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Color name
HEX #FDC615

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDC615 it is the complementary color #0239EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDC615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDC615 shade: #FFC610, #FFD823, #FFEA36, #FFFC49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDC615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDC615 shade: #FDC615, #ECB402, #DBA200, #CA9000 and #B97E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDC615 shade: #FCC616, #FC8816, #FC4A16 and #FC1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDC615 shade: #FCC616, #F5FC16, #B7FC16, #79FC16 and #3BFC16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDC615 shade matches the following richer shades: #FCC616

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDC615 shade: #FCC616, #E9BC29, #D6B23C, #C3A84F and #B09E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDC615 shade: #FC4816, #FC8516, #FCC316, #F8FC16 and #BBFC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDC615 shade: #BE9201, #E7B102, #FCC616, #FDD03F and #FDDA68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDC615 shade: #FDC615, #22FC16 and #6716FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDC615 shade: #FDC615, #16FCC3 and #C316FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDC615 shade: #FDC615, #22FC16, #1650FC and #F116FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDC615 shade: #FDC615, #16FC50, #1650FC and #FC16C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

Complementary color

CMYK 99 / 76 / 0 / 8

HEX #0239EA

RGB 2 57 234

HSL 225.78, 0.98%, 0.46%

LAB 35.75, 54.95, -90.26

 

CMYK 0 / 22 / 94 / 0

HEX #FFC610

RGB 255 198 16

HSL 45.69, 1%, 0.53%

LAB 82.75, 6.9, 82.64

 

CMYK 0 / 15 / 86 / 0

HEX #FFD823

RGB 255 216 35

HSL 49.36, 1%, 0.57%

LAB 87.24, -2.01, 82.88

 

CMYK 0 / 8 / 79 / 0

HEX #FFEA36

RGB 255 234 54

HSL 53.73, 1%, 0.61%

LAB 91.85, -10.5, 82.1

 

CMYK 0 / 1 / 71 / 0

HEX #FFFC49

RGB 255 252 73

HSL 59.01, 1%, 0.64%

LAB 96.56, -18.55, 80.63

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

CMYK 0 / 24 / 99 / 7

HEX #ECB402

RGB 236 180 2

HSL 45.64, 0.98%, 0.47%

LAB 76.36, 7.98, 78.68

 

CMYK 0 / 26 / 100 / 14

HEX #DBA200

RGB 219 162 0

HSL 44.38, 1%, 0.43%

LAB 70.11, 10.09, 73.76

HEX #DBA200

CMYK 0 / 29 / 100 / 21

HEX #CA9000

RGB 202 144 0

HSL 42.77, 1%, 0.4%

LAB 63.76, 12.3, 68.55

HEX #CA9000

CMYK 0 / 32 / 100 / 27

HEX #B97E00

RGB 185 126 0

HSL 40.86, 1%, 0.36%

LAB 57.3, 14.61, 63.26

HEX #B97E00

CMYK 0 / 21 / 91 / 1

HEX #FCC616

RGB 252 198 22

HSL 45.91, 0.97%, 0.54%

LAB 82.45, 5.69, 81.44

 

CMYK 0 / 46 / 91 / 1

HEX #FC8816

RGB 252 136 22

HSL 29.74, 0.97%, 0.54%

LAB 68.29, 37.87, 71.05

 

CMYK 0 / 71 / 91 / 1

HEX #FC4A16

RGB 252 74 22

HSL 13.57, 0.97%, 0.54%

LAB 57.7, 65.37, 63.74

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 0 / 21 / 91 / 1

HEX #FCC616

RGB 252 198 22

HSL 45.91, 0.97%, 0.54%

LAB 82.45, 5.69, 81.44

 

CMYK 3 / 0 / 91 / 1

HEX #F5FC16

RGB 245 252 22

HSL 61.83, 0.97%, 0.54%

LAB 95.62, -24.03, 91.19

 

CMYK 27 / 0 / 91 / 1

HEX #B7FC16

RGB 183 252 22

HSL 78, 0.97%, 0.54%

LAB 91.57, -48.32, 86.28

 

CMYK 52 / 0 / 91 / 1

HEX #79FC16

RGB 121 252 22

HSL 94.17, 0.97%, 0.54%

LAB 88.8, -68.37, 82.88

 

CMYK 77 / 0 / 91 / 1

HEX #3BFC16

RGB 59 252 22

HSL 110.35, 0.97%, 0.54%

LAB 87.29, -80.95, 81.02

 

CMYK 0 / 21 / 91 / 1

HEX #FCC616

RGB 252 198 22

HSL 45.91, 0.97%, 0.54%

LAB 82.45, 5.69, 81.44

 

CMYK 0 / 21 / 91 / 1

HEX #FCC616

RGB 252 198 22

HSL 45.91, 0.97%, 0.54%

LAB 82.45, 5.69, 81.44

 

CMYK 0 / 19 / 82 / 9

HEX #E9BC29

RGB 233 188 41

HSL 45.94, 0.81%, 0.54%

LAB 78.14, 3.13, 73.06

 

