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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDEB77 it is the complementary color #021488. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDEB77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDEB77 shade: #FFEB72, #FFFD85, #FFFF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDEB77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDEB77 shade: #FDEB77, #ECD964, #DBC751, #CAB53E and #B9A32B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDEB77 shade: #FCEA77, #FCC677, #FCA277, #FC7E77 and #FC7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDEB77 shade: #FCEA77, #EAFC77, #C6FC77, #A2FC77 and #7EFC77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDEB77 shade matches the following richer shades: #FCEA77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDEB77 shade: #FCEA77, #F1E282, #E6DA8D, #DBD298 and #D0CAA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDEB77 shade: #FCA177, #FCC577, #FCE877, #EDFC77 and #C9FC77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDEB77 shade: #FBDF26, #FCE44E, #FCEA77, #FDF0A0 and #FEF6C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDEB77 shade: #FDEB77, #77FC7E and #B377FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDEB77 shade: #FDEB77, #77FCE8 and #E877FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDEB77 shade: #FDEB77, #77FC7E, #778BFC and #FC77F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDEB77 shade: #FDEB77, #77FCA6, #778BFC and #FC77CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

Complementary color

CMYK 99 / 85 / 0 / 47

HEX #021488

RGB 2 20 136

HSL 231.94, 0.97%, 0.27%

LAB 16.94, 41.77, -63.14

 

CMYK 0 / 8 / 55 / 0

HEX #FFEB72

RGB 255 235 114

HSL 51.49, 1%, 0.72%

LAB 92.53, -7.84, 60.2

 

CMYK 0 / 1 / 48 / 0

HEX #FFFD85

RGB 255 253 133

HSL 59.02, 1%, 0.76%

LAB 97.31, -15.15, 57.15

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 0 / 8 / 58 / 7

HEX #ECD964

RGB 236 217 100

HSL 51.62, 0.78%, 0.66%

LAB 86.2, -7.55, 58.83

 

CMYK 0 / 9 / 63 / 14

HEX #DBC751

RGB 219 199 81

HSL 51.3, 0.66%, 0.59%

LAB 79.9, -6.73, 59.81

 

CMYK 0 / 10 / 69 / 21

HEX #CAB53E

RGB 202 181 62

HSL 51, 0.57%, 0.52%

LAB 73.51, -5.76, 60.55

 

CMYK 0 / 12 / 77 / 27

HEX #B9A32B

RGB 185 163 43

HSL 50.7, 0.62%, 0.45%

LAB 67.04, -4.59, 60.83

 

CMYK 0 / 7 / 53 / 1

HEX #FCEA77

RGB 252 234 119

HSL 51.88, 0.96%, 0.73%

LAB 92.08, -8.16, 57.33

 

CMYK 0 / 21 / 53 / 1

HEX #FCC677

RGB 252 198 119

HSL 35.64, 0.96%, 0.73%

LAB 83.13, 10.19, 46.61

 

CMYK 0 / 36 / 53 / 1

HEX #FCA277

RGB 252 162 119

HSL 19.4, 0.96%, 0.73%

LAB 74.74, 29.02, 36.11

 

CMYK 0 / 50 / 53 / 1

HEX #FC7E77

RGB 252 126 119

HSL 3.16, 0.96%, 0.73%

LAB 67.24, 47.34, 26.33

 

CMYK 0 / 53 / 53 / 1

HEX #FC7777

RGB 252 119 119

HSL 0, 0.96%, 0.73%

LAB 65.92, 50.71, 24.58

 

CMYK 0 / 7 / 53 / 1

HEX #FCEA77

RGB 252 234 119

HSL 51.88, 0.96%, 0.73%

LAB 92.08, -8.16, 57.33

 

CMYK 7 / 0 / 53 / 1

HEX #EAFC77

RGB 234 252 119

HSL 68.12, 0.96%, 0.73%

LAB 95.35, -24, 60.8

 

CMYK 21 / 0 / 53 / 1

HEX #C6FC77

RGB 198 252 119

HSL 84.36, 0.96%, 0.73%

LAB 93, -37.52, 57.45

 

CMYK 36 / 0 / 53 / 1

HEX #A2FC77

RGB 162 252 119

HSL 100.6, 0.96%, 0.73%

LAB 91.07, -49.85, 54.7

 

CMYK 50 / 0 / 53 / 1

HEX #7EFC77

RGB 126 252 119

HSL 116.84, 0.96%, 0.73%

LAB 89.57, -60.39, 52.55

 

CMYK 0 / 7 / 53 / 1

HEX #FCEA77

RGB 252 234 119

HSL 51.88, 0.96%, 0.73%

LAB 92.08, -8.16, 57.33

 

CMYK 0 / 7 / 53 / 1

HEX #FCEA77

RGB 252 234 119

HSL 51.88, 0.96%, 0.73%

LAB 92.08, -8.16, 57.33

 

