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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5ADB it is the complementary color #02A524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5ADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5ADB shade: #FF5AD6, #FF6CE9, #FF7EFC, #FF90FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5ADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5ADB shade: #FD5ADB, #EC48C8, #DB36B5, #CA24A2 and #B9128F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5ADB shade: #FD58DA, #FD58AE, #FD5881 and #FD5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5ADB shade: #FD58DA, #F358FD, #C658FD, #9A58FD and #6D58FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5ADB shade matches the following richer shades: #FD58DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5ADB shade: #FD58DA, #EF65D2, #E273CB, #D481C3 and #C68EBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5ADB shade: #C658FD, #F258FD, #FD58DC, #FD58B0 and #FD5884

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5ADB shade: #FC06C9, #FC2FD2, #FD58DA, #FD81E3 and #FEAAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5ADB shade: #FD5ADB, #FD9A58 and #58FDDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5ADB shade: #FD5ADB, #DCFD58 and #58DCFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5ADB shade: #FD5ADB, #FD9A58, #58FD79 and #58BBFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5ADB shade: #FD5ADB, #FDCB58, #58FD79 and #5889FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

Complementary color

CMYK 99 / 0 / 78 / 35

HEX #02A524

RGB 2 165 36

HSL 132.52, 0.98%, 0.33%

LAB 59.02, -60.58, 52.56

 

CMYK 0 / 65 / 16 / 0

HEX #FF5AD6

RGB 255 90 214

HSL 314.91, 1%, 0.68%

LAB 64.51, 74.72, -31.36

 

CMYK 0 / 58 / 9 / 0

HEX #FF6CE9

RGB 255 108 233

HSL 308.98, 1%, 0.71%

LAB 67.92, 70.28, -36.65

 

CMYK 0 / 51 / 1 / 0

HEX #FF7EFC

RGB 255 126 252

HSL 301.4, 1%, 0.75%

LAB 71.7, 65.36, -41.2

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

CMYK 0 / 69 / 15 / 7

HEX #EC48C8

RGB 236 72 200

HSL 313.17, 0.81%, 0.6%

LAB 58.64, 74.61, -32.78

 

CMYK 0 / 75 / 17 / 14

HEX #DB36B5

RGB 219 54 181

HSL 313.82, 0.7%, 0.54%

LAB 52.99, 73.78, -30.83

 

CMYK 0 / 82 / 20 / 21

HEX #CA24A2

RGB 202 36 162

HSL 314.46, 0.7%, 0.47%

LAB 47.53, 72.21, -28.37

 

CMYK 0 / 90 / 23 / 27

HEX #B9128F

RGB 185 18 143

HSL 315.09, 0.82%, 0.4%

LAB 42.35, 69.61, -25.22

 

CMYK 0 / 65 / 14 / 1

HEX #FD58DA

RGB 253 88 218

HSL 312.73, 0.98%, 0.67%

LAB 64.1, 75.53, -34.26

 

CMYK 0 / 65 / 31 / 1

HEX #FD58AE

RGB 253 88 174

HSL 328.73, 0.98%, 0.67%

LAB 62.44, 69.89, -11.83

 

CMYK 0 / 65 / 49 / 1

HEX #FD5881

RGB 253 88 129

HSL 345.09, 0.98%, 0.67%

LAB 61.17, 65.41, 12.37

 

CMYK 0 / 65 / 65 / 1

HEX #FD5858

RGB 253 88 88

HSL 0, 0.98%, 0.67%

LAB 60.4, 62.58, 34.95

 

CMYK 0 / 65 / 14 / 1

HEX #FD58DA

RGB 253 88 218

HSL 312.73, 0.98%, 0.67%

LAB 64.1, 75.53, -34.26

 

CMYK 4 / 65 / 0 / 1

HEX #F358FD

RGB 243 88 253

HSL 296.36, 0.98%, 0.67%

LAB 64.26, 78.58, -53.56

 

CMYK 22 / 65 / 0 / 1

HEX #C658FD

RGB 198 88 253

HSL 280, 0.98%, 0.67%

LAB 58.11, 68.83, -63.75

 

CMYK 39 / 65 / 0 / 1

HEX #9A58FD

RGB 154 88 253

HSL 264, 0.98%, 0.67%

LAB 52.89, 59.91, -72.44

 

CMYK 57 / 65 / 0 / 1

HEX #6D58FD

RGB 109 88 253

HSL 247.64, 0.98%, 0.67%

LAB 48.66, 52.08, -79.5

 

CMYK 0 / 65 / 14 / 1

HEX #FD58DA

RGB 253 88 218

HSL 312.73, 0.98%, 0.67%

LAB 64.1, 75.53, -34.26

 

CMYK 0 / 65 / 14 / 1

HEX #FD58DA

RGB 253 88 218

HSL 312.73, 0.98%, 0.67%

LAB 64.1, 75.53, -34.26

 

