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Color name
HEX #FD5148

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5148 it is the complementary color #02AEB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5148 shade: #FF5143, #FF6356, #FF7569, #FF877C and #FF998F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5148 shade: #FD5148, #EC3F35, #DB2D22, #CA1B0F and #B90900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5148 shade: #FD5249 and #FD4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5148 shade: #FD5249, #FD8249, #FDB349, #FDE349 and #E6FD49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5148 shade matches the following richer shades: #FD5249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5148 shade: #FD5249, #EE5F58, #DF6C66, #D07A75 and #C18784

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5148 shade: #FD49A3, #FD4973, #FD4F49, #FD7F49 and #FDAF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5148 shade: #F10E02, #FC2B20, #FD5249, #FD7972 and #FD9F9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5148 shade: #FD5148, #D3FD49 and #498BFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5148 shade: #FD5148, #49FD4F and #4F49FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5148 shade: #FD5148, #D3FD49, #49F7FD and #7349FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5148 shade: #FD5148, #9DFD49, #49F7FD and #A949FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

Complementary color

CMYK 99 / 5 / 0 / 28

HEX #02AEB7

RGB 2 174 183

HSL 182.98, 0.98%, 0.36%

LAB 64.73, -33.22, -15.17

 

CMYK 0 / 68 / 74 / 0

HEX #FF5143

RGB 255 81 67

HSL 4.47, 1%, 0.63%

LAB 59.48, 64.92, 45.52

 

CMYK 0 / 61 / 66 / 0

HEX #FF6356

RGB 255 99 86

HSL 4.62, 1%, 0.67%

LAB 62.39, 58.59, 38.56

 

CMYK 0 / 54 / 59 / 0

HEX #FF7569

RGB 255 117 105

HSL 4.8, 1%, 0.71%

LAB 65.75, 51.66, 32.26

 

CMYK 0 / 47 / 51 / 0

HEX #FF877C

RGB 255 135 124

HSL 5.04, 1%, 0.74%

LAB 69.5, 44.41, 26.64

 

CMYK 0 / 40 / 44 / 0

HEX #FF998F

RGB 255 153 143

HSL 5.36, 1%, 0.78%

LAB 73.56, 37.05, 21.67

 

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

CMYK 0 / 73 / 78 / 7

HEX #EC3F35

RGB 236 63 53

HSL 3.28, 0.83%, 0.57%

LAB 53.65, 64.91, 45.73

 

CMYK 0 / 79 / 84 / 14

HEX #DB2D22

RGB 219 45 34

HSL 3.57, 0.73%, 0.5%

LAB 48.33, 64.82, 49.18

 

CMYK 0 / 87 / 93 / 21

HEX #CA1B0F

RGB 202 27 15

HSL 3.85, 0.86%, 0.43%

LAB 43.32, 63.95, 52.05

 

CMYK 0 / 95 / 100 / 27

HEX #B90900

RGB 185 9 0

HSL 2.92, 1%, 0.36%

LAB 38.74, 61.96, 52.94

 

CMYK 0 / 68 / 71 / 1

HEX #FD5249

RGB 253 82 73

HSL 3, 0.98%, 0.64%

LAB 59.34, 64.16, 42.03

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 68 / 71 / 1

HEX #FD5249

RGB 253 82 73

HSL 3, 0.98%, 0.64%

LAB 59.34, 64.16, 42.03

 

CMYK 0 / 49 / 71 / 1

HEX #FD8249

RGB 253 130 73

HSL 19, 0.98%, 0.64%

LAB 67.52, 42.79, 51.17

 

CMYK 0 / 29 / 71 / 1

HEX #FDB349

RGB 253 179 73

HSL 35.33, 0.98%, 0.64%

LAB 78.23, 17.52, 62.49

 

CMYK 0 / 10 / 71 / 1

HEX #FDE349

RGB 253 227 73

HSL 51.33, 0.98%, 0.64%

LAB 90, -7.13, 74.26

 

CMYK 9 / 0 / 71 / 1

HEX #E6FD49

RGB 230 253 73

HSL 67.67, 0.98%, 0.64%

LAB 94.97, -29.04, 78.47

 

CMYK 0 / 68 / 71 / 1

HEX #FD5249

RGB 253 82 73

HSL 3, 0.98%, 0.64%

LAB 59.34, 64.16, 42.03

 

CMYK 0 / 68 / 71 / 1

HEX #FD5249

RGB 253 82 73

HSL 3, 0.98%, 0.64%

LAB 59.34, 64.16, 42.03

 

CMYK 0 / 60 / 63 / 7

HEX #EE5F58

RGB 238 95 88

HSL 2.8, 0.82%, 0.64%

LAB 59.04, 54.71, 32.72

 

