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Color name
HEX #FD661A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD661A it is the complementary color #0299E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD661A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD661A shade: #FF6615, #FF7828, #FF8A3B, #FF9C4E and #FFAE61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD661A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD661A shade: #FD661A, #EC5407, #DB4200, #CA3000 and #B91E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD661A shade: #FC671B, #FC2A1B and #FC1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD661A shade: #FC671B, #FCA31B, #FCE01B, #DCFC1B and #9FFC1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD661A shade matches the following richer shades: #FC671B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD661A shade: #FC671B, #EA6D2E, #D77340, #C57953 and #B27F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD661A shade: #FC1B48, #FC2A1B, #FC661B, #FCA21B and #FCDE1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD661A shade: #C44201, #EC5002, #FC671B, #FD8244 and #FD9D6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD661A shade: #FD661A, #84FC1B and #1B2AFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD661A shade: #FD661A, #1BFC66 and #661BFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD661A shade: #FD661A, #84FC1B, #1BB1FC and #931BFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD661A shade: #FD661A, #41FC1B, #1BB1FC and #D71BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

Complementary color

CMYK 99 / 33 / 0 / 10

HEX #0299E5

RGB 2 153 229

HSL 200.09, 0.98%, 0.45%

LAB 60.3, -6.13, -47.62

 

CMYK 0 / 60 / 92 / 0

HEX #FF6615

RGB 255 102 21

HSL 20.77, 1%, 0.54%

LAB 62.35, 55.2, 67.37

 

CMYK 0 / 53 / 84 / 0

HEX #FF7828

RGB 255 120 40

HSL 22.33, 1%, 0.58%

LAB 65.63, 47.26, 63.85

 

CMYK 0 / 46 / 77 / 0

HEX #FF8A3B

RGB 255 138 59

HSL 24.18, 1%, 0.62%

LAB 69.29, 38.97, 59.56

 

CMYK 0 / 39 / 69 / 0

HEX #FF9C4E

RGB 255 156 78

HSL 26.44, 1%, 0.65%

LAB 73.28, 30.59, 55.11

 

CMYK 0 / 32 / 62 / 0

HEX #FFAE61

RGB 255 174 97

HSL 29.24, 1%, 0.69%

LAB 77.52, 22.31, 50.79

 

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

CMYK 0 / 64 / 97 / 7

HEX #EC5407

RGB 236 84 7

HSL 20.17, 0.94%, 0.48%

LAB 56.28, 56.16, 65.04

 

CMYK 0 / 70 / 100 / 14

HEX #DB4200

RGB 219 66 0

HSL 18.08, 1%, 0.43%

LAB 50.64, 57.55, 61.97

 

CMYK 0 / 76 / 100 / 21

HEX #CA3000

RGB 202 48 0

HSL 14.26, 1%, 0.4%

LAB 45.18, 58.41, 57.62

 

CMYK 0 / 84 / 100 / 27

HEX #B91E00

RGB 185 30 0

HSL 9.73, 1%, 0.36%

LAB 39.99, 58.39, 53.41

 

CMYK 0 / 59 / 89 / 1

HEX #FC671B

RGB 252 103 27

HSL 20.27, 0.97%, 0.55%

LAB 62.06, 53.78, 65.25

 

CMYK 0 / 83 / 89 / 1

HEX #FC2A1B

RGB 252 42 27

HSL 4, 0.97%, 0.55%

LAB 54.48, 74.52, 59.82

 

CMYK 0 / 89 / 89 / 1

HEX #FC1B1B

RGB 252 27 27

HSL 0, 0.97%, 0.55%

LAB 53.56, 77.17, 59.18

 

CMYK 0 / 59 / 89 / 1

HEX #FC671B

RGB 252 103 27

HSL 20.27, 0.97%, 0.55%

LAB 62.06, 53.78, 65.25

 

CMYK 0 / 35 / 89 / 1

HEX #FCA31B

RGB 252 163 27

HSL 36.27, 0.97%, 0.55%

LAB 74.17, 24.02, 74.27

 

CMYK 0 / 11 / 89 / 1

HEX #FCE01B

RGB 252 224 27

HSL 52.53, 0.97%, 0.55%

LAB 88.96, -7.44, 85.6

 

CMYK 13 / 0 / 89 / 1

HEX #DCFC1B

RGB 220 252 27

HSL 68.53, 0.97%, 0.55%

LAB 93.85, -34.04, 88.38

 

CMYK 37 / 0 / 89 / 1

HEX #9FFC1B

RGB 159 252 27

HSL 84.8, 0.97%, 0.55%

LAB 90.35, -56.67, 84.1

 

CMYK 0 / 59 / 89 / 1

HEX #FC671B

RGB 252 103 27

HSL 20.27, 0.97%, 0.55%

LAB 62.06, 53.78, 65.25

 

CMYK 0 / 59 / 89 / 1

HEX #FC671B

RGB 252 103 27

HSL 20.27, 0.97%, 0.55%

LAB 62.06, 53.78, 65.25

 

