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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5F1B it is the complementary color #02A0E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5F1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5F1B shade: #FF5F16, #FF7129, #FF833C, #FF954F and #FFA762

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5F1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5F1B shade: #FD5F1B, #EC4D08, #DB3B00, #CA2900 and #B91700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5F1B shade: #FC5F1B, #FC221B and #FC1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5F1B shade: #FC5F1B, #FC9C1B, #FCD81B, #E4FC1B and #A7FC1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5F1B shade matches the following richer shades: #FC5F1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5F1B shade: #FC5F1B, #EA662E, #D76E40, #C57553 and #B27D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5F1B shade: #FC1B50, #FC231B, #FC5F1B, #FC9B1B and #FCD71B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5F1B shade: #C43C01, #EC4802, #FC5F1B, #FD7C44 and #FD986D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5F1B shade: #FD5F1B, #8CFC1B and #1B32FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5F1B shade: #FD5F1B, #1BFC5F and #5F1BFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5F1B shade: #FD5F1B, #8CFC1B, #1BB9FC and #8C1BFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5F1B shade: #FD5F1B, #48FC1B, #1BB9FC and #CF1BFC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

Complementary color

CMYK 99 / 30 / 0 / 11

HEX #02A0E4

RGB 2 160 228

HSL 198.05, 0.98%, 0.45%

LAB 62.3, -10.45, -43.9

 

CMYK 0 / 63 / 91 / 0

HEX #FF5F16

RGB 255 95 22

HSL 18.8, 1%, 0.54%

LAB 61.22, 58.21, 66.34

 

CMYK 0 / 56 / 84 / 0

HEX #FF7129

RGB 255 113 41

HSL 20.19, 1%, 0.58%

LAB 64.35, 50.59, 62.4

 

CMYK 0 / 49 / 76 / 0

HEX #FF833C

RGB 255 131 60

HSL 21.85, 1%, 0.62%

LAB 67.89, 42.51, 57.74

 

CMYK 0 / 42 / 69 / 0

HEX #FF954F

RGB 255 149 79

HSL 23.86, 1%, 0.65%

LAB 71.77, 34.25, 52.99

 

CMYK 0 / 35 / 62 / 0

HEX #FFA762

RGB 255 167 98

HSL 26.37, 1%, 0.69%

LAB 75.93, 26.03, 48.45

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 0 / 67 / 97 / 7

HEX #EC4D08

RGB 236 77 8

HSL 18.16, 0.93%, 0.48%

LAB 55.23, 58.99, 64.25

 

CMYK 0 / 73 / 100 / 14

HEX #DB3B00

RGB 219 59 0

HSL 16.16, 1%, 0.43%

LAB 49.72, 60.06, 61.55

 

CMYK 0 / 80 / 100 / 21

HEX #CA2900

RGB 202 41 0

HSL 12.18, 1%, 0.4%

LAB 44.44, 60.5, 57.3

 

CMYK 0 / 88 / 100 / 27

HEX #B91700

RGB 185 23 0

HSL 7.46, 1%, 0.36%

LAB 39.46, 59.9, 53.2

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 87 / 89 / 1

HEX #FC221B

RGB 252 34 27

HSL 1.87, 0.97%, 0.55%

LAB 53.94, 76.06, 59.44

 

CMYK 0 / 89 / 89 / 1

HEX #FC1B1B

RGB 252 27 27

HSL 0, 0.97%, 0.55%

LAB 53.56, 77.17, 59.18

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 38 / 89 / 1

HEX #FC9C1B

RGB 252 156 27

HSL 34.4, 0.97%, 0.55%

LAB 72.6, 27.67, 73.08

 

CMYK 0 / 14 / 89 / 1

HEX #FCD81B

RGB 252 216 27

HSL 50.4, 0.97%, 0.55%

LAB 86.94, -3.42, 84.04

 

CMYK 10 / 0 / 89 / 1

HEX #E4FC1B

RGB 228 252 27

HSL 66.4, 0.97%, 0.55%

LAB 94.4, -30.85, 89.05

 

CMYK 34 / 0 / 89 / 1

HEX #A7FC1B

RGB 167 252 27

HSL 82.67, 0.97%, 0.55%

LAB 90.74, -53.94, 84.58

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 56 / 80 / 8

HEX #EA662E

RGB 234 102 46

HSL 17.87, 0.82%, 0.55%

LAB 59.15, 48.17, 54.46

 

CMYK 0 / 49 / 70 / 16

HEX #D76E40

RGB 215 110 64

HSL 18.28, 0.65%, 0.55%

LAB 58.01, 37.76, 43.68

 

