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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD6CD1 it is the complementary color #02932E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD6CD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD6CD1 shade: #FF6CCC, #FF7EDF, #FF90F2, #FFA2FF and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD6CD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD6CD1 shade: #FD6CD1, #EC5ABE, #DB48AB, #CA3698 and #B92485

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD6CD1 shade: #FC6DD1, #FC6DAA, #FC6D83 and #FC6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD6CD1 shade: #FC6DD1, #FC6DF7, #DA6DFC, #B46DFC and #8D6DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD6CD1 shade matches the following richer shades: #FC6DD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD6CD1 shade: #FC6DD1, #F079CC, #E485C7, #D891C3 and #CC9DBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD6CD1 shade: #DB6DFC, #FC6DF7, #FC6DD1, #FC6DAB and #FC6D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD6CD1 shade: #FB1CB7, #FC44C4, #FC6DD1, #FD95DE and #FEBEEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD6CD1 shade: #FD6CD1, #FCB56D and #6DFCEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD6CD1 shade: #FD6CD1, #D1FC6D and #6DD1FC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD6CD1 shade: #FD6CD1, #FCB56D, #6DFC98 and #6DB5FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD6CD1 shade: #FD6CD1, #FCE06D, #6DFC98 and #6D8AFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

Complementary color

CMYK 99 / 0 / 69 / 42

HEX #02932E

RGB 2 147 46

HSL 138.21, 0.97%, 0.29%

LAB 53.03, -54.26, 42.6

 

CMYK 0 / 58 / 20 / 0

HEX #FF6CCC

RGB 255 108 204

HSL 320.82, 1%, 0.71%

LAB 66.78, 66.06, -22.25

 

CMYK 0 / 51 / 13 / 0

HEX #FF7EDF

RGB 255 126 223

HSL 314.88, 1%, 0.75%

LAB 70.53, 60.7, -27.09

 

CMYK 0 / 44 / 5 / 0

HEX #FF90F2

RGB 255 144 242

HSL 307.03, 1%, 0.78%

LAB 74.58, 55.08, -31.28

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

CMYK 0 / 62 / 19 / 7

HEX #EC5ABE

RGB 236 90 190

HSL 318.9, 0.79%, 0.64%

LAB 60.66, 66.47, -23.94

 

CMYK 0 / 67 / 22 / 14

HEX #DB48AB

RGB 219 72 171

HSL 319.59, 0.67%, 0.57%

LAB 54.69, 66.45, -22.36

 

CMYK 0 / 73 / 25 / 21

HEX #CA3698

RGB 202 54 152

HSL 320.27, 0.58%, 0.5%

LAB 48.84, 65.97, -20.38

 

CMYK 0 / 81 / 28 / 27

HEX #B92485

RGB 185 36 133

HSL 320.94, 0.67%, 0.43%

LAB 43.17, 64.78, -17.86

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 57 / 33 / 1

HEX #FC6DAA

RGB 252 109 170

HSL 334.41, 0.96%, 0.71%

LAB 65.39, 60.41, -5.16

 

CMYK 0 / 57 / 48 / 1

HEX #FC6D83

RGB 252 109 131

HSL 350.77, 0.96%, 0.71%

LAB 64.38, 56.38, 15.67

 

CMYK 0 / 57 / 57 / 1

HEX #FC6D6D

RGB 252 109 109

HSL 0, 0.96%, 0.71%

LAB 63.95, 54.6, 27.59

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 57 / 2 / 1

HEX #FC6DF7

RGB 252 109 247

HSL 302.1, 0.96%, 0.71%

LAB 68.28, 71.31, -43.85

 

CMYK 13 / 57 / 0 / 1

HEX #DA6DFC

RGB 218 109 252

HSL 285.73, 0.96%, 0.71%

LAB 64.06, 63.74, -53.55

 

CMYK 29 / 57 / 0 / 1

HEX #B46DFC

RGB 180 109 252

HSL 269.79, 0.96%, 0.71%

LAB 59.59, 54.61, -60.94

 

CMYK 44 / 57 / 0 / 1

HEX #8D6DFC

RGB 141 109 252

HSL 253.43, 0.96%, 0.71%

LAB 55.71, 45.91, -67.37

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 50 / 15 / 6

HEX #F079CC

RGB 240 121 204

HSL 318.15, 0.8%, 0.71%

LAB 66.95, 55.75, -22.18

 

CMYK 0 / 42 / 13 / 11

HEX #E485C7

RGB 228 133 199

HSL 318.32, 0.64%, 0.71%

LAB 67.57, 45.26, -18.58

 