CMYK 0 / 17 / 72 / 16

HEX #D6B23C

RGB 214 178 60

HSL 45.97, 0.65%, 0.54%

LAB 73.85, 0.89, 62.04

 

CMYK 0 / 14 / 59 / 24

HEX #C3A84F

RGB 195 168 79

HSL 46.03, 0.49%, 0.54%

LAB 69.59, -0.85, 48.71

 

CMYK 0 / 10 / 44 / 31

HEX #B09E62

RGB 176 158 98

HSL 46.15, 0.33%, 0.54%

LAB 65.41, -1.85, 33.68

 

CMYK 0 / 71 / 91 / 1

HEX #FC4816

RGB 252 72 22

HSL 13.04, 0.97%, 0.54%

LAB 57.45, 66.06, 63.58

 

CMYK 0 / 47 / 91 / 1

HEX #FC8516

RGB 252 133 22

HSL 28.96, 0.97%, 0.54%

LAB 67.67, 39.38, 70.61

 

CMYK 0 / 23 / 91 / 1

HEX #FCC316

RGB 252 195 22

HSL 45.13, 0.97%, 0.54%

LAB 81.72, 7.24, 80.89

 

CMYK 2 / 0 / 91 / 1

HEX #F8FC16

RGB 248 252 22

HSL 61.04, 0.97%, 0.54%

LAB 95.85, -22.81, 91.47

 

CMYK 26 / 0 / 91 / 1

HEX #BBFC16

RGB 187 252 22

HSL 76.96, 0.97%, 0.54%

LAB 91.79, -46.84, 86.56

 

CMYK 0 / 23 / 99 / 25

HEX #BE9201

RGB 190 146 1

HSL 46.03, 0.99%, 0.37%

LAB 62.93, 5.86, 67.21

 

CMYK 0 / 23 / 99 / 9

HEX #E7B102

RGB 231 177 2

HSL 45.85, 0.98%, 0.46%

LAB 75.1, 7.39, 77.56

 

CMYK 0 / 21 / 91 / 1

HEX #FCC616

RGB 252 198 22

HSL 45.91, 0.97%, 0.54%

LAB 82.45, 5.69, 81.44

 

CMYK 0 / 18 / 75 / 1

HEX #FDD03F

RGB 253 208 63

HSL 45.79, 0.98%, 0.62%

LAB 85.18, 2.05, 73.16

 

CMYK 0 / 14 / 59 / 1

HEX #FDDA68

RGB 253 218 104

HSL 45.91, 0.97%, 0.7%

LAB 87.98, -0.83, 59.46

 

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

CMYK 87 / 0 / 91 / 1

HEX #22FC16

RGB 34 252 22

HSL 116.87, 0.97%, 0.54%

LAB 87.01, -83.52, 80.66

 

CMYK 59 / 91 / 0 / 1

HEX #6716FC

RGB 103 22 252

HSL 261.13, 0.97%, 0.54%

LAB 38.7, 77.82, -95.37

 

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

CMYK 91 / 0 / 23 / 1

HEX #16FCC3

RGB 22 252 195

HSL 165.13, 0.97%, 0.54%

LAB 88.8, -62.03, 13.59

 

CMYK 23 / 91 / 0 / 1

HEX #C316FC

RGB 195 22 252

HSL 285.13, 0.97%, 0.54%

LAB 50.93, 87.35, -74.83

 

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

CMYK 87 / 0 / 91 / 1

HEX #22FC16

RGB 34 252 22

HSL 116.87, 0.97%, 0.54%

LAB 87.01, -83.52, 80.66

 

CMYK 91 / 68 / 0 / 1

HEX #1650FC

RGB 22 80 252

HSL 224.87, 0.97%, 0.54%

LAB 42.67, 48.29, -88.95

 

CMYK 4 / 91 / 0 / 1

HEX #F116FC

RGB 241 22 252

HSL 297.13, 0.97%, 0.54%

LAB 58.32, 94.1, -62.51

 

CMYK 0 / 22 / 92 / 1

HEX #FDC615

RGB 253 198 21

HSL 45.78, 0.98%, 0.54%

LAB 82.55, 6.11, 81.71

 

CMYK 91 / 0 / 68 / 1

HEX #16FC50

RGB 22 252 80

HSL 135.13, 0.97%, 0.54%

LAB 87.18, -81.01, 65.66

 

CMYK 91 / 68 / 0 / 1

HEX #1650FC

RGB 22 80 252

HSL 224.87, 0.97%, 0.54%

LAB 42.67, 48.29, -88.95

 

CMYK 0 / 91 / 23 / 1

HEX #FC16C3

RGB 252 22 195

HSL 314.87, 0.97%, 0.54%

LAB 57.28, 88.53, -31.82

 

Description

Color code: HEX #FDC615 | qconv.com Color code: HEX #FDC615 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 198 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 198 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 92 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 92% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

66% - JustNu - Sveriges lo...
Link: http://www.justnu.se

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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