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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD90DA it is the complementary color #026F25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD90DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD90DA shade: #FF90D5, #FFA2E8, #FFB4FB, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD90DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD90DA shade: #FD90DA, #EC7EC7, #DB6CB4, #CA5AA1 and #B9488E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD90DA shade: #FC91DA, #FC91BD, #FC91A0 and #FC9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD90DA shade: #FC91DA, #FC91F7, #E591FC, #C891FC and #AB91FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD90DA shade matches the following richer shades: #FC91DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD90DA shade: #FC91DA, #F39AD6, #EAA3D3, #E1ACD0 and #D8B5CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD90DA shade: #E591FC, #FC91F7, #FC91DA, #FC91BD and #FC91A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD90DA shade: #FB40BF, #FB68CC, #FC91DA, #FDB9E7 and #FEE1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD90DA shade: #FD90DA, #FCC891 and #91FCF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD90DA shade: #FD90DA, #DAFC91 and #91DAFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD90DA shade: #FD90DA, #FCC891, #91FCB3 and #91C5FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD90DA shade: #FD90DA, #FCE991, #91FCB3 and #91A4FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

Complementary color

CMYK 98 / 0 / 67 / 56

HEX #026F25

RGB 2 111 37

HSL 139.27, 0.96%, 0.22%

LAB 40.44, -43.69, 32.79

 

CMYK 0 / 44 / 16 / 0

HEX #FF90D5

RGB 255 144 213

HSL 322.7, 1%, 0.78%

LAB 73.55, 50.46, -16.97

 

CMYK 0 / 36 / 9 / 0

HEX #FFA2E8

RGB 255 162 232

HSL 314.84, 1%, 0.82%

LAB 77.83, 44.33, -20.87

 

CMYK 0 / 29 / 2 / 0

HEX #FFB4FB

RGB 255 180 251

HSL 303.2, 1%, 0.85%

LAB 82.31, 38.25, -24.3

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

CMYK 0 / 47 / 16 / 7

HEX #EC7EC7

RGB 236 126 199

HSL 320.18, 0.74%, 0.71%

LAB 67.19, 51.33, -19.07

 

CMYK 0 / 51 / 18 / 14

HEX #DB6CB4

RGB 219 108 180

HSL 321.08, 0.61%, 0.64%

LAB 60.85, 52.02, -18.15

 

CMYK 0 / 55 / 20 / 21

HEX #CA5AA1

RGB 202 90 161

HSL 321.96, 0.51%, 0.57%

LAB 54.49, 52.63, -17.06

 

CMYK 0 / 61 / 23 / 27

HEX #B9488E

RGB 185 72 142

HSL 322.83, 0.45%, 0.5%

LAB 48.14, 53.07, -15.72

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 42 / 25 / 1

HEX #FC91BD

RGB 252 145 189

HSL 335.33, 0.95%, 0.78%

LAB 72.64, 45.54, -5.11

 

CMYK 0 / 42 / 37 / 1

HEX #FC91A0

RGB 252 145 160

HSL 351.59, 0.95%, 0.78%

LAB 71.88, 41.89, 9.89

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 42 / 2 / 1

HEX #FC91F7

RGB 252 145 247

HSL 302.8, 0.95%, 0.78%

LAB 74.61, 54.55, -33.98

 

CMYK 9 / 42 / 0 / 1

HEX #E591FC

RGB 229 145 252

HSL 287.1, 0.95%, 0.78%

LAB 72.19, 48.83, -40.67

 

CMYK 21 / 42 / 0 / 1

HEX #C891FC

RGB 200 145 252

HSL 270.84, 0.95%, 0.78%

LAB 69.15, 40.62, -45.64

 

CMYK 32 / 42 / 0 / 1

HEX #AB91FC

RGB 171 145 252

HSL 254.58, 0.95%, 0.78%

LAB 66.47, 32.74, -50.04

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 37 / 12 / 5

HEX #F39AD6

RGB 243 154 214

HSL 319.55, 0.79%, 0.78%

LAB 74.2, 41.67, -16.68

 

CMYK 0 / 30 / 10 / 8

HEX #EAA3D3

RGB 234 163 211

HSL 319.44, 0.63%, 0.78%

LAB 75.07, 33.46, -13.83

 

CMYK 0 / 24 / 8 / 12

HEX #E1ACD0

RGB 225 172 208

HSL 319.25, 0.47%, 0.78%

LAB 76.11, 25.09, -10.73

 

