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Color name
HEX #FDC149

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDC149 it is the complementary color #023EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDC149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDC149 shade: #FFC144, #FFD357, #FFE56A, #FFF77D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDC149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDC149 shade: #FDC149, #ECAF36, #DB9D23, #CA8B10 and #B97900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDC149 shade: #FDC149, #FD9049, #FD6049 and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDC149 shade: #FDC149, #FDF149, #D8FD49, #A7FD49 and #77FD49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDC149 shade matches the following richer shades: #FDC149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDC149 shade: #FDC149, #EEBC58, #DFB766, #D0B275 and #C1AD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDC149 shade: #FD6149, #FD9149, #FDC149, #FDF149 and #D9FD49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDC149 shade: #F1A102, #FCB320, #FDC149, #FDCF72 and #FDDC9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDC149 shade: #FDC149, #61FD49 and #7949FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDC149 shade: #FDC149, #49FDC1 and #C149FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDC149 shade: #FDC149, #61FD49, #4985FD and #E549FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDC149 shade: #FDC149, #49FD67, #4985FD and #FD49DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

Complementary color

CMYK 99 / 66 / 0 / 29

HEX #023EB6

RGB 2 62 182

HSL 220, 0.98%, 0.36%

LAB 31.43, 33.1, -67.24

 

CMYK 0 / 24 / 73 / 0

HEX #FFC144

RGB 255 193 68

HSL 40.11, 1%, 0.63%

LAB 81.74, 10.83, 68.1

 

CMYK 0 / 17 / 66 / 0

HEX #FFD357

RGB 255 211 87

HSL 44.29, 1%, 0.67%

LAB 86.27, 2.5, 65.06

 

CMYK 0 / 10 / 58 / 0

HEX #FFE56A

RGB 255 229 106

HSL 49.53, 1%, 0.71%

LAB 90.93, -5.42, 61.95

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77D

RGB 255 247 125

HSL 56.31, 1%, 0.75%

LAB 95.69, -12.9, 58.89

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 26 / 77 / 7

HEX #ECAF36

RGB 236 175 54

HSL 39.89, 0.83%, 0.57%

LAB 75.3, 11.66, 66.48

 

CMYK 0 / 28 / 84 / 14

HEX #DB9D23

RGB 219 157 35

HSL 39.78, 0.72%, 0.5%

LAB 68.96, 13.32, 66.43

 

CMYK 0 / 31 / 92 / 21

HEX #CA8B10

RGB 202 139 16

HSL 39.68, 0.85%, 0.43%

LAB 62.56, 15.22, 65.24

 

CMYK 0 / 35 / 100 / 27

HEX #B97900

RGB 185 121 0

HSL 39.24, 1%, 0.36%

LAB 56.08, 17.38, 62.45

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 43 / 71 / 1

HEX #FD9049

RGB 253 144 73

HSL 23.67, 0.98%, 0.64%

LAB 70.39, 35.73, 54.27

 

CMYK 0 / 62 / 71 / 1

HEX #FD6049

RGB 253 96 73

HSL 7.67, 0.98%, 0.64%

LAB 61.42, 58.55, 44.4

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 5 / 71 / 1

HEX #FDF149

RGB 253 241 73

HSL 56, 0.98%, 0.64%

LAB 93.57, -14.04, 77.72

 

CMYK 15 / 0 / 71 / 1

HEX #D8FD49

RGB 216 253 73

HSL 72.33, 0.98%, 0.64%

LAB 94.03, -34.53, 77.22

 

CMYK 34 / 0 / 71 / 1

HEX #A7FD49

RGB 167 253 73

HSL 88.67, 0.98%, 0.64%

LAB 91.21, -52.48, 73.5

 

CMYK 53 / 0 / 71 / 1

HEX #77FD49

RGB 119 253 73

HSL 104.67, 0.98%, 0.64%

LAB 89.23, -66.98, 70.86

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 21 / 63 / 7

HEX #EEBC58

RGB 238 188 88

HSL 40, 0.82%, 0.64%

LAB 78.95, 7.38, 56.19

 

CMYK 0 / 18 / 54 / 13

HEX #DFB766

RGB 223 183 102

HSL 40.17, 0.65%, 0.64%

LAB 76.38, 4.78, 46.17

 

