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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FDBADF it is the complementary color #024520. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FDBADF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FDBADF shade: #FFBADA, #FFCCED, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FDBADF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FDBADF shade: #FDBADF, #ECA8CC, #DB96B9, #CA84A6 and #B97293

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FDBADF shade: #FCB9DE, #FCB9CC, #FCB9BA and #FCB9B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FDBADF shade: #FCB9DE, #FCB9F0, #F6B9FC, #E4B9FC and #D2B9FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FDBADF shade matches the following richer shades: #FCB9DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FDBADF shade: #FCB9DE, #F7BFDE, #F1C5DD, #EBCBDC and #E5D0DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FDBADF shade: #F6B9FC, #FCB9F1, #FCB9DF, #FCB9CD and #FCB9BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FDBADF shade: #FA69B9, #FB91CC, #FCB9DE and #FEE1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FDBADF shade: #FDBADF, #FCE4B9 and #B9FAFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FDBADF shade: #FDBADF, #DFFCB9 and #B9DFFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FDBADF shade: #FDBADF, #FCE4B9, #B9FCD6 and #B9D2FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FDBADF shade: #FDBADF, #FCF8B9, #B9FCD6 and #B9BEFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

Complementary color

CMYK 97 / 0 / 54 / 73

HEX #024520

RGB 2 69 32

HSL 146.87, 0.94%, 0.14%

LAB 24.87, -29.19, 16.97

 

CMYK 0 / 27 / 15 / 0

HEX #FFBADA

RGB 255 186 218

HSL 332.17, 1%, 0.86%

LAB 82.61, 29.58, -6.15

 

CMYK 0 / 20 / 7 / 0

HEX #FFCCED

RGB 255 204 237

HSL 321.18, 1%, 0.9%

LAB 87.27, 23.22, -9.38

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

CMYK 0 / 29 / 14 / 7

HEX #ECA8CC

RGB 236 168 204

HSL 328.24, 0.64%, 0.79%

LAB 76.19, 30.34, -8.31

 

CMYK 0 / 32 / 16 / 14

HEX #DB96B9

RGB 219 150 185

HSL 329.57, 0.49%, 0.72%

LAB 69.74, 31.03, -7.62

 

CMYK 0 / 35 / 18 / 21

HEX #CA84A6

RGB 202 132 166

HSL 330.86, 0.4%, 0.65%

LAB 63.19, 31.77, -6.87

 

CMYK 0 / 38 / 21 / 27

HEX #B97293

RGB 185 114 147

HSL 332.11, 0.34%, 0.59%

LAB 56.54, 32.57, -6.04

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DE

RGB 252 185 222

HSL 326.87, 0.92%, 0.86%

LAB 82.2, 29.71, -8.95

 

CMYK 0 / 27 / 19 / 1

HEX #FCB9CC

RGB 252 185 204

HSL 342.99, 0.92%, 0.86%

LAB 81.7, 26.91, 0

 

CMYK 0 / 27 / 26 / 1

HEX #FCB9BA

RGB 252 185 186

HSL 359.1, 0.92%, 0.86%

LAB 81.26, 24.35, 9.05

 

CMYK 0 / 27 / 27 / 1

HEX #FCB9B9

RGB 252 185 185

HSL 0, 0.92%, 0.86%

LAB 81.23, 24.21, 9.56

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DE

RGB 252 185 222

HSL 326.87, 0.92%, 0.86%

LAB 82.2, 29.71, -8.95

 

CMYK 0 / 27 / 5 / 1

HEX #FCB9F0

RGB 252 185 240

HSL 310.75, 0.92%, 0.86%

LAB 82.75, 32.73, -17.78

 

CMYK 2 / 27 / 0 / 1

HEX #F6B9FC

RGB 246 185 252

HSL 294.63, 0.92%, 0.86%

LAB 82.55, 32.95, -24.55

 

CMYK 10 / 27 / 0 / 1

HEX #E4B9FC

RGB 228 185 252

HSL 278.51, 0.92%, 0.86%

LAB 80.86, 27.29, -27.28

 

CMYK 17 / 27 / 0 / 1

HEX #D2B9FC

RGB 210 185 252

HSL 262.39, 0.92%, 0.86%

LAB 79.29, 21.74, -29.83

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DE

RGB 252 185 222

HSL 326.87, 0.92%, 0.86%

LAB 82.2, 29.71, -8.95

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DE

RGB 252 185 222

HSL 326.87, 0.92%, 0.86%

LAB 82.2, 29.71, -8.95

 

CMYK 0 / 23 / 10 / 3

HEX #F7BFDE

RGB 247 191 222

HSL 326.79, 0.78%, 0.86%

LAB 83.08, 24.85, -7.7

 

