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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDE92E it is the complementary color #0216D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDE92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDE92E shade: #FFE929, #FFFB3C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDE92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDE92E shade: #FDE92E, #ECD71B, #DBC508, #CAB300 and #B9A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDE92E shade: #FCE92F, #FCB12F, #FC7A2F, #FC432F and #FC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDE92E shade: #FCE92F, #D9FC2F, #A2FC2F, #6AFC2F and #33FC2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDE92E shade matches the following richer shades: #FCE92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDE92E shade: #FCE92F, #EBDB40, #DBCD51, #CAC062 and #B9B273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDE92E shade: #FC7B2F, #FCB12F, #FCE82F, #DAFC2F and #A4FC2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDE92E shade: #D8C302, #FCE407, #FCE92F, #FDED58 and #FDF181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDE92E shade: #FDE92E, #2FFC44 and #962FFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDE92E shade: #FDE92E, #2FFCE8 and #E82FFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDE92E shade: #FDE92E, #2FFC44, #2F44FC and #FC2FE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDE92E shade: #FDE92E, #2FFC81, #2F44FC and #FC2FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

Complementary color

CMYK 99 / 89 / 0 / 18

HEX #0216D1

RGB 2 22 209

HSL 234.2, 0.98%, 0.41%

LAB 27.27, 63.07, -90

 

CMYK 0 / 9 / 84 / 0

HEX #FFE929

RGB 255 233 41

HSL 53.83, 1%, 0.58%

LAB 91.55, -10.37, 85.09

 

CMYK 0 / 2 / 76 / 0

HEX #FFFB3C

RGB 255 251 60

HSL 58.77, 1%, 0.62%

LAB 96.24, -18.58, 84.31

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

CMYK 0 / 9 / 89 / 7

HEX #ECD71B

RGB 236 215 27

HSL 53.97, 0.85%, 0.52%

LAB 85.26, -9.71, 82.11

 

CMYK 0 / 10 / 96 / 14

HEX #DBC508

RGB 219 197 8

HSL 53.74, 0.93%, 0.45%

LAB 79.05, -8.16, 79.23

 

CMYK 0 / 11 / 100 / 21

HEX #CAB300

RGB 202 179 0

HSL 53.17, 1%, 0.4%

LAB 72.76, -6.4, 74.81

 

CMYK 0 / 13 / 100 / 27

HEX #B9A100

RGB 185 161 0

HSL 52.22, 1%, 0.36%

LAB 66.37, -4.5, 69.53

 

CMYK 0 / 8 / 81 / 1

HEX #FCE92F

RGB 252 233 47

HSL 54.44, 0.97%, 0.59%

LAB 91.32, -11.47, 83.38

 

CMYK 0 / 30 / 81 / 1

HEX #FCB12F

RGB 252 177 47

HSL 38.05, 0.97%, 0.59%

LAB 77.49, 17.15, 71.49

 

CMYK 0 / 52 / 81 / 1

HEX #FC7A2F

RGB 252 122 47

HSL 21.95, 0.97%, 0.59%

LAB 65.61, 45.35, 60.96

 

CMYK 0 / 73 / 81 / 1

HEX #FC432F

RGB 252 67 47

HSL 5.85, 0.97%, 0.59%

LAB 56.99, 68.22, 53.06

 

CMYK 0 / 81 / 81 / 1

HEX #FC2F2F

RGB 252 47 47

HSL 0, 0.97%, 0.59%

LAB 55, 73.8, 51.19

 

CMYK 0 / 8 / 81 / 1

HEX #FCE92F

RGB 252 233 47

HSL 54.44, 0.97%, 0.59%

LAB 91.32, -11.47, 83.38

 

CMYK 14 / 0 / 81 / 1

HEX #D9FC2F

RGB 217 252 47

HSL 70.24, 0.97%, 0.59%

LAB 93.7, -34.74, 84.39

 

CMYK 36 / 0 / 81 / 1

HEX #A2FC2F

RGB 162 252 47

HSL 86.34, 0.97%, 0.59%

LAB 90.55, -55.06, 80.42

 

CMYK 58 / 0 / 81 / 1

HEX #6AFC2F

RGB 106 252 47

HSL 102.73, 0.97%, 0.59%

LAB 88.4, -71.37, 77.66

 

CMYK 80 / 0 / 81 / 1

HEX #33FC2F

RGB 51 252 47

HSL 118.83, 0.97%, 0.59%

LAB 87.26, -81.01, 76.2

 

CMYK 0 / 8 / 81 / 1

HEX #FCE92F

RGB 252 233 47

HSL 54.44, 0.97%, 0.59%

LAB 91.32, -11.47, 83.38

 

CMYK 0 / 8 / 81 / 1

HEX #FCE92F

RGB 252 233 47

HSL 54.44, 0.97%, 0.59%

LAB 91.32, -11.47, 83.38

 

CMYK 0 / 7 / 73 / 8

HEX #EBDB40

RGB 235 219 64

HSL 54.39, 0.81%, 0.59%

LAB 86.35, -11.03, 73.36

 