CMYK 0 / 14 / 44 / 18

HEX #D0B275

RGB 208 178 117

HSL 40.22, 0.49%, 0.64%

LAB 73.89, 2.65, 35.13

 

CMYK 0 / 10 / 32 / 24

HEX #C1AD84

RGB 193 173 132

HSL 40.33, 0.33%, 0.64%

LAB 71.48, 1.03, 23.73

 

CMYK 0 / 62 / 71 / 1

HEX #FD6149

RGB 253 97 73

HSL 8, 0.98%, 0.64%

LAB 61.58, 58.13, 44.58

 

CMYK 0 / 43 / 71 / 1

HEX #FD9149

RGB 253 145 73

HSL 24, 0.98%, 0.64%

LAB 70.6, 35.21, 54.5

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 5 / 71 / 1

HEX #FDF149

RGB 253 241 73

HSL 56, 0.98%, 0.64%

LAB 93.57, -14.04, 77.72

 

CMYK 14 / 0 / 71 / 1

HEX #D9FD49

RGB 217 253 73

HSL 72, 0.98%, 0.64%

LAB 94.09, -34.14, 77.31

 

CMYK 0 / 33 / 99 / 5

HEX #F1A102

RGB 241 161 2

HSL 39.92, 0.98%, 0.48%

LAB 72.36, 20.15, 76.22

 

CMYK 0 / 29 / 87 / 1

HEX #FCB320

RGB 252 179 32

HSL 40.09, 0.97%, 0.56%

LAB 77.9, 15.74, 76

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 0 / 18 / 55 / 1

HEX #FDCF72

RGB 253 207 114

HSL 40.14, 0.97%, 0.72%

LAB 85.36, 5.53, 51.77

 

CMYK 0 / 13 / 39 / 1

HEX #FDDC9A

RGB 253 220 154

HSL 40, 0.96%, 0.8%

LAB 89.11, 2.58, 36.64

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 62 / 0 / 71 / 1

HEX #61FD49

RGB 97 253 73

HSL 112, 0.98%, 0.64%

LAB 88.58, -72.19, 69.99

 

CMYK 52 / 71 / 0 / 1

HEX #7949FD

RGB 121 73 253

HSL 256, 0.98%, 0.64%

LAB 46.87, 61.68, -82.39

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 71 / 0 / 24 / 1

HEX #49FDC1

RGB 73 253 193

HSL 160, 0.98%, 0.64%

LAB 89.63, -58.54, 15.89

 

CMYK 24 / 71 / 0 / 1

HEX #C149FD

RGB 193 73 253

HSL 280, 0.98%, 0.64%

LAB 55.27, 73.95, -68.35

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 62 / 0 / 71 / 1

HEX #61FD49

RGB 97 253 73

HSL 112, 0.98%, 0.64%

LAB 88.58, -72.19, 69.99

 

CMYK 71 / 47 / 0 / 1

HEX #4985FD

RGB 73 133 253

HSL 220, 0.98%, 0.64%

LAB 57.35, 19.92, -65.5

 

CMYK 9 / 71 / 0 / 1

HEX #E549FD

RGB 229 73 253

HSL 292, 0.98%, 0.64%

LAB 60.35, 80.95, -59.92

 

CMYK 0 / 24 / 71 / 1

HEX #FDC149

RGB 253 193 73

HSL 40, 0.98%, 0.64%

LAB 81.57, 10.22, 65.89

 

CMYK 71 / 0 / 59 / 1

HEX #49FD67

RGB 73 253 103

HSL 130, 0.98%, 0.64%

LAB 88.28, -73.78, 57.77

 

CMYK 71 / 47 / 0 / 1

HEX #4985FD

RGB 73 133 253

HSL 220, 0.98%, 0.64%

LAB 57.35, 19.92, -65.5

 

CMYK 0 / 71 / 12 / 1

HEX #FD49DF

RGB 253 73 223

HSL 310, 0.98%, 0.64%

LAB 62.49, 81.38, -39.59

 

Description

Color code: HEX #FDC149 | qconv.com Color code: HEX #FDC149 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 193 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 193 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 71 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 71% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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