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Color name
HEX #FD53B6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD53B6 it is the complementary color #02AC49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD53B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD53B6 shade: #FF53B1, #FF65C4, #FF77D7, #FF89EA and #FF9BFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD53B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD53B6 shade: #FD53B6, #EC41A3, #DB2F90, #CA1D7D and #B90B6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD53B6 shade: #FD53B6, #FD5388, #FD535A and #FD5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD53B6 shade: #FD53B6, #FD53E4, #E853FD, #BA53FD and #8C53FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD53B6 shade matches the following richer shades: #FD53B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD53B6 shade: #FD53B6, #EF61B3, #E16FB1, #D37DAF and #C58BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD53B6 shade: #E953FD, #FD53E3, #FD53B6, #FD5389 and #FD535B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD53B6 shade: #FB0293, #FC2AA4, #FD53B6, #FD7CC7 and #FEA5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD53B6 shade: #FD53B6, #FDBC53 and #53FAFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD53B6 shade: #FD53B6, #B6FD53 and #53B6FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD53B6 shade: #FD53B6, #FDBC53, #53FD9A and #5394FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD53B6 shade: #FD53B6, #FDEF53, #53FD9A and #5361FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

Complementary color

CMYK 99 / 0 / 58 / 33

HEX #02AC49

RGB 2 172 73

HSL 145.06, 0.98%, 0.34%

LAB 61.65, -58.75, 40.03

 

CMYK 0 / 67 / 31 / 0

HEX #FF53B1

RGB 255 83 177

HSL 327.21, 1%, 0.66%

LAB 62.19, 72.63, -13.9

 

CMYK 0 / 60 / 23 / 0

HEX #FF65C4

RGB 255 101 196

HSL 322.99, 1%, 0.7%

LAB 65.4, 67.95, -19.85

 

CMYK 0 / 53 / 16 / 0

HEX #FF77D7

RGB 255 119 215

HSL 317.65, 1%, 0.73%

LAB 69.01, 62.73, -24.98

 

CMYK 0 / 46 / 8 / 0

HEX #FF89EA

RGB 255 137 234

HSL 310.68, 1%, 0.77%

LAB 72.95, 57.18, -29.42

 

CMYK 0 / 39 / 1 / 0

HEX #FF9BFD

RGB 255 155 253

HSL 301.2, 1%, 0.8%

LAB 77.16, 51.47, -33.27

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 72 / 31 / 7

HEX #EC41A3

RGB 236 65 163

HSL 325.61, 0.82%, 0.59%

LAB 56.34, 72.28, -14.91

 

CMYK 0 / 79 / 34 / 14

HEX #DB2F90

RGB 219 47 144

HSL 326.16, 0.7%, 0.52%

LAB 50.81, 71.3, -12.31

 

CMYK 0 / 86 / 38 / 21

HEX #CA1D7D

RGB 202 29 125

HSL 326.71, 0.75%, 0.45%

LAB 45.52, 69.49, -9.08

 

CMYK 0 / 94 / 43 / 27

HEX #B90B6A

RGB 185 11 106

HSL 327.24, 0.89%, 0.38%

LAB 40.56, 66.54, -5.02

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 67 / 46 / 1

HEX #FD5388

RGB 253 83 136

HSL 341.29, 0.98%, 0.66%

LAB 60.65, 67.93, 7.55

 

CMYK 0 / 67 / 64 / 1

HEX #FD535A

RGB 253 83 90

HSL 357.53, 0.98%, 0.66%

LAB 59.71, 64.63, 32.96

 

CMYK 0 / 67 / 67 / 1

HEX #FD5353

RGB 253 83 83

HSL 0, 0.98%, 0.66%

LAB 59.61, 64.26, 36.8

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 67 / 10 / 1

HEX #FD53E4

RGB 253 83 228

HSL 308.82, 0.98%, 0.66%

LAB 63.89, 78.77, -40.18

 

CMYK 8 / 67 / 0 / 1

HEX #E853FD

RGB 232 83 253

HSL 292.59, 0.98%, 0.66%

LAB 62.03, 78.05, -57.22

 

CMYK 26 / 67 / 0 / 1

HEX #BA53FD

RGB 186 83 253

HSL 276.35, 0.98%, 0.66%

LAB 55.8, 68.51, -67.54

 

CMYK 45 / 67 / 0 / 1

HEX #8C53FD

RGB 140 83 253

HSL 260.12, 0.98%, 0.66%

LAB 50.52, 59.81, -76.36

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 59 / 25 / 6

HEX #EF61B3

RGB 239 97 179

HSL 325.35, 0.82%, 0.66%

LAB 61.79, 62.9, -15.89

 