CMYK 0 / 6 / 63 / 14

HEX #DBCD51

RGB 219 205 81

HSL 53.91, 0.66%, 0.59%

LAB 81.47, -9.79, 61.49

 

CMYK 0 / 5 / 51 / 21

HEX #CAC062

RGB 202 192 98

HSL 54.23, 0.5%, 0.59%

LAB 76.76, -8.96, 48.11

 

CMYK 0 / 4 / 38 / 27

HEX #B9B273

RGB 185 178 115

HSL 54, 0.33%, 0.59%

LAB 71.82, -6.92, 33.11

 

CMYK 0 / 51 / 81 / 1

HEX #FC7B2F

RGB 252 123 47

HSL 22.24, 0.97%, 0.59%

LAB 65.8, 44.87, 61.14

 

CMYK 0 / 30 / 81 / 1

HEX #FCB12F

RGB 252 177 47

HSL 38.05, 0.97%, 0.59%

LAB 77.49, 17.15, 71.49

 

CMYK 0 / 8 / 81 / 1

HEX #FCE82F

RGB 252 232 47

HSL 54.15, 0.97%, 0.59%

LAB 91.06, -10.98, 83.16

 

CMYK 13 / 0 / 81 / 1

HEX #DAFC2F

RGB 218 252 47

HSL 69.95, 0.97%, 0.59%

LAB 93.77, -34.35, 84.47

 

CMYK 35 / 0 / 81 / 1

HEX #A4FC2F

RGB 164 252 47

HSL 85.76, 0.97%, 0.59%

LAB 90.65, -54.38, 80.54

 

CMYK 0 / 10 / 99 / 15

HEX #D8C302

RGB 216 195 2

HSL 54.11, 0.98%, 0.43%

LAB 78.25, -8.5, 79.12

 

CMYK 0 / 10 / 97 / 1

HEX #FCE407

RGB 252 228 7

HSL 54.12, 0.98%, 0.51%

LAB 89.95, -9.65, 88.61

HEX #FCE407

CMYK 0 / 8 / 81 / 1

HEX #FCE92F

RGB 252 233 47

HSL 54.44, 0.97%, 0.59%

LAB 91.32, -11.47, 83.38

HEX #FCE92F

CMYK 0 / 6 / 65 / 1

HEX #FDED58

RGB 253 237 88

HSL 54.18, 0.98%, 0.67%

LAB 92.64, -11.33, 71.28

HEX #FDED58

CMYK 0 / 5 / 49 / 1

HEX #FDF181

RGB 253 241 129

HSL 54.19, 0.97%, 0.75%

LAB 94.05, -10.4, 55.06

HEX #FDF181

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

CMYK 81 / 0 / 73 / 1

HEX #2FFC44

RGB 47 252 68

HSL 126.15, 0.97%, 0.59%

LAB 87.31, -80.14, 70.11

 

CMYK 40 / 81 / 0 / 1

HEX #962FFC

RGB 150 47 252

HSL 270.15, 0.97%, 0.59%

LAB 46.37, 75.94, -82.53

 

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

CMYK 81 / 0 / 8 / 1

HEX #2FFCE8

RGB 47 252 232

HSL 174.15, 0.97%, 0.59%

LAB 89.88, -51.3, -3.99

 

CMYK 8 / 81 / 0 / 1

HEX #E82FFC

RGB 232 47 252

HSL 294.15, 0.97%, 0.59%

LAB 58.24, 88.58, -62.72

 

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

CMYK 81 / 0 / 73 / 1

HEX #2FFC44

RGB 47 252 68

HSL 126.15, 0.97%, 0.59%

LAB 87.31, -80.14, 70.11

 

CMYK 81 / 73 / 0 / 1

HEX #2F44FC

RGB 47 68 252

HSL 233.85, 0.97%, 0.59%

LAB 40.84, 56.34, -91.94

 

CMYK 0 / 81 / 8 / 1

HEX #FC2FE8

RGB 252 47 232

HSL 305.85, 0.97%, 0.59%

LAB 60.39, 89.23, -47.95

 

CMYK 0 / 8 / 82 / 1

HEX #FDE92E

RGB 253 233 46

HSL 54.2, 0.98%, 0.59%

LAB 91.4, -11.08, 83.73

 

CMYK 81 / 0 / 49 / 1

HEX #2FFC81

RGB 47 252 129

HSL 144, 0.97%, 0.59%

LAB 87.88, -73.22, 45.4

 

CMYK 81 / 73 / 0 / 1

HEX #2F44FC

RGB 47 68 252

HSL 233.85, 0.97%, 0.59%

LAB 40.84, 56.34, -91.94

 

CMYK 0 / 81 / 33 / 1

HEX #FC2FAA

RGB 252 47 170

HSL 324, 0.97%, 0.59%

LAB 57.68, 81.71, -16.7

 

Description

Color code: HEX #FDE92E | qconv.com Color code: HEX #FDE92E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 233 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 233 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 82 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 82% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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