CMYK 0 / 6 / 46 / 5

HEX #F1E282

RGB 241 226 130

HSL 51.89, 0.8%, 0.73%

LAB 89.25, -7.59, 48.53

 

CMYK 0 / 5 / 39 / 10

HEX #E6DA8D

RGB 230 218 141

HSL 51.91, 0.64%, 0.73%

LAB 86.45, -6.77, 39.37

 

CMYK 0 / 4 / 31 / 14

HEX #DBD298

RGB 219 210 152

HSL 51.94, 0.48%, 0.73%

LAB 83.66, -5.66, 29.93

 

CMYK 0 / 3 / 22 / 18

HEX #D0CAA3

RGB 208 202 163

HSL 52, 0.32%, 0.73%

LAB 80.9, -4.22, 20.26

 

CMYK 0 / 36 / 53 / 1

HEX #FCA177

RGB 252 161 119

HSL 18.95, 0.96%, 0.73%

LAB 74.52, 29.54, 35.83

 

CMYK 0 / 22 / 53 / 1

HEX #FCC577

RGB 252 197 119

HSL 35.19, 0.96%, 0.73%

LAB 82.89, 10.71, 46.31

 

CMYK 0 / 8 / 53 / 1

HEX #FCE877

RGB 252 232 119

HSL 50.98, 0.96%, 0.73%

LAB 91.57, -7.17, 56.74

 

CMYK 6 / 0 / 53 / 1

HEX #EDFC77

RGB 237 252 119

HSL 66.77, 0.96%, 0.73%

LAB 95.56, -22.84, 61.1

 

CMYK 20 / 0 / 53 / 1

HEX #C9FC77

RGB 201 252 119

HSL 83.01, 0.96%, 0.73%

LAB 93.18, -36.43, 57.71

 

CMYK 0 / 11 / 85 / 2

HEX #FBDF26

RGB 251 223 38

HSL 52.11, 0.96%, 0.57%

LAB 88.65, -7.15, 83.23

 

CMYK 0 / 10 / 69 / 1

HEX #FCE44E

RGB 252 228 78

HSL 51.72, 0.97%, 0.65%

LAB 90.2, -7.81, 72.59

 

CMYK 0 / 7 / 53 / 1

HEX #FCEA77

RGB 252 234 119

HSL 51.88, 0.96%, 0.73%

LAB 92.08, -8.16, 57.33

 

CMYK 0 / 5 / 37 / 1

HEX #FDF0A0

RGB 253 240 160

HSL 51.61, 0.96%, 0.81%

LAB 94.2, -6.86, 40.26

 

CMYK 0 / 3 / 21 / 0

HEX #FEF6C8

RGB 254 246 200

HSL 51.11, 0.96%, 0.89%

LAB 96.47, -4.49, 23.13

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 53 / 0 / 50 / 1

HEX #77FC7E

RGB 119 252 126

HSL 123.16, 0.96%, 0.73%

LAB 89.42, -61.29, 49.07

 

CMYK 29 / 53 / 0 / 1

HEX #B377FC

RGB 179 119 252

HSL 267.07, 0.96%, 0.73%

LAB 61.49, 49.12, -57.91

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 53 / 0 / 8 / 1

HEX #77FCE8

RGB 119 252 232

HSL 170.98, 0.96%, 0.73%

LAB 91.4, -41.33, -1.59

 

CMYK 8 / 53 / 0 / 1

HEX #E877FC

RGB 232 119 252

HSL 290.98, 0.96%, 0.73%

LAB 67.56, 62.57, -47.9

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 53 / 0 / 50 / 1

HEX #77FC7E

RGB 119 252 126

HSL 123.16, 0.96%, 0.73%

LAB 89.42, -61.29, 49.07

 

CMYK 53 / 45 / 0 / 1

HEX #778BFC

RGB 119 139 252

HSL 230.98, 0.96%, 0.73%

LAB 61.15, 23.83, -58.74

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 0 / 7 / 53 / 1

HEX #FDEB77

RGB 253 235 119

HSL 51.94, 0.97%, 0.73%

LAB 92.41, -8.26, 57.75

 

CMYK 53 / 0 / 34 / 1

HEX #77FCA6

RGB 119 252 166

HSL 141.2, 0.96%, 0.73%

LAB 90, -55.14, 30.32

 

CMYK 53 / 45 / 0 / 1

HEX #778BFC

RGB 119 139 252

HSL 230.98, 0.96%, 0.73%

LAB 61.15, 23.83, -58.74

 

CMYK 0 / 53 / 18 / 1

HEX #FC77CE

RGB 252 119 206

HSL 320.75, 0.96%, 0.73%

LAB 68.27, 60.56, -21.13

 

Description

Color code: HEX #FDEB77 | qconv.com Color code: HEX #FDEB77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 235 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 235 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 53 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 53% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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