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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD85EC it is the complementary color #027A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD85EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD85EC shade: #FF85E7, #FF97FA, #FFA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD85EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD85EC shade: #FD85EC, #EC73D9, #DB61C6, #CA4FB3 and #B93DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD85EC shade: #FD86EC, #FD86CC, #FD86AC, #FD868C and #FD8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD85EC shade: #FD86EC, #ED86FD, #CD86FD, #AD86FD and #8D86FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD85EC shade matches the following richer shades: #FD86EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD85EC shade: #FD86EC, #F390E5, #E99ADE, #DFA4D7 and #D5AECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD85EC shade: #CD86FD, #ED86FD, #FD86ED, #FD86CD and #FD86AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD85EC shade: #FB35DF, #FC5DE6, #FD86EC, #FDAFF2 and #FED7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD85EC shade: #FD85EC, #FDAE86 and #86FDDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD85EC shade: #FD85EC, #EDFD86 and #86EDFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD85EC shade: #FD85EC, #FDAE86, #86FD96 and #86D5FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD85EC shade: #FD85EC, #FDD186, #86FD96 and #86B1FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

Complementary color

CMYK 98 / 0 / 84 / 52

HEX #027A13

RGB 2 122 19

HSL 128.5, 0.97%, 0.24%

LAB 44.2, -48.9, 43.8

 

CMYK 0 / 48 / 9 / 0

HEX #FF85E7

RGB 255 133 231

HSL 311.8, 1%, 0.76%

LAB 72.1, 58.63, -29.09

 

CMYK 0 / 41 / 2 / 0

HEX #FF97FA

RGB 255 151 250

HSL 302.88, 1%, 0.8%

LAB 76.25, 52.96, -33.05

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

CMYK 0 / 51 / 8 / 7

HEX #EC73D9

RGB 236 115 217

HSL 309.42, 0.76%, 0.69%

LAB 65.83, 59.47, -31.21

 

CMYK 0 / 56 / 10 / 14

HEX #DB61C6

RGB 219 97 198

HSL 310.33, 0.63%, 0.62%

LAB 59.6, 59.97, -30.33

 

CMYK 0 / 61 / 11 / 21

HEX #CA4FB3

RGB 202 79 179

HSL 311.22, 0.54%, 0.55%

LAB 53.39, 60.28, -29.25

 

CMYK 0 / 67 / 14 / 27

HEX #B93DA0

RGB 185 61 160

HSL 312.1, 0.5%, 0.48%

LAB 47.22, 60.27, -27.88

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EC

RGB 253 134 236

HSL 308.57, 0.97%, 0.76%

LAB 72.22, 58.38, -31.66

 

CMYK 0 / 47 / 19 / 1

HEX #FD86CC

RGB 253 134 204

HSL 324.71, 0.97%, 0.76%

LAB 71.07, 53.45, -15.76

 

CMYK 0 / 47 / 32 / 1

HEX #FD86AC

RGB 253 134 172

HSL 340.84, 0.97%, 0.76%

LAB 70.11, 49.18, 0.67

 

CMYK 0 / 47 / 45 / 1

HEX #FD868C

RGB 253 134 140

HSL 356.97, 0.97%, 0.76%

LAB 69.35, 45.65, 17.49

 

CMYK 0 / 47 / 47 / 1

HEX #FD8686

RGB 253 134 134

HSL 0, 0.97%, 0.76%

LAB 69.22, 45.07, 20.67

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EC

RGB 253 134 236

HSL 308.57, 0.97%, 0.76%

LAB 72.22, 58.38, -31.66

 

CMYK 6 / 47 / 0 / 1

HEX #ED86FD

RGB 237 134 253

HSL 291.93, 0.97%, 0.76%

LAB 70.97, 56.83, -43.04

 

CMYK 19 / 47 / 0 / 1

HEX #CD86FD

RGB 205 134 253

HSL 275.8, 0.97%, 0.76%

LAB 67.37, 48.1, -48.96

 

CMYK 32 / 47 / 0 / 1

HEX #AD86FD

RGB 173 134 253

HSL 259.66, 0.97%, 0.76%

LAB 64.18, 39.67, -54.2

 

CMYK 44 / 47 / 0 / 1

HEX #8D86FD

RGB 141 134 253

HSL 243.53, 0.97%, 0.76%

LAB 61.49, 31.88, -58.66

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EC

RGB 253 134 236

HSL 308.57, 0.97%, 0.76%

LAB 72.22, 58.38, -31.66

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EC

RGB 253 134 236

HSL 308.57, 0.97%, 0.76%

LAB 72.22, 58.38, -31.66

 

CMYK 0 / 41 / 6 / 5

HEX #F390E5

RGB 243 144 229

HSL 308.48, 0.8%, 0.76%

LAB 72.67, 49.29, -27.24

 

