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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD9915 it is the complementary color #0266EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD9915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD9915 shade: #FF9910, #FFAB23, #FFBD36, #FFCF49 and #FFE15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD9915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD9915 shade: #FD9915, #EC8702, #DB7500, #CA6300 and #B95100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD9915 shade: #FC9916, #FC5B16, #FC1D16 and #FC1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD9915 shade: #FC9916, #FCD716, #E3FC16, #A5FC16 and #67FC16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD9915 shade matches the following richer shades: #FC9916

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD9915 shade: #FC9916, #E99629, #D6943C, #C3914F and #B08F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD9915 shade: #FC1E16, #FC5B16, #FC9916, #FCD616 and #E5FC16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD9915 shade: #BE6D01, #E78402, #FC9916, #FDAB3F and #FDBD68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD9915 shade: #FD9915, #4CFC16 and #3D16FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD9915 shade: #FD9915, #16FC99 and #9916FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD9915 shade: #FD9915, #4CFC16, #167AFC and #C716FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD9915 shade: #FD9915, #16FC26, #167AFC and #FC16ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

Complementary color

CMYK 99 / 56 / 0 / 8

HEX #0266EA

RGB 2 102 234

HSL 214.14, 0.98%, 0.46%

LAB 46.25, 27.21, -72.98

 

CMYK 0 / 40 / 94 / 0

HEX #FF9910

RGB 255 153 16

HSL 34.39, 1%, 0.53%

LAB 72.28, 30.3, 75.19

 

CMYK 0 / 33 / 86 / 0

HEX #FFAB23

RGB 255 171 35

HSL 37.09, 1%, 0.57%

LAB 76.38, 21.24, 74.2

 

CMYK 0 / 26 / 79 / 0

HEX #FFBD36

RGB 255 189 54

HSL 40.3, 1%, 0.61%

LAB 80.7, 12.37, 72.17

 

CMYK 0 / 19 / 71 / 0

HEX #FFCF49

RGB 255 207 73

HSL 44.18, 1%, 0.64%

LAB 85.18, 3.83, 69.58

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15C

RGB 255 225 92

HSL 48.96, 1%, 0.68%

LAB 89.81, -4.31, 66.73

 

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

CMYK 0 / 43 / 99 / 7

HEX #EC8702

RGB 236 135 2

HSL 34.1, 0.98%, 0.47%

LAB 65.88, 31.71, 71.69

 

CMYK 0 / 47 / 100 / 14

HEX #DB7500

RGB 219 117 0

HSL 32.05, 1%, 0.43%

LAB 59.69, 34.08, 66.99

 

CMYK 0 / 51 / 100 / 21

HEX #CA6300

RGB 202 99 0

HSL 29.41, 1%, 0.4%

LAB 53.47, 36.46, 61.99

 

CMYK 0 / 56 / 100 / 27

HEX #B95100

RGB 185 81 0

HSL 26.27, 1%, 0.36%

LAB 47.23, 38.79, 56.99

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 64 / 91 / 1

HEX #FC5B16

RGB 252 91 22

HSL 18, 0.97%, 0.54%

LAB 60.1, 58.86, 65.35

 

CMYK 0 / 88 / 91 / 1

HEX #FC1D16

RGB 252 29 22

HSL 1.83, 0.97%, 0.54%

LAB 53.63, 76.81, 61.11

 

CMYK 0 / 91 / 91 / 1

HEX #FC1616

RGB 252 22 22

HSL 0, 0.97%, 0.54%

LAB 53.31, 77.75, 60.91

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 15 / 91 / 1

HEX #FCD716

RGB 252 215 22

HSL 50.35, 0.97%, 0.54%

LAB 86.68, -2.99, 84.62

 

CMYK 10 / 0 / 91 / 1

HEX #E3FC16

RGB 227 252 22

HSL 66.52, 0.97%, 0.54%

LAB 94.32, -31.33, 89.62

 

CMYK 35 / 0 / 91 / 1

HEX #A5FC16

RGB 165 252 22

HSL 82.7, 0.97%, 0.54%

LAB 90.63, -54.73, 85.14

 

CMYK 59 / 0 / 91 / 1

HEX #67FC16

RGB 103 252 22

HSL 98.87, 0.97%, 0.54%

LAB 88.24, -72.9, 82.19

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 36 / 82 / 9

HEX #E99629

RGB 233 150 41

HSL 34.06, 0.81%, 0.54%

LAB 68.97, 23.21, 65.18

 

