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Color name
HEX #FD95B9

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD95B9 it is the complementary color #026A46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD95B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD95B9 shade: #FF95B4, #FFA7C7, #FFB9DA, #FFCBED and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD95B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD95B9 shade: #FD95B9, #EC83A6, #DB7193, #CA5F80 and #B94D6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD95B9 shade: #FC96B9, #FC969D and #FC9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD95B9 shade: #FC96B9, #FC96D5, #FC96F1, #EC96FC and #D196FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD95B9 shade matches the following richer shades: #FC96B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD95B9 shade: #FC96B9, #F49EBC, #EBA7BE, #E2B0C1 and #DAB8C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD95B9 shade: #FC96F0, #FC96D5, #FC96BA, #FC969E and #FCA896

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD95B9 shade: #FB4584, #FC6D9E, #FC96B9, #FDBED4 and #FEE6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD95B9 shade: #FD95B9, #FCED96 and #96E3FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD95B9 shade: #FD95B9, #BAFC96 and #96BAFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD95B9 shade: #FD95B9, #FCED96, #96FCD8 and #96A5FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD95B9 shade: #FD95B9, #EDFC96, #96FCD8 and #A596FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

Complementary color

CMYK 98 / 0 / 34 / 58

HEX #026A46

RGB 2 106 70

HSL 159.23, 0.96%, 0.21%

LAB 39.18, -35.65, 13

 

CMYK 0 / 42 / 29 / 0

HEX #FF95B4

RGB 255 149 180

HSL 342.45, 1%, 0.79%

LAB 73.58, 43.34, 1.29

 

CMYK 0 / 35 / 22 / 0

HEX #FFA7C7

RGB 255 167 199

HSL 338.18, 1%, 0.83%

LAB 77.89, 36.66, -2.84

 

CMYK 0 / 27 / 15 / 0

HEX #FFB9DA

RGB 255 185 218

HSL 331.71, 1%, 0.86%

LAB 82.39, 30.1, -6.48

 

CMYK 0 / 20 / 7 / 0

HEX #FFCBED

RGB 255 203 237

HSL 320.77, 1%, 0.9%

LAB 87.04, 23.75, -9.73

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

CMYK 0 / 44 / 30 / 7

HEX #EC83A6

RGB 236 131 166

HSL 340, 0.73%, 0.72%

LAB 67.14, 44.16, -0.57

 

CMYK 0 / 48 / 33 / 14

HEX #DB7193

RGB 219 113 147

HSL 340.75, 0.6%, 0.65%

LAB 60.76, 45.03, 0.68

 

CMYK 0 / 53 / 37 / 21

HEX #CA5F80

RGB 202 95 128

HSL 341.5, 0.5%, 0.58%

LAB 54.34, 45.88, 2.13

 

CMYK 0 / 58 / 41 / 27

HEX #B94D6D

RGB 185 77 109

HSL 342.22, 0.44%, 0.51%

LAB 47.91, 46.66, 3.88

 

CMYK 0 / 40 / 27 / 1

HEX #FC96B9

RGB 252 150 185

HSL 339.41, 0.94%, 0.79%

LAB 73.55, 42.46, -1.56

 

CMYK 0 / 40 / 38 / 1

HEX #FC969D

RGB 252 150 157

HSL 355.88, 0.94%, 0.79%

LAB 72.85, 38.99, 12.93

 

CMYK 0 / 40 / 40 / 1

HEX #FC9696

RGB 252 150 150

HSL 0, 0.94%, 0.79%

LAB 72.7, 38.22, 16.58

 

CMYK 0 / 40 / 27 / 1

HEX #FC96B9

RGB 252 150 185

HSL 339.41, 0.94%, 0.79%

LAB 73.55, 42.46, -1.56

 

CMYK 0 / 40 / 15 / 1

HEX #FC96D5

RGB 252 150 213

HSL 322.94, 0.94%, 0.79%

LAB 74.39, 46.48, -15.74

 

CMYK 0 / 40 / 4 / 1

HEX #FC96F1

RGB 252 150 241

HSL 306.47, 0.94%, 0.79%

LAB 75.36, 51.02, -29.56

 

CMYK 6 / 40 / 0 / 1

HEX #EC96FC

RGB 236 150 252

HSL 290.59, 0.94%, 0.79%

LAB 73.98, 48.26, -37.82

 

CMYK 17 / 40 / 0 / 1

HEX #D196FC

RGB 209 150 252

HSL 274.71, 0.94%, 0.79%

LAB 71.14, 40.46, -42.45

 

CMYK 0 / 40 / 27 / 1

HEX #FC96B9

RGB 252 150 185

HSL 339.41, 0.94%, 0.79%

LAB 73.55, 42.46, -1.56

 

CMYK 0 / 40 / 27 / 1

HEX #FC96B9

RGB 252 150 185

HSL 339.41, 0.94%, 0.79%

LAB 73.55, 42.46, -1.56

 