CMYK 0 / 52 / 54 / 13

HEX #DF6C66

RGB 223 108 102

HSL 2.98, 0.65%, 0.64%

LAB 59.32, 44.32, 24.67

 

CMYK 0 / 41 / 44 / 18

HEX #D07A75

RGB 208 122 117

HSL 3.3, 0.49%, 0.64%

LAB 60.44, 32.9, 17.26

 

CMYK 0 / 30 / 32 / 24

HEX #C18784

RGB 193 135 132

HSL 2.95, 0.33%, 0.64%

LAB 61.94, 21.83, 10.54

 

CMYK 0 / 71 / 36 / 1

HEX #FD49A3

RGB 253 73 163

HSL 330, 0.98%, 0.64%

LAB 60.15, 74.04, -8.9

 

CMYK 0 / 71 / 55 / 1

HEX #FD4973

RGB 253 73 115

HSL 346, 0.98%, 0.64%

LAB 58.87, 69.81, 17.35

 

CMYK 0 / 69 / 71 / 1

HEX #FD4F49

RGB 253 79 73

HSL 2, 0.98%, 0.64%

LAB 58.93, 65.28, 41.56

 

CMYK 0 / 50 / 71 / 1

HEX #FD7F49

RGB 253 127 73

HSL 18, 0.98%, 0.64%

LAB 66.93, 44.27, 50.53

 

CMYK 0 / 31 / 71 / 1

HEX #FDAF49

RGB 253 175 73

HSL 34, 0.98%, 0.64%

LAB 77.29, 19.61, 61.52

 

CMYK 0 / 94 / 99 / 5

HEX #F10E02

RGB 241 14 2

HSL 3.01, 0.98%, 0.48%

LAB 50.71, 75.7, 64

 

CMYK 0 / 83 / 87 / 1

HEX #FC2B20

RGB 252 43 32

HSL 3, 0.97%, 0.56%

LAB 54.58, 74.38, 57.86

 

CMYK 0 / 68 / 71 / 1

HEX #FD5249

RGB 253 82 73

HSL 3, 0.98%, 0.64%

LAB 59.34, 64.16, 42.03

 

CMYK 0 / 52 / 55 / 1

HEX #FD7972

RGB 253 121 114

HSL 3.02, 0.97%, 0.72%

LAB 66.35, 49.72, 27.97

 

CMYK 0 / 37 / 39 / 1

HEX #FD9F9A

RGB 253 159 154

HSL 3.03, 0.96%, 0.8%

LAB 74.83, 34.37, 17.37

 

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

CMYK 17 / 0 / 71 / 1

HEX #D3FD49

RGB 211 253 73

HSL 74, 0.98%, 0.64%

LAB 93.7, -36.46, 76.8

 

CMYK 71 / 45 / 0 / 1

HEX #498BFD

RGB 73 139 253

HSL 218, 0.98%, 0.64%

LAB 58.95, 16.27, -62.93

 

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

CMYK 71 / 0 / 69 / 1

HEX #49FD4F

RGB 73 253 79

HSL 122, 0.98%, 0.64%

LAB 88.08, -76.17, 67.16

 

CMYK 69 / 71 / 0 / 1

HEX #4F49FD

RGB 79 73 253

HSL 242, 0.98%, 0.64%

LAB 43.54, 56.47, -88

 

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

CMYK 17 / 0 / 71 / 1

HEX #D3FD49

RGB 211 253 73

HSL 74, 0.98%, 0.64%

LAB 93.7, -36.46, 76.8

 

CMYK 71 / 2 / 0 / 1

HEX #49F7FD

RGB 73 247 253

HSL 182, 0.98%, 0.64%

LAB 89.41, -40.9, -15.59

 

CMYK 55 / 71 / 0 / 1

HEX #7349FD

RGB 115 73 253

HSL 254, 0.98%, 0.64%

LAB 46.31, 60.83, -83.33

 

CMYK 0 / 68 / 72 / 1

HEX #FD5148

RGB 253 81 72

HSL 2.98, 0.98%, 0.64%

LAB 59.19, 64.5, 42.4

 

CMYK 38 / 0 / 71 / 1

HEX #9DFD49

RGB 157 253 73

HSL 92, 0.98%, 0.64%

LAB 90.73, -55.81, 72.87

 

CMYK 71 / 2 / 0 / 1

HEX #49F7FD

RGB 73 247 253

HSL 182, 0.98%, 0.64%

LAB 89.41, -40.9, -15.59

 

CMYK 33 / 71 / 0 / 1

HEX #A949FD

RGB 169 73 253

HSL 272, 0.98%, 0.64%

LAB 52.17, 69.53, -73.53

 

Description

Color code: HEX #FD5148 | qconv.com Color code: HEX #FD5148 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 81 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 81 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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