CMYK 0 / 16 / 5 / 15

HEX #D8B5CD

RGB 216 181 205

HSL 318.86, 0.31%, 0.78%

LAB 77.31, 16.61, -7.4

 

CMYK 9 / 42 / 0 / 1

HEX #E591FC

RGB 229 145 252

HSL 287.1, 0.95%, 0.78%

LAB 72.19, 48.83, -40.67

 

CMYK 0 / 42 / 2 / 1

HEX #FC91F7

RGB 252 145 247

HSL 302.8, 0.95%, 0.78%

LAB 74.61, 54.55, -33.98

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 42 / 25 / 1

HEX #FC91BD

RGB 252 145 189

HSL 335.33, 0.95%, 0.78%

LAB 72.64, 45.54, -5.11

 

CMYK 0 / 42 / 36 / 1

HEX #FC91A1

RGB 252 145 161

HSL 351.03, 0.95%, 0.78%

LAB 71.91, 42.01, 9.37

 

CMYK 0 / 75 / 24 / 2

HEX #FB40BF

RGB 251 64 191

HSL 319.25, 0.96%, 0.62%

LAB 59.83, 79.49, -25.58

 

CMYK 0 / 59 / 19 / 2

HEX #FB68CC

RGB 251 104 204

HSL 319.18, 0.95%, 0.7%

LAB 65.57, 66.66, -24.15

 

CMYK 0 / 42 / 13 / 1

HEX #FC91DA

RGB 252 145 218

HSL 319.07, 0.95%, 0.78%

LAB 73.55, 49.78, -19.76

 

CMYK 0 / 27 / 9 / 1

HEX #FDB9E7

RGB 253 185 231

HSL 319.41, 0.94%, 0.86%

LAB 82.57, 31.53, -13.22

 

CMYK 0 / 11 / 4 / 0

HEX #FEE1F5

RGB 254 225 245

HSL 318.62, 0.94%, 0.94%

LAB 92.36, 13.29, -6.06

 

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

CMYK 0 / 21 / 42 / 1

HEX #FCC891

RGB 252 200 145

HSL 30.84, 0.95%, 0.78%

LAB 83.99, 11.57, 34.52

 

CMYK 42 / 0 / 4 / 1

HEX #91FCF3

RGB 145 252 243

HSL 174.95, 0.95%, 0.78%

LAB 92.62, -33.03, -5.38

 

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

CMYK 13 / 0 / 42 / 1

HEX #DAFC91

RGB 218 252 145

HSL 79.07, 0.95%, 0.78%

LAB 94.56, -27.52, 47.53

 

CMYK 42 / 13 / 0 / 1

HEX #91DAFC

RGB 145 218 252

HSL 199.07, 0.95%, 0.78%

LAB 83.54, -14.13, -23.7

 

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

CMYK 0 / 21 / 42 / 1

HEX #FCC891

RGB 252 200 145

HSL 30.84, 0.95%, 0.78%

LAB 83.99, 11.57, 34.52

 

CMYK 42 / 0 / 29 / 1

HEX #91FCB3

RGB 145 252 179

HSL 139.07, 0.95%, 0.78%

LAB 91.19, -46.31, 25.53

 

CMYK 42 / 22 / 0 / 1

HEX #91C5FC

RGB 145 197 252

HSL 210.84, 0.95%, 0.78%

LAB 77.86, -3.08, -32.4

 

CMYK 0 / 43 / 14 / 1

HEX #FD90DA

RGB 253 144 218

HSL 319.27, 0.96%, 0.78%

LAB 73.47, 50.6, -19.86

 

CMYK 0 / 8 / 42 / 1

HEX #FCE991

RGB 252 233 145

HSL 49.35, 0.95%, 0.78%

LAB 92.14, -5.33, 45.02

 

CMYK 42 / 0 / 29 / 1

HEX #91FCB3

RGB 145 252 179

HSL 139.07, 0.95%, 0.78%

LAB 91.19, -46.31, 25.53

 

CMYK 42 / 35 / 0 / 1

HEX #91A4FC

RGB 145 164 252

HSL 229.35, 0.95%, 0.78%

LAB 69.18, 15.25, -45.9

 

Description

Color code: HEX #FD90DA | qconv.com Color code: HEX #FD90DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 144 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 144 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 14 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 14% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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