CMYK 0 / 51 / 21 / 12

HEX #E16FB1

RGB 225 111 177

HSL 325.26, 0.66%, 0.66%

LAB 62.13, 52, -14.43

 

CMYK 0 / 41 / 17 / 17

HEX #D37DAF

RGB 211 125 175

HSL 325.12, 0.49%, 0.66%

LAB 63.02, 40.04, -12.12

 

CMYK 0 / 29 / 12 / 23

HEX #C58BAD

RGB 197 139 173

HSL 324.83, 0.33%, 0.66%

LAB 64.45, 27.33, -9.02

 

CMYK 8 / 67 / 0 / 1

HEX #E953FD

RGB 233 83 253

HSL 292.94, 0.98%, 0.66%

LAB 62.17, 78.26, -56.98

 

CMYK 0 / 67 / 10 / 1

HEX #FD53E3

RGB 253 83 227

HSL 309.18, 0.98%, 0.66%

LAB 63.85, 78.62, -39.7

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 67 / 46 / 1

HEX #FD5389

RGB 253 83 137

HSL 340.94, 0.98%, 0.66%

LAB 60.67, 68.01, 7

 

CMYK 0 / 67 / 64 / 1

HEX #FD535B

RGB 253 83 91

HSL 357.18, 0.98%, 0.66%

LAB 59.73, 64.68, 32.41

 

CMYK 0 / 99 / 41 / 2

HEX #FB0293

RGB 251 2 147

HSL 325.06, 0.98%, 0.5%

LAB 54.72, 85.08, -7.63

 

CMYK 0 / 83 / 35 / 1

HEX #FC2AA4

RGB 252 42 164

HSL 325.14, 0.97%, 0.58%

LAB 57.11, 82.15, -14.07

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 51 / 21 / 1

HEX #FD7CC7

RGB 253 124 199

HSL 325.12, 0.97%, 0.74%

LAB 69.06, 57.54, -16.02

 

CMYK 0 / 35 / 15 / 0

HEX #FEA5D8

RGB 254 165 216

HSL 325.62, 0.98%, 0.82%

LAB 77.84, 39.9, -12.18

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 26 / 67 / 1

HEX #FDBC53

RGB 253 188 83

HSL 37.06, 0.98%, 0.66%

LAB 80.45, 13.33, 60.5

 

CMYK 67 / 1 / 0 / 1

HEX #53FAFD

RGB 83 250 253

HSL 181.06, 0.98%, 0.66%

LAB 90.46, -41.01, -13.99

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 28 / 0 / 67 / 1

HEX #B6FD53

RGB 182 253 83

HSL 85.06, 0.98%, 0.66%

LAB 92.05, -46.63, 71.05

 

CMYK 67 / 28 / 0 / 1

HEX #53B6FD

RGB 83 182 253

HSL 205.06, 0.98%, 0.66%

LAB 71.14, -7.17, -43.59

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 26 / 67 / 1

HEX #FDBC53

RGB 253 188 83

HSL 37.06, 0.98%, 0.66%

LAB 80.45, 13.33, 60.5

 

CMYK 67 / 0 / 39 / 1

HEX #53FD9A

RGB 83 253 154

HSL 145.06, 0.98%, 0.66%

LAB 89.12, -64.79, 34.98

 

CMYK 67 / 42 / 0 / 1

HEX #5394FD

RGB 83 148 253

HSL 217.06, 0.98%, 0.66%

LAB 61.75, 12.3, -58.43

 

CMYK 0 / 67 / 28 / 1

HEX #FD53B6

RGB 253 83 182

HSL 325.06, 0.98%, 0.66%

LAB 62.04, 72.69, -17.02

 

CMYK 0 / 6 / 67 / 1

HEX #FDEF53

RGB 253 239 83

HSL 55.06, 0.98%, 0.66%

LAB 93.12, -12.58, 73.68

 

CMYK 67 / 0 / 39 / 1

HEX #53FD9A

RGB 83 253 154

HSL 145.06, 0.98%, 0.66%

LAB 89.12, -64.79, 34.98

 

CMYK 67 / 62 / 0 / 1

HEX #5361FD

RGB 83 97 253

HSL 235.06, 0.98%, 0.66%

LAB 48.86, 43.22, -79.25

 

Description

Color code: HEX #FD53B6 | qconv.com Color code: HEX #FD53B6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 83 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 83 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 28% 1% C M Y K

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Provide designers and agencies with accurate color values.

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