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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD76F7 it is the complementary color #028908. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD76F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD76F7 shade: #FF76F2, #FF88FF, #FF9AFF, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD76F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD76F7 shade: #FD76F7, #EC64E4, #DB52D1, #CA40BE and #B92EAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD76F7 shade: #FC77F6, #FC77D2, #FC77AE, #FC778A and #FC7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD76F7 shade: #FC77F6, #DE77FC, #BA77FC, #9677FC and #7777FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD76F7 shade matches the following richer shades: #FC77F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD76F7 shade: #FC77F6, #F182EC, #E68DE2, #DB98D8 and #D0A3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD76F7 shade: #BA77FC, #DD77FC, #FC77F8, #FC77D4 and #FC77B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD76F7 shade: #FB26F2, #FC4EF4, #FC77F6, #FDA0F9 and #FEC8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD76F7 shade: #FD76F7, #FC9677 and #77FCCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD76F7 shade: #FD76F7, #F8FC77 and #77F8FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD76F7 shade: #FD76F7, #FC9677, #77FC7B and #77DDFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD76F7 shade: #FD76F7, #FCBE77, #77FC7B and #77B5FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

Complementary color

CMYK 99 / 0 / 94 / 46

HEX #028908

RGB 2 137 8

HSL 122.67, 0.97%, 0.27%

LAB 49.4, -53.88, 50.95

 

CMYK 0 / 54 / 5 / 0

HEX #FF76F2

RGB 255 118 242

HSL 305.69, 1%, 0.73%

LAB 69.91, 67.34, -38.51

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

CMYK 0 / 58 / 3 / 7

HEX #EC64E4

RGB 236 100 228

HSL 303.53, 0.78%, 0.66%

LAB 63.79, 68, -40.52

 

CMYK 0 / 63 / 5 / 14

HEX #DB52D1

RGB 219 82 209

HSL 304.38, 0.66%, 0.59%

LAB 57.75, 68.14, -39.48

 

CMYK 0 / 68 / 6 / 21

HEX #CA40BE

RGB 202 64 190

HSL 305.22, 0.57%, 0.52%

LAB 51.77, 67.92, -38.17

 

CMYK 0 / 75 / 8 / 27

HEX #B92EAB

RGB 185 46 171

HSL 306.04, 0.6%, 0.45%

LAB 45.92, 67.13, -36.45

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 0 / 53 / 17 / 1

HEX #FC77D2

RGB 252 119 210

HSL 318.95, 0.96%, 0.73%

LAB 68.42, 61.14, -23.14

 

CMYK 0 / 53 / 31 / 1

HEX #FC77AE

RGB 252 119 174

HSL 335.19, 0.96%, 0.73%

LAB 67.24, 56.31, -4.7

 

CMYK 0 / 53 / 45 / 1

HEX #FC778A

RGB 252 119 138

HSL 351.43, 0.96%, 0.73%

LAB 66.31, 52.39, 14.37

 

CMYK 0 / 53 / 53 / 1

HEX #FC7777

RGB 252 119 119

HSL 0, 0.96%, 0.73%

LAB 65.92, 50.71, 24.58

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 12 / 53 / 0 / 1

HEX #DE77FC

RGB 222 119 252

HSL 286.47, 0.96%, 0.73%

LAB 66.33, 59.99, -49.92

 

CMYK 26 / 53 / 0 / 1

HEX #BA77FC

RGB 186 119 252

HSL 270.23, 0.96%, 0.73%

LAB 62.22, 50.85, -56.7

 

CMYK 40 / 53 / 0 / 1

HEX #9677FC

RGB 150 119 252

HSL 253.98, 0.96%, 0.73%

LAB 58.7, 42.25, -62.53

 

CMYK 53 / 53 / 0 / 1

HEX #7777FC

RGB 119 119 252

HSL 240, 0.96%, 0.73%

LAB 56.23, 35.68, -66.63

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 0 / 46 / 2 / 5

HEX #F182EC

RGB 241 130 236

HSL 302.7, 0.8%, 0.73%

LAB 69.98, 56.87, -35.25

 

CMYK 0 / 39 / 2 / 10

HEX #E68DE2

RGB 230 141 226

HSL 302.7, 0.64%, 0.73%

LAB 70.43, 46.34, -29.16

 

CMYK 0 / 31 / 1 / 14

HEX #DB98D8

RGB 219 152 216

HSL 302.69, 0.48%, 0.73%

LAB 71.2, 35.27, -22.59

 