CMYK 0 / 53 / 80 / 8

HEX #EA6D2E

RGB 234 109 46

HSL 20.11, 0.82%, 0.55%

LAB 60.45, 44.83, 55.67

 

CMYK 0 / 47 / 70 / 16

HEX #D77340

RGB 215 115 64

HSL 20.26, 0.65%, 0.55%

LAB 59.05, 35.18, 44.84

 

CMYK 0 / 39 / 58 / 23

HEX #C57953

RGB 197 121 83

HSL 20, 0.5%, 0.55%

LAB 58.2, 25.92, 33.17

 

CMYK 0 / 29 / 43 / 30

HEX #B27F66

RGB 178 127 102

HSL 19.74, 0.33%, 0.55%

LAB 57.66, 16.57, 21.42

 

CMYK 0 / 89 / 71 / 1

HEX #FC1B48

RGB 252 27 72

HSL 348, 0.97%, 0.55%

LAB 53.97, 78.35, 36.29

 

CMYK 0 / 83 / 89 / 1

HEX #FC2A1B

RGB 252 42 27

HSL 4, 0.97%, 0.55%

LAB 54.48, 74.52, 59.82

 

CMYK 0 / 60 / 89 / 1

HEX #FC661B

RGB 252 102 27

HSL 20, 0.97%, 0.55%

LAB 61.89, 54.22, 65.13

 

CMYK 0 / 36 / 89 / 1

HEX #FCA21B

RGB 252 162 27

HSL 36, 0.97%, 0.55%

LAB 73.94, 24.54, 74.1

 

CMYK 0 / 12 / 89 / 1

HEX #FCDE1B

RGB 252 222 27

HSL 52, 0.97%, 0.55%

LAB 88.46, -6.44, 85.21

 

CMYK 0 / 66 / 99 / 23

HEX #C44201

RGB 196 66 1

HSL 20, 0.99%, 0.39%

LAB 46.49, 49.79, 57.33

 

CMYK 0 / 66 / 99 / 7

HEX #EC5002

RGB 236 80 2

HSL 20, 0.98%, 0.47%

LAB 55.66, 57.75, 65.72

 

CMYK 0 / 59 / 89 / 1

HEX #FC671B

RGB 252 103 27

HSL 20.27, 0.97%, 0.55%

LAB 62.06, 53.78, 65.25

 

CMYK 0 / 49 / 73 / 1

HEX #FD8244

RGB 253 130 68

HSL 20.11, 0.98%, 0.63%

LAB 67.48, 42.56, 53.53

 

CMYK 0 / 38 / 57 / 1

HEX #FD9D6D

RGB 253 157 109

HSL 20, 0.97%, 0.71%

LAB 73.61, 31.22, 39.97

 

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

CMYK 48 / 0 / 89 / 1

HEX #84FC1B

RGB 132 252 27

HSL 92, 0.97%, 0.55%

LAB 89.21, -65.16, 82.68

 

CMYK 89 / 83 / 0 / 1

HEX #1B2AFC

RGB 27 42 252

HSL 236, 0.97%, 0.55%

LAB 35.82, 68.2, -100.29

 

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

CMYK 89 / 0 / 60 / 1

HEX #1BFC66

RGB 27 252 102

HSL 140, 0.97%, 0.55%

LAB 87.39, -78.42, 57.03

 

CMYK 60 / 89 / 0 / 1

HEX #661BFC

RGB 102 27 252

HSL 260, 0.97%, 0.55%

LAB 38.96, 76.66, -94.94

 

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

CMYK 48 / 0 / 89 / 1

HEX #84FC1B

RGB 132 252 27

HSL 92, 0.97%, 0.55%

LAB 89.21, -65.16, 82.68

 

CMYK 89 / 30 / 0 / 1

HEX #1BB1FC

RGB 27 177 252

HSL 200, 0.97%, 0.55%

LAB 68.54, -10.34, -47.21

 

CMYK 42 / 89 / 0 / 1

HEX #931BFC

RGB 147 27 252

HSL 272, 0.97%, 0.55%

LAB 44.25, 80.7, -86.02

 

CMYK 0 / 60 / 90 / 1

HEX #FD661A

RGB 253 102 26

HSL 20.09, 0.98%, 0.55%

LAB 62.05, 54.56, 65.62

 

CMYK 74 / 0 / 89 / 1

HEX #41FC1B

RGB 65 252 27

HSL 109.87, 0.97%, 0.55%

LAB 87.4, -79.99, 80.43

 

CMYK 89 / 30 / 0 / 1

HEX #1BB1FC

RGB 27 177 252

HSL 200, 0.97%, 0.55%

LAB 68.54, -10.34, -47.21

 

CMYK 15 / 89 / 0 / 1

HEX #D71BFC

RGB 215 27 252

HSL 290.13, 0.97%, 0.55%

LAB 54.3, 89.5, -69.21

 

Description

Color code: HEX #FD661A | qconv.com Color code: HEX #FD661A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 102 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 102 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 90 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 90% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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