CMYK 0 / 33 / 10 / 15

HEX #D891C3

RGB 216 145 195

HSL 317.75, 0.48%, 0.71%

LAB 68.6, 34.34, -14.92

 

CMYK 0 / 23 / 7 / 20

HEX #CC9DBE

RGB 204 157 190

HSL 317.87, 0.32%, 0.71%

LAB 69.94, 22.84, -10.26

 

CMYK 13 / 57 / 0 / 1

HEX #DB6DFC

RGB 219 109 252

HSL 286.15, 0.96%, 0.71%

LAB 64.18, 63.99, -53.35

 

CMYK 0 / 57 / 2 / 1

HEX #FC6DF7

RGB 252 109 247

HSL 302.1, 0.96%, 0.71%

LAB 68.28, 71.31, -43.85

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 57 / 32 / 1

HEX #FC6DAB

RGB 252 109 171

HSL 333.99, 0.96%, 0.71%

LAB 65.41, 60.52, -5.69

 

CMYK 0 / 57 / 47 / 1

HEX #FC6D85

RGB 252 109 133

HSL 349.93, 0.96%, 0.71%

LAB 64.42, 56.56, 14.59

 

CMYK 0 / 89 / 27 / 2

HEX #FB1CB7

RGB 251 28 183

HSL 318.3, 0.97%, 0.55%

LAB 56.84, 86.26, -25.58

 

CMYK 0 / 73 / 22 / 1

HEX #FC44C4

RGB 252 68 196

HSL 318.26, 0.97%, 0.63%

LAB 60.62, 79.15, -27.22

 

CMYK 0 / 57 / 17 / 1

HEX #FC6DD1

RGB 252 109 209

HSL 318.04, 0.96%, 0.71%

LAB 66.7, 65.48, -25.21

 

CMYK 0 / 41 / 12 / 1

HEX #FD95DE

RGB 253 149 222

HSL 317.88, 0.96%, 0.79%

LAB 74.6, 48.71, -20.34

 

CMYK 0 / 25 / 8 / 0

HEX #FEBEEA

RGB 254 190 234

HSL 318.75, 0.97%, 0.87%

LAB 83.88, 29.74, -12.85

 

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

CMYK 0 / 28 / 57 / 1

HEX #FCB56D

RGB 252 181 109

HSL 30.21, 0.96%, 0.71%

LAB 78.95, 18.27, 46.49

 

CMYK 57 / 0 / 6 / 1

HEX #6DFCEE

RGB 109 252 238

HSL 174.13, 0.96%, 0.71%

LAB 91.25, -41.77, -4.95

 

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

CMYK 17 / 0 / 57 / 1

HEX #D1FC6D

RGB 209 252 109

HSL 78.04, 0.96%, 0.71%

LAB 93.57, -34.36, 62.7

 

CMYK 57 / 17 / 0 / 1

HEX #6DD1FC

RGB 109 209 252

HSL 198.04, 0.96%, 0.71%

LAB 79.55, -17.35, -29.94

 

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

CMYK 0 / 28 / 57 / 1

HEX #FCB56D

RGB 252 181 109

HSL 30.21, 0.96%, 0.71%

LAB 78.95, 18.27, 46.49

 

CMYK 57 / 0 / 40 / 1

HEX #6DFC98

RGB 109 252 152

HSL 138.04, 0.96%, 0.71%

LAB 89.46, -59.78, 36.53

 

CMYK 57 / 28 / 0 / 1

HEX #6DB5FC

RGB 109 181 252

HSL 209.79, 0.96%, 0.71%

LAB 71.78, -2.4, -41.98

 

CMYK 0 / 57 / 17 / 1

HEX #FD6CD1

RGB 253 108 209

HSL 318.21, 0.97%, 0.71%

LAB 66.68, 66.2, -25.23

 

CMYK 0 / 11 / 57 / 1

HEX #FCE06D

RGB 252 224 109

HSL 48.25, 0.96%, 0.71%

LAB 89.44, -3.92, 58.85

 

CMYK 57 / 0 / 40 / 1

HEX #6DFC98

RGB 109 252 152

HSL 138.04, 0.96%, 0.71%

LAB 89.46, -59.78, 36.53

 

CMYK 57 / 45 / 0 / 1

HEX #6D8AFC

RGB 109 138 252

HSL 227.83, 0.96%, 0.71%

LAB 60.3, 22.43, -60.13

 

Description

Color code: HEX #FD6CD1 | qconv.com Color code: HEX #FD6CD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 108 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 108 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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