CMYK 0 / 58 / 12 / 6

HEX #EF65D2

RGB 239 101 210

HSL 312.61, 0.81%, 0.67%

LAB 63.6, 65.53, -30.71

 

CMYK 0 / 49 / 10 / 11

HEX #E273CB

RGB 226 115 203

HSL 312.43, 0.66%, 0.67%

LAB 63.95, 54.31, -26.37

 

CMYK 0 / 39 / 8 / 17

HEX #D481C3

RGB 212 129 195

HSL 312.29, 0.49%, 0.67%

LAB 64.67, 41.54, -20.92

 

CMYK 0 / 28 / 6 / 22

HEX #C68EBB

RGB 198 142 187

HSL 311.79, 0.33%, 0.67%

LAB 65.7, 28.47, -15.01

 

CMYK 22 / 65 / 0 / 1

HEX #C658FD

RGB 198 88 253

HSL 280, 0.98%, 0.67%

LAB 58.11, 68.83, -63.75

 

CMYK 4 / 65 / 0 / 1

HEX #F258FD

RGB 242 88 253

HSL 296, 0.98%, 0.67%

LAB 64.12, 78.36, -53.8

 

CMYK 0 / 65 / 13 / 1

HEX #FD58DC

RGB 253 88 220

HSL 312, 0.98%, 0.67%

LAB 64.18, 75.82, -35.25

 

CMYK 0 / 65 / 30 / 1

HEX #FD58B0

RGB 253 88 176

HSL 328, 0.98%, 0.67%

LAB 62.5, 70.12, -12.87

 

CMYK 0 / 65 / 48 / 1

HEX #FD5884

RGB 253 88 132

HSL 344, 0.98%, 0.67%

LAB 61.24, 65.67, 10.73

 

CMYK 0 / 98 / 20 / 1

HEX #FC06C9

RGB 252 6 201

HSL 312.44, 0.98%, 0.51%

LAB 57.12, 90.48, -35.52

 

CMYK 0 / 81 / 17 / 1

HEX #FC2FD2

RGB 252 47 210

HSL 312.29, 0.97%, 0.59%

LAB 59.33, 86.33, -37.2

 

CMYK 0 / 65 / 14 / 1

HEX #FD58DA

RGB 253 88 218

HSL 312.73, 0.98%, 0.67%

LAB 64.1, 75.53, -34.26

 

CMYK 0 / 49 / 10 / 1

HEX #FD81E3

RGB 253 129 227

HSL 312.58, 0.97%, 0.75%

LAB 70.96, 59.32, -28.66

 

CMYK 0 / 33 / 7 / 0

HEX #FEAAEC

RGB 254 170 236

HSL 312.86, 0.98%, 0.83%

LAB 79.54, 40.54, -20.45

 

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

CMYK 0 / 39 / 65 / 1

HEX #FD9A58

RGB 253 154 88

HSL 24, 0.98%, 0.67%

LAB 72.69, 31.37, 49.57

 

CMYK 65 / 0 / 13 / 1

HEX #58FDDC

RGB 88 253 220

HSL 168, 0.98%, 0.67%

LAB 90.55, -50.14, 3.29

 

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

CMYK 13 / 0 / 65 / 1

HEX #DCFD58

RGB 220 253 88

HSL 72, 0.98%, 0.67%

LAB 94.39, -32.14, 72.31

 

CMYK 65 / 13 / 0 / 1

HEX #58DCFD

RGB 88 220 253

HSL 192, 0.98%, 0.67%

LAB 82.03, -26.18, -26.73

 

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

CMYK 0 / 39 / 65 / 1

HEX #FD9A58

RGB 253 154 88

HSL 24, 0.98%, 0.67%

LAB 72.69, 31.37, 49.57

 

CMYK 65 / 0 / 52 / 1

HEX #58FD79

RGB 88 253 121

HSL 132, 0.98%, 0.67%

LAB 88.78, -69.01, 50.42

 

CMYK 65 / 26 / 0 / 1

HEX #58BBFD

RGB 88 187 253

HSL 204, 0.98%, 0.67%

LAB 72.7, -9.12, -41.14

 

CMYK 0 / 64 / 13 / 1

HEX #FD5ADB

RGB 253 90 219

HSL 312.52, 0.98%, 0.67%

LAB 64.41, 74.93, -34.34

 

CMYK 0 / 20 / 65 / 1

HEX #FDCB58

RGB 253 203 88

HSL 41.82, 0.98%, 0.67%

LAB 84.12, 5.83, 62.27

 

CMYK 65 / 0 / 52 / 1

HEX #58FD79

RGB 88 253 121

HSL 132, 0.98%, 0.67%

LAB 88.78, -69.01, 50.42

 

CMYK 65 / 46 / 0 / 1

HEX #5889FD

RGB 88 137 253

HSL 222.18, 0.98%, 0.67%

LAB 59.03, 19.66, -62.77

 

Description

Color code: HEX #FD5ADB | qconv.com Color code: HEX #FD5ADB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 90 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 90 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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