEX #FCEC11

RGB 252 236 17

HSL 55.91, 0.98%, 0.53%

LAB 92.01, -13.51, 89.25

 

CMYK 19 / 0 / 93 / 1

HEX #CDFC11

RGB 205 252 17

HSL 72, 0.98%, 0.53%

LAB 92.86, -40.08, 88.41

 

CMYK 44 / 0 / 93 / 1

HEX #8EFC11

RGB 142 252 17

HSL 88.09, 0.98%, 0.53%

LAB 89.59, -62.36, 84.43

 

CMYK 0 / 5 / 99 / 27

HEX #B9AF01

RGB 185 175 1

HSL 56.74, 0.99%, 0.36%

LAB 70.16, -11.83, 72.13

 

CMYK 0 / 6 / 99 / 11

HEX #E2D502

RGB 226 213 2

HSL 56.52, 0.98%, 0.45%

LAB 83.84, -13.27, 83.57

 

CMYK 0 / 6 / 93 / 1

HEX #FCEE11

RGB 252 238 17

HSL 56.43, 0.98%, 0.53%

LAB 92.52, -14.49, 89.64

 

CMYK 0 / 5 / 77 / 1

HEX #FDF13A

RGB 253 241 58

HSL 56.31, 0.98%, 0.61%

LAB 93.49, -14.63, 82.36

 

CMYK 0 / 4 / 61 / 1

HEX #FDF463

RGB 253 244 99

HSL 56.49, 0.97%, 0.69%

LAB 94.52, -14.11, 68.84

 

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

CMYK 93 / 0 / 81 / 1

HEX #11FC31

RGB 17 252 49

HSL 128.17, 0.98%, 0.53%

LAB 86.98, -83.47, 75.34

 

CMYK 44 / 93 / 0 / 1

HEX #8E11FC

RGB 142 17 252

HSL 271.91, 0.98%, 0.53%

LAB 43.03, 81.87, -88.06

 

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

CMYK 93 / 0 / 6 / 1

HEX #11FCEC

RGB 17 252 236

HSL 175.91, 0.98%, 0.53%

LAB 89.76, -51.77, -6.27

 

CMYK 6 / 93 / 0 / 1

HEX #EC11FC

RGB 236 17 252

HSL 295.91, 0.98%, 0.53%

LAB 57.33, 93.81, -64.15

 

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

CMYK 93 / 0 / 81 / 1

HEX #11FC31

RGB 17 252 49

HSL 128.17, 0.98%, 0.53%

LAB 86.98, -83.47, 75.34

 

CMYK 93 / 87 / 0 / 1

HEX #1121FC

RGB 17 33 252

HSL 235.91, 0.98%, 0.53%

LAB 34.47, 71.42, -102.55

 

CMYK 0 / 93 / 12 / 1

HEX #FC11DD

RGB 252 17 221

HSL 307.91, 0.98%, 0.53%

LAB 58.34, 92.15, -45

 

CMYK 0 / 6 / 94 / 1

HEX #FDEF10

RGB 253 239 16

HSL 56.46, 0.98%, 0.53%

LAB 92.86, -14.57, 90.03

 

CMYK 93 / 0 / 53 / 1

HEX #11FC77

RGB 17 252 119

HSL 146.04, 0.98%, 0.53%

LAB 87.52, -76.67, 49.58

 

CMYK 93 / 87 / 0 / 1

HEX #1121FC

RGB 17 33 252

HSL 235.91, 0.98%, 0.53%

LAB 34.47, 71.42, -102.55

 

CMYK 0 / 93 / 40 / 1

HEX #FC1196

RGB 252 17 150

HSL 326.04, 0.98%, 0.53%

LAB 55.38, 84.47, -8.41

 

Description

Color code: HEX #FDEF10 | qconv.com Color code: HEX #FDEF10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 239 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 239 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 94 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 94% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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