CMYK 0 / 34 / 5 / 9

HEX #E99ADE

RGB 233 154 222

HSL 308.35, 0.64%, 0.76%

LAB 73.36, 39.78, -22.45

 

CMYK 0 / 26 / 4 / 13

HEX #DFA4D7

RGB 223 164 215

HSL 308.14, 0.48%, 0.76%

LAB 74.28, 29.95, -17.32

 

CMYK 0 / 18 / 3 / 16

HEX #D5AECF

RGB 213 174 207

HSL 309.23, 0.32%, 0.76%

LAB 75.4, 19.72, -11.36

 

CMYK 19 / 47 / 0 / 1

HEX #CD86FD

RGB 205 134 253

HSL 275.8, 0.97%, 0.76%

LAB 67.37, 48.1, -48.96

 

CMYK 6 / 47 / 0 / 1

HEX #ED86FD

RGB 237 134 253

HSL 291.93, 0.97%, 0.76%

LAB 70.97, 56.83, -43.04

 

CMYK 0 / 47 / 6 / 1

HEX #FD86ED

RGB 253 134 237

HSL 308.07, 0.97%, 0.76%

LAB 72.26, 58.54, -32.15

 

CMYK 0 / 47 / 19 / 1

HEX #FD86CD

RGB 253 134 205

HSL 324.2, 0.97%, 0.76%

LAB 71.11, 53.59, -16.27

 

CMYK 0 / 47 / 31 / 1

HEX #FD86AE

RGB 253 134 174

HSL 339.83, 0.97%, 0.76%

LAB 70.17, 49.42, -0.38

 

CMYK 0 / 79 / 11 / 2

HEX #FB35DF

RGB 251 53 223

HSL 308.48, 0.96%, 0.6%

LAB 60.23, 86.48, -43.15

 

CMYK 0 / 63 / 9 / 1

HEX #FC5DE6

RGB 252 93 230

HSL 308.3, 0.96%, 0.68%

LAB 65.15, 75.14, -39.34

 

CMYK 0 / 47 / 7 / 1

HEX #FD86EC

RGB 253 134 236

HSL 308.57, 0.97%, 0.76%

LAB 72.22, 58.38, -31.66

 

CMYK 0 / 31 / 4 / 1

HEX #FDAFF2

RGB 253 175 242

HSL 308.46, 0.95%, 0.84%

LAB 80.71, 38.64, -21.92

 

CMYK 0 / 15 / 2 / 0

HEX #FED7F8

RGB 254 215 248

HSL 309.23, 0.95%, 0.92%

LAB 90.07, 19.03, -11.03

 

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

CMYK 0 / 31 / 47 / 1

HEX #FDAE86

RGB 253 174 134

HSL 20.17, 0.97%, 0.76%

LAB 77.8, 24.47, 32.17

 

CMYK 47 / 0 / 13 / 1

HEX #86FDDD

RGB 134 253 221

HSL 163.87, 0.97%, 0.76%

LAB 91.93, -41.08, 4.94

 

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

CMYK 6 / 0 / 47 / 1

HEX #EDFD86

RGB 237 253 134

HSL 68.07, 0.97%, 0.76%

LAB 95.99, -22, 54.78

 

CMYK 47 / 6 / 0 / 1

HEX #86EDFD

RGB 134 237 253

HSL 188.07, 0.97%, 0.76%

LAB 88.32, -25.93, -17.05

 

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

CMYK 0 / 31 / 47 / 1

HEX #FDAE86

RGB 253 174 134

HSL 20.17, 0.97%, 0.76%

LAB 77.8, 24.47, 32.17

 

CMYK 47 / 0 / 41 / 1

HEX #86FD96

RGB 134 253 150

HSL 128.07, 0.97%, 0.76%

LAB 90.56, -54.45, 39.12

 

CMYK 47 / 16 / 0 / 1

HEX #86D5FD

RGB 134 213 253

HSL 200.17, 0.97%, 0.76%

LAB 81.7, -13.88, -27.09

 

CMYK 0 / 47 / 7 / 1

HEX #FD85EC

RGB 253 133 236

HSL 308.5, 0.97%, 0.76%

LAB 72.04, 58.86, -31.95

 

CMYK 0 / 17 / 47 / 1

HEX #FDD186

RGB 253 209 134

HSL 37.82, 0.97%, 0.76%

LAB 86.11, 6.21, 42.86

 

CMYK 47 / 0 / 41 / 1

HEX #86FD96

RGB 134 253 150

HSL 128.07, 0.97%, 0.76%

LAB 90.56, -54.45, 39.12

 

CMYK 47 / 30 / 0 / 1

HEX #86B1FD

RGB 134 177 253

HSL 218.32, 0.97%, 0.76%

LAB 71.96, 5.53, -42.14

 

Description

Color code: HEX #FD85EC | qconv.com Color code: HEX #FD85EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 133 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 133 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 7% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - 三民補習班-公職考,國家考試,記帳士,高...
Link: http://www.3people.com.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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