CMYK 0 / 35 / 23 / 4

HEX #F49EBC

RGB 244 158 188

HSL 339.07, 0.8%, 0.79%

LAB 74.39, 35.96, -2.09

 

CMYK 0 / 29 / 19 / 8

HEX #EBA7BE

RGB 235 167 190

HSL 339.71, 0.63%, 0.79%

LAB 75.46, 28.33, -1.73

 

CMYK 0 / 22 / 15 / 11

HEX #E2B0C1

RGB 226 176 193

HSL 339.6, 0.46%, 0.79%

LAB 76.72, 20.79, -1.64

 

CMYK 0 / 16 / 10 / 15

HEX #DAB8C4

RGB 218 184 196

HSL 338.82, 0.31%, 0.79%

LAB 77.98, 14.14, -1.52

 

CMYK 0 / 40 / 5 / 1

HEX #FC96F0

RGB 252 150 240

HSL 307.06, 0.94%, 0.79%

LAB 75.33, 50.85, -29.07

 

CMYK 0 / 40 / 15 / 1

HEX #FC96D5

RGB 252 150 213

HSL 322.94, 0.94%, 0.79%

LAB 74.39, 46.48, -15.74

 

CMYK 0 / 40 / 26 / 1

HEX #FC96BA

RGB 252 150 186

HSL 338.82, 0.94%, 0.79%

LAB 73.58, 42.59, -2.07

 

CMYK 0 / 40 / 37 / 1

HEX #FC969E

RGB 252 150 158

HSL 355.29, 0.94%, 0.79%

LAB 72.88, 39.11, 12.41

 

CMYK 0 / 33 / 40 / 1

HEX #FCA896

RGB 252 168 150

HSL 10.59, 0.94%, 0.79%

LAB 76.62, 28.86, 21.99

 

CMYK 0 / 73 / 47 / 2

HEX #FB4584

RGB 251 69 132

HSL 339.23, 0.96%, 0.63%

LAB 58.44, 71.9, 6.7

 

CMYK 0 / 57 / 37 / 1

HEX #FC6D9E

RGB 252 109 158

HSL 339.44, 0.96%, 0.71%

LAB 65.04, 59.05, 1.18

 

CMYK 0 / 40 / 27 / 1

HEX #FC96B9

RGB 252 150 185

HSL 339.41, 0.94%, 0.79%

LAB 73.55, 42.46, -1.56

 

CMYK 0 / 25 / 16 / 1

HEX #FDBED4

RGB 253 190 212

HSL 339.05, 0.94%, 0.87%

LAB 83.16, 25.85, -2.15

 

CMYK 0 / 9 / 6 / 0

HEX #FEE6EF

RGB 254 230 239

HSL 337.5, 0.92%, 0.95%

LAB 93.41, 9.67, -1.39

 

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

CMYK 0 / 6 / 40 / 1

HEX #FCED96

RGB 252 237 150

HSL 51.18, 0.94%, 0.79%

LAB 93.22, -6.82, 43.93

 

CMYK 40 / 10 / 0 / 1

HEX #96E3FC

RGB 150 227 252

HSL 194.71, 0.94%, 0.79%

LAB 86.23, -17.49, -19.61

 

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

CMYK 26 / 0 / 40 / 1

HEX #BAFC96

RGB 186 252 150

HSL 98.82, 0.94%, 0.79%

LAB 92.69, -38.23, 42.34

 

CMYK 40 / 26 / 0 / 1

HEX #96BAFC

RGB 150 186 252

HSL 218.82, 0.94%, 0.79%

LAB 75.22, 4.17, -36.46

 

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

CMYK 0 / 6 / 40 / 1

HEX #FCED96

RGB 252 237 150

HSL 51.18, 0.94%, 0.79%

LAB 93.22, -6.82, 43.93

 

CMYK 40 / 0 / 14 / 1

HEX #96FCD8

RGB 150 252 216

HSL 158.82, 0.94%, 0.79%

LAB 92.16, -37.81, 7.94

 

CMYK 40 / 35 / 0 / 1

HEX #96A5FC

RGB 150 165 252

HSL 231.18, 0.94%, 0.79%

LAB 69.77, 15.93, -44.96

 

CMYK 0 / 41 / 27 / 1

HEX #FD95B9

RGB 253 149 185

HSL 339.23, 0.96%, 0.79%

LAB 73.47, 43.31, -1.67

 

CMYK 6 / 0 / 40 / 1

HEX #EDFC96

RGB 237 252 150

HSL 68.82, 0.94%, 0.79%

LAB 95.93, -19.9, 47.12

 

CMYK 40 / 0 / 14 / 1

HEX #96FCD8

RGB 150 252 216

HSL 158.82, 0.94%, 0.79%

LAB 92.16, -37.81, 7.94

 

CMYK 35 / 40 / 0 / 1

HEX #A596FC

RGB 165 150 252

HSL 248.82, 0.94%, 0.79%

LAB 67.16, 28.34, -48.99

 

Description

Color code: HEX #FD95B9 | qconv.com Color code: HEX #FD95B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 149 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 149 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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