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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD62AB it is the complementary color #029D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD62AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD62AB shade: #FF62A6, #FF74B9, #FF86CC, #FF98DF and #FFAAF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD62AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD62AB shade: #FD62AB, #EC5098, #DB3E85, #CA2C72 and #B91A5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD62AB shade: #FC63AB, #FC6382 and #FC6363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD62AB shade: #FC63AB, #FC63D4, #FB63FC, #D163FC and #A863FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD62AB shade matches the following richer shades: #FC63AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD62AB shade: #FC63AB, #EF70AC, #E37CAC, #D689AD and #C996AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD62AB shade: #FA63FC, #FC63D6, #FC63AD, #FC6384 and #FC6A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD62AB shade: #FB117F, #FC3A95, #FC63AB, #FD8BC1 and #FDB4D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD62AB shade: #FD62AB, #FCD163 and #63EAFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD62AB shade: #FD62AB, #ADFC63 and #63ADFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD62AB shade: #FD62AB, #FCD163, #63FCB2 and #638EFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD62AB shade: #FD62AB, #FAFC63, #63FCB2 and #6563FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

Complementary color

CMYK 99 / 0 / 46 / 38

HEX #029D54

RGB 2 157 84

HSL 151.74, 0.97%, 0.31%

LAB 56.85, -51.95, 28.53

 

CMYK 0 / 62 / 35 / 0

HEX #FF62A6

RGB 255 98 166

HSL 334.01, 1%, 0.69%

LAB 63.96, 65.58, -4.94

 

CMYK 0 / 55 / 27 / 0

HEX #FF74B9

RGB 255 116 185

HSL 330.22, 1%, 0.73%

LAB 67.47, 60, -10.52

 

CMYK 0 / 47 / 20 / 0

HEX #FF86CC

RGB 255 134 204

HSL 325.29, 1%, 0.76%

LAB 71.33, 54.07, -15.35

 

CMYK 0 / 40 / 13 / 0

HEX #FF98DF

RGB 255 152 223

HSL 318.64, 1%, 0.8%

LAB 75.48, 47.98, -19.54

 

CMYK 0 / 33 / 5 / 0

HEX #FFAAF2

RGB 255 170 242

HSL 309.18, 1%, 0.83%

LAB 79.85, 41.88, -23.21

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 0 / 66 / 36 / 7

HEX #EC5098

RGB 236 80 152

HSL 332.31, 0.8%, 0.62%

LAB 57.88, 65.76, -6.17

 

CMYK 0 / 72 / 39 / 14

HEX #DB3E85

RGB 219 62 133

HSL 332.87, 0.69%, 0.55%

LAB 52.06, 65.59, -3.86

 

CMYK 0 / 78 / 44 / 21

HEX #CA2C72

RGB 202 44 114

HSL 333.42, 0.64%, 0.48%

LAB 46.41, 64.85, -1

 

CMYK 0 / 86 / 49 / 27

HEX #B91A5F

RGB 185 26 95

HSL 333.96, 0.75%, 0.41%

LAB 41.02, 63.25, 2.6

 

CMYK 0 / 61 / 32 / 1

HEX #FC63AB

RGB 252 99 171

HSL 331.76, 0.96%, 0.69%

LAB 63.8, 64.85, -8.08

 

CMYK 0 / 61 / 48 / 1

HEX #FC6382

RGB 252 99 130

HSL 347.84, 0.96%, 0.69%

LAB 62.7, 60.69, 13.91

 

CMYK 0 / 61 / 61 / 1

HEX #FC6363

RGB 252 99 99

HSL 0, 0.96%, 0.69%

LAB 62.1, 58.35, 30.85

 

CMYK 0 / 61 / 32 / 1

HEX #FC63AB

RGB 252 99 171

HSL 331.76, 0.96%, 0.69%

LAB 63.8, 64.85, -8.08

 

CMYK 0 / 61 / 16 / 1

HEX #FC63D4

RGB 252 99 212

HSL 315.69, 0.96%, 0.69%

LAB 65.26, 70.14, -29.12

 

CMYK 0 / 61 / 0 / 1

HEX #FB63FC

RGB 251 99 252

HSL 299.61, 0.96%, 0.69%

LAB 66.87, 76, -48.81

 

CMYK 17 / 61 / 0 / 1

HEX #D163FC

RGB 209 99 252

HSL 283.14, 0.96%, 0.69%

LAB 61.23, 66.2, -58.12

 

CMYK 33 / 61 / 0 / 1

HEX #A863FC

RGB 168 99 252

HSL 267.06, 0.96%, 0.69%

LAB 56.36, 57.01, -66.19

 

CMYK 0 / 61 / 32 / 1

HEX #FC63AB

RGB 252 99 171

HSL 331.76, 0.96%, 0.69%

LAB 63.8, 64.85, -8.08

 

CMYK 0 / 61 / 32 / 1

HEX #FC63AB

RGB 252 99 171

HSL 331.76, 0.96%, 0.69%

LAB 63.8, 64.85, -8.08

 