CMYK 0 / 31 / 72 / 16

HEX #D6943C

RGB 214 148 60

HSL 34.29, 0.65%, 0.54%

LAB 66.37, 16.94, 54.5

 

CMYK 0 / 26 / 59 / 24

HEX #C3914F

RGB 195 145 79

HSL 34.14, 0.49%, 0.54%

LAB 63.69, 11.61, 41.88

 

CMYK 0 / 19 / 44 / 31

HEX #B08F62

RGB 176 143 98

HSL 34.62, 0.33%, 0.54%

LAB 61.44, 6.36, 28.6

 

CMYK 0 / 88 / 91 / 1

HEX #FC1E16

RGB 252 30 22

HSL 2.09, 0.97%, 0.54%

LAB 53.69, 76.66, 61.15

 

CMYK 0 / 64 / 91 / 1

HEX #FC5B16

RGB 252 91 22

HSL 18, 0.97%, 0.54%

LAB 60.1, 58.86, 65.35

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 15 / 91 / 1

HEX #FCD616

RGB 252 214 22

HSL 50.09, 0.97%, 0.54%

LAB 86.43, -2.49, 84.43

 

CMYK 9 / 0 / 91 / 1

HEX #E5FC16

RGB 229 252 22

HSL 66, 0.97%, 0.54%

LAB 94.46, -30.52, 89.79

 

CMYK 0 / 43 / 99 / 25

HEX #BE6D01

RGB 190 109 1

HSL 34.29, 0.99%, 0.37%

LAB 53.91, 26.18, 61.18

 

CMYK 0 / 43 / 99 / 9

HEX #E78402

RGB 231 132 2

HSL 34.06, 0.98%, 0.46%

LAB 64.56, 31.21, 70.52

 

CMYK 0 / 39 / 91 / 1

HEX #FC9916

RGB 252 153 22

HSL 34.17, 0.97%, 0.54%

LAB 71.92, 29.15, 73.66

 

CMYK 0 / 32 / 75 / 1

HEX #FDAB3F

RGB 253 171 63

HSL 34.11, 0.98%, 0.62%

LAB 76.29, 21.27, 64.66

 

CMYK 0 / 25 / 59 / 1

HEX #FDBD68

RGB 253 189 104

HSL 34.23, 0.97%, 0.7%

LAB 80.89, 14.13, 51.28

 

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

CMYK 70 / 0 / 91 / 1

HEX #4CFC16

RGB 76 252 22

HSL 105.91, 0.97%, 0.54%

LAB 87.59, -78.37, 81.39

 

CMYK 76 / 91 / 0 / 1

HEX #3D16FC

RGB 61 22 252

HSL 250.17, 0.97%, 0.54%

LAB 35.19, 75.66, -101.3

 

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

CMYK 91 / 0 / 39 / 1

HEX #16FC99

RGB 22 252 153

HSL 154.17, 0.97%, 0.54%

LAB 88.01, -70.87, 33.86

 

CMYK 39 / 91 / 0 / 1

HEX #9916FC

RGB 153 22 252

HSL 274.17, 0.97%, 0.54%

LAB 44.77, 82.23, -85.15

 

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

CMYK 70 / 0 / 91 / 1

HEX #4CFC16

RGB 76 252 22

HSL 105.91, 0.97%, 0.54%

LAB 87.59, -78.37, 81.39

 

CMYK 91 / 52 / 0 / 1

HEX #167AFC

RGB 22 122 252

HSL 213.91, 0.97%, 0.54%

LAB 53.08, 22.01, -71.92

 

CMYK 21 / 91 / 0 / 1

HEX #C716FC

RGB 199 22 252

HSL 286.17, 0.97%, 0.54%

LAB 51.55, 87.9, -73.79

 

CMYK 0 / 40 / 92 / 1

HEX #FD9915

RGB 253 153 21

HSL 34.14, 0.98%, 0.54%

LAB 72.04, 29.54, 74.01

 

CMYK 91 / 0 / 85 / 1

HEX #16FC26

RGB 22 252 38

HSL 124.17, 0.97%, 0.54%

LAB 86.96, -83.76, 77.89

 

CMYK 91 / 52 / 0 / 1

HEX #167AFC

RGB 22 122 252

HSL 213.91, 0.97%, 0.54%

LAB 53.08, 22.01, -71.92

 

CMYK 0 / 91 / 6 / 1

HEX #FC16ED

RGB 252 22 237

HSL 303.91, 0.97%, 0.54%

LAB 59.33, 93.77, -52.43

 

Description

Color code: HEX #FD9915 | qconv.com Color code: HEX #FD9915 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 153 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 153 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 92 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 92% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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