CMYK 0 / 22 / 1 / 18

HEX #D0A3CE

RGB 208 163 206

HSL 302.67, 0.32%, 0.73%

LAB 72.27, 23.83, -15.56

 

CMYK 26 / 53 / 0 / 1

HEX #BA77FC

RGB 186 119 252

HSL 270.23, 0.96%, 0.73%

LAB 62.22, 50.85, -56.7

 

CMYK 12 / 53 / 0 / 1

HEX #DD77FC

RGB 221 119 252

HSL 286.02, 0.96%, 0.73%

LAB 66.21, 59.73, -50.12

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F8

RGB 252 119 248

HSL 301.8, 0.96%, 0.73%

LAB 69.94, 67.09, -41.79

 

CMYK 0 / 53 / 16 / 1

HEX #FC77D4

RGB 252 119 212

HSL 318.05, 0.96%, 0.73%

LAB 68.49, 61.43, -24.15

 

CMYK 0 / 53 / 30 / 1

HEX #FC77B1

RGB 252 119 177

HSL 333.83, 0.96%, 0.73%

LAB 67.32, 56.68, -6.26

 

CMYK 0 / 85 / 4 / 2

HEX #FB26F2

RGB 251 38 242

HSL 302.54, 0.96%, 0.57%

LAB 60.16, 92.12, -53.91

 

CMYK 0 / 69 / 3 / 1

HEX #FC4EF4

RGB 252 78 244

HSL 302.76, 0.97%, 0.65%

LAB 63.9, 82.61, -49.09

 

CMYK 0 / 53 / 2 / 1

HEX #FC77F6

RGB 252 119 246

HSL 302.71, 0.96%, 0.73%

LAB 69.85, 66.75, -40.83

 

CMYK 0 / 37 / 2 / 1

HEX #FDA0F9

RGB 253 160 249

HSL 302.58, 0.96%, 0.81%

LAB 77.79, 47.63, -30.15

 

CMYK 0 / 21 / 1 / 0

HEX #FEC8FB

RGB 254 200 251

HSL 303.33, 0.96%, 0.89%

LAB 86.67, 27.43, -17.7

 

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

CMYK 0 / 40 / 53 / 1

HEX #FC9677

RGB 252 150 119

HSL 13.98, 0.96%, 0.73%

LAB 72.12, 35.25, 32.74

 

CMYK 53 / 0 / 19 / 1

HEX #77FCCB

RGB 119 252 203

HSL 157.89, 0.96%, 0.73%

LAB 90.71, -47.92, 12.43

 

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

CMYK 2 / 0 / 53 / 1

HEX #F8FC77

RGB 248 252 119

HSL 61.8, 0.96%, 0.73%

LAB 96.37, -18.56, 62.25

 

CMYK 53 / 2 / 0 / 1

HEX #77F8FC

RGB 119 248 252

HSL 181.8, 0.96%, 0.73%

LAB 90.82, -34.52, -12.84

 

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

CMYK 0 / 40 / 53 / 1

HEX #FC9677

RGB 252 150 119

HSL 13.98, 0.96%, 0.73%

LAB 72.12, 35.25, 32.74

 

CMYK 53 / 0 / 51 / 1

HEX #77FC7B

RGB 119 252 123

HSL 121.8, 0.96%, 0.73%

LAB 89.38, -61.68, 50.42

 

CMYK 53 / 12 / 0 / 1

HEX #77DDFC

RGB 119 221 252

HSL 193.98, 0.96%, 0.73%

LAB 83.26, -21.47, -24.23

 

CMYK 0 / 53 / 2 / 1

HEX #FD76F7

RGB 253 118 247

HSL 302.67, 0.97%, 0.73%

LAB 69.86, 67.63, -41.35

 

CMYK 0 / 25 / 53 / 1

HEX #FCBE77

RGB 252 190 119

HSL 32.03, 0.96%, 0.73%

LAB 81.21, 14.36, 44.24

 

CMYK 53 / 0 / 51 / 1

HEX #77FC7B

RGB 119 252 123

HSL 121.8, 0.96%, 0.73%

LAB 89.38, -61.68, 50.42

 

CMYK 53 / 28 / 0 / 1

HEX #77B5FC

RGB 119 181 252

HSL 212.03, 0.96%, 0.73%

LAB 72.23, -0.35, -41.24

 

Description

Color code: HEX #FD76F7 | qconv.com Color code: HEX #FD76F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 118 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 118 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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