CMYK 0 / 41 / 58 / 23

HEX #C57553

RGB 197 117 83

HSL 17.89, 0.5%, 0.55%

LAB 57.29, 28.09, 32.04

 

CMYK 0 / 30 / 43 / 30

HEX #B27D66

RGB 178 125 102

HSL 18.16, 0.33%, 0.55%

LAB 57.16, 17.69, 20.75

 

CMYK 0 / 89 / 68 / 1

HEX #FC1B50

RGB 252 27 80

HSL 345.87, 0.97%, 0.55%

LAB 54.09, 78.68, 31.72

 

CMYK 0 / 86 / 89 / 1

HEX #FC231B

RGB 252 35 27

HSL 2.13, 0.97%, 0.55%

LAB 54, 75.88, 59.49

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 38 / 89 / 1

HEX #FC9B1B

RGB 252 155 27

HSL 34.13, 0.97%, 0.55%

LAB 72.37, 28.19, 72.91

 

CMYK 0 / 15 / 89 / 1

HEX #FCD71B

RGB 252 215 27

HSL 50.13, 0.97%, 0.55%

LAB 86.69, -2.92, 83.84

 

CMYK 0 / 69 / 99 / 23

HEX #C43C01

RGB 196 60 1

HSL 18.15, 0.99%, 0.39%

LAB 45.59, 52.23, 56.87

 

CMYK 0 / 69 / 99 / 7

HEX #EC4802

RGB 236 72 2

HSL 17.95, 0.98%, 0.47%

LAB 54.52, 60.84, 65.14

 

CMYK 0 / 62 / 89 / 1

HEX #FC5F1B

RGB 252 95 27

HSL 18.13, 0.97%, 0.55%

LAB 60.75, 57.26, 64.29

 

CMYK 0 / 51 / 73 / 1

HEX #FD7C44

RGB 253 124 68

HSL 18.16, 0.98%, 0.63%

LAB 66.3, 45.51, 52.29

 

CMYK 0 / 40 / 57 / 1

HEX #FD986D

RGB 253 152 109

HSL 17.92, 0.97%, 0.71%

LAB 72.52, 33.81, 38.61

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 44 / 0 / 89 / 1

HEX #8CFC1B

RGB 140 252 27

HSL 89.87, 0.97%, 0.55%

LAB 89.52, -62.77, 83.07

 

CMYK 89 / 80 / 0 / 1

HEX #1B32FC

RGB 27 50 252

HSL 233.87, 0.97%, 0.55%

LAB 37.01, 64.7, -98.32

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 89 / 0 / 62 / 1

HEX #1BFC5F

RGB 27 252 95

HSL 138.13, 0.97%, 0.55%

LAB 87.33, -79.23, 59.91

 

CMYK 62 / 89 / 0 / 1

HEX #5F1BFC

RGB 95 27 252

HSL 258.13, 0.97%, 0.55%

LAB 38.28, 76.18, -96.09

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 44 / 0 / 89 / 1

HEX #8CFC1B

RGB 140 252 27

HSL 89.87, 0.97%, 0.55%

LAB 89.52, -62.77, 83.07

 

CMYK 89 / 27 / 0 / 1

HEX #1BB9FC

RGB 27 185 252

HSL 197.87, 0.97%, 0.55%

LAB 70.84, -14.68, -43.59

 

CMYK 44 / 89 / 0 / 1

HEX #8C1BFC

RGB 140 27 252

HSL 270.13, 0.97%, 0.55%

LAB 43.34, 79.96, -87.56

 

CMYK 0 / 62 / 89 / 1

HEX #FD5F1B

RGB 253 95 27

HSL 18.05, 0.98%, 0.55%

LAB 60.91, 57.6, 64.49

 

CMYK 71 / 0 / 89 / 1

HEX #48FC1B

RGB 72 252 27

HSL 108, 0.97%, 0.55%

LAB 87.52, -78.91, 80.59

 

CMYK 89 / 27 / 0 / 1

HEX #1BB9FC

RGB 27 185 252

HSL 197.87, 0.97%, 0.55%

LAB 70.84, -14.68, -43.59

 

CMYK 18 / 89 / 0 / 1

HEX #CF1BFC

RGB 207 27 252

HSL 288, 0.97%, 0.55%

LAB 53.03, 88.33, -71.32

 

Description

Color code: HEX #FD5F1B | qconv.com Color code: HEX #FD5F1B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 95 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 95 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 89 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 89% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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