CMYK 0 / 53 / 28 / 6

HEX #EF70AC

RGB 239 112 172

HSL 331.65, 0.8%, 0.69%

LAB 64.09, 55.24, -8.42

 

CMYK 0 / 45 / 24 / 11

HEX #E37CAC

RGB 227 124 172

HSL 332.04, 0.65%, 0.69%

LAB 64.74, 45.47, -7.63

 

CMYK 0 / 36 / 19 / 16

HEX #D689AD

RGB 214 137 173

HSL 331.95, 0.48%, 0.69%

LAB 65.91, 34.38, -6.64

 

CMYK 0 / 25 / 13 / 21

HEX #C996AE

RGB 201 150 174

HSL 331.76, 0.32%, 0.69%

LAB 67.49, 22.87, -5.02

 

CMYK 1 / 61 / 0 / 1

HEX #FA63FC

RGB 250 99 252

HSL 299.22, 0.96%, 0.69%

LAB 66.73, 75.77, -49.05

 

CMYK 0 / 61 / 15 / 1

HEX #FC63D6

RGB 252 99 214

HSL 314.9, 0.96%, 0.69%

LAB 65.34, 70.42, -30.11

 

CMYK 0 / 61 / 31 / 1

HEX #FC63AD

RGB 252 99 173

HSL 330.98, 0.96%, 0.69%

LAB 63.87, 65.08, -9.13

 

CMYK 0 / 61 / 48 / 1

HEX #FC6384

RGB 252 99 132

HSL 347.06, 0.96%, 0.69%

LAB 62.75, 60.87, 12.82

 

CMYK 0 / 58 / 61 / 1

HEX #FC6A63

RGB 252 106 99

HSL 2.75, 0.96%, 0.69%

LAB 63.26, 55.27, 32.33

 

CMYK 0 / 93 / 49 / 2

HEX #FB117F

RGB 251 17 127

HSL 331.79, 0.97%, 0.53%

LAB 54.49, 82.4, 4

 

CMYK 0 / 77 / 41 / 1

HEX #FC3A95

RGB 252 58 149

HSL 331.86, 0.97%, 0.61%

LAB 57.93, 76.94, -4.03

 

CMYK 0 / 61 / 32 / 1

HEX #FC63AB

RGB 252 99 171

HSL 331.76, 0.96%, 0.69%

LAB 63.8, 64.85, -8.08

 

CMYK 0 / 45 / 24 / 1

HEX #FD8BC1

RGB 253 139 193

HSL 331.58, 0.97%, 0.77%

LAB 71.69, 49.43, -8.73

 

CMYK 0 / 29 / 15 / 1

HEX #FDB4D7

RGB 253 180 215

HSL 331.23, 0.95%, 0.85%

LAB 80.98, 31.57, -6.98

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 0 / 17 / 61 / 1

HEX #FCD163

RGB 252 209 99

HSL 43.14, 0.96%, 0.69%

LAB 85.6, 3.02, 59.01

 

CMYK 61 / 7 / 0 / 1

HEX #63EAFC

RGB 99 234 252

HSL 187.06, 0.96%, 0.69%

LAB 86.27, -31.51, -19.73

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 31 / 0 / 61 / 1

HEX #ADFC63

RGB 173 252 99

HSL 90.98, 0.96%, 0.69%

LAB 91.42, -48.14, 63.94

 

CMYK 61 / 31 / 0 / 1

HEX #63ADFC

RGB 99 173 252

HSL 210.98, 0.96%, 0.69%

LAB 69.16, 0.17, -46.11

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 0 / 17 / 61 / 1

HEX #FCD163

RGB 252 209 99

HSL 43.14, 0.96%, 0.69%

LAB 85.6, 3.02, 59.01

 

CMYK 61 / 0 / 29 / 1

HEX #63FCB2

RGB 99 252 178

HSL 150.98, 0.96%, 0.69%

LAB 89.62, -57.11, 23.64

 

CMYK 61 / 44 / 0 / 1

HEX #638EFC

RGB 99 142 252

HSL 223.14, 0.96%, 0.69%

LAB 60.81, 18.18, -59.35

 

CMYK 0 / 61 / 32 / 1

HEX #FD62AB

RGB 253 98 171

HSL 331.74, 0.97%, 0.69%

LAB 63.8, 65.56, -8.07

 

CMYK 1 / 0 / 61 / 1

HEX #FAFC63

RGB 250 252 99

HSL 60.78, 0.96%, 0.69%

LAB 96.35, -19.18, 70.73

 

CMYK 61 / 0 / 29 / 1

HEX #63FCB2

RGB 99 252 178

HSL 150.98, 0.96%, 0.69%

LAB 89.62, -57.11, 23.64

 

CMYK 60 / 61 / 0 / 1

HEX #6563FC

RGB 101 99 252

HSL 240.78, 0.96%, 0.69%

LAB 50.36, 44.28, -76.21

 

Description

Color code: HEX #FD62AB | qconv.com Color code: HEX #FD62AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 98 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 98 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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