CMYK 0 / 18 / 8 / 5

HEX #F1C5DD

RGB 241 197 221

HSL 327.27, 0.61%, 0.86%

LAB 83.89, 19.45, -6.02

 

CMYK 0 / 14 / 6 / 8

HEX #EBCBDC

RGB 235 203 220

HSL 328.13, 0.44%, 0.86%

LAB 84.76, 14.04, -4.26

 

CMYK 0 / 9 / 4 / 10

HEX #E5D0DC

RGB 229 208 220

HSL 325.71, 0.29%, 0.86%

LAB 85.47, 9.34, -3.28

 

CMYK 2 / 27 / 0 / 1

HEX #F6B9FC

RGB 246 185 252

HSL 294.63, 0.92%, 0.86%

LAB 82.55, 32.95, -24.55

 

CMYK 0 / 27 / 4 / 1

HEX #FCB9F1

RGB 252 185 241

HSL 309.85, 0.92%, 0.86%

LAB 82.78, 32.9, -18.27

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DF

RGB 252 185 223

HSL 325.97, 0.92%, 0.86%

LAB 82.23, 29.88, -9.44

 

CMYK 0 / 27 / 19 / 1

HEX #FCB9CD

RGB 252 185 205

HSL 342.09, 0.92%, 0.86%

LAB 81.73, 27.06, -0.5

 

CMYK 0 / 27 / 26 / 1

HEX #FCB9BB

RGB 252 185 187

HSL 358.21, 0.92%, 0.86%

LAB 81.28, 24.48, 8.55

 

CMYK 0 / 58 / 26 / 2

HEX #FA69B9

RGB 250 105 185

HSL 326.9, 0.94%, 0.7%

LAB 64.91, 63.41, -14.44

 

CMYK 0 / 42 / 19 / 2

HEX #FB91CC

RGB 251 145 204

HSL 326.6, 0.93%, 0.78%

LAB 72.97, 47.34, -12.93

 

CMYK 0 / 27 / 12 / 1

HEX #FCB9DE

RGB 252 185 222

HSL 326.87, 0.92%, 0.86%

LAB 82.2, 29.71, -8.95

 

CMYK 0 / 11 / 5 / 0

HEX #FEE1F1

RGB 254 225 241

HSL 326.9, 0.94%, 0.94%

LAB 92.25, 12.6, -4.13

 

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

CMYK 0 / 10 / 27 / 1

HEX #FCE4B9

RGB 252 228 185

HSL 38.51, 0.92%, 0.86%

LAB 91.54, 1.84, 24

 

CMYK 27 / 1 / 0 / 1

HEX #B9FAFC

RGB 185 250 252

HSL 181.79, 0.92%, 0.86%

LAB 94.19, -19.66, -7.52

 

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

CMYK 12 / 0 / 27 / 1

HEX #DFFCB9

RGB 223 252 185

HSL 85.97, 0.92%, 0.86%

LAB 95.5, -20.64, 29.06

 

CMYK 27 / 12 / 0 / 1

HEX #B9DFFC

RGB 185 223 252

HSL 205.97, 0.92%, 0.86%

LAB 87.05, -6.03, -18.18

 

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

CMYK 0 / 10 / 27 / 1

HEX #FCE4B9

RGB 252 228 185

HSL 38.51, 0.92%, 0.86%

LAB 91.54, 1.84, 24

 

CMYK 27 / 0 / 15 / 1

HEX #B9FCD6

RGB 185 252 214

HSL 145.97, 0.92%, 0.86%

LAB 93.79, -28.35, 11.53

 

CMYK 27 / 17 / 0 / 1

HEX #B9D2FC

RGB 185 210 252

HSL 217.61, 0.92%, 0.86%

LAB 83.67, 0.78, -23.3

 

CMYK 0 / 26 / 12 / 1

HEX #FDBADF

RGB 253 186 223

HSL 326.87, 0.94%, 0.86%

LAB 82.55, 29.69, -8.95

 

CMYK 0 / 2 / 27 / 1

HEX #FCF8B9

RGB 252 248 185

HSL 56.42, 0.92%, 0.86%

LAB 96.55, -8.22, 30.83

 

CMYK 27 / 0 / 15 / 1

HEX #B9FCD6

RGB 185 252 214

HSL 145.97, 0.92%, 0.86%

LAB 93.79, -28.35, 11.53

 

CMYK 27 / 25 / 0 / 1

HEX #B9BEFC

RGB 185 190 252

HSL 235.52, 0.92%, 0.86%

LAB 78.56, 11.56, -31.11

 

Description

Color code: HEX #FDBADF | qconv.com Color code: HEX #FDBADF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 186 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 186 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 12 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 12% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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