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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD4CA2 it is the complementary color #02B35D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD4CA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD4CA2 shade: #FF4C9D, #FF5EB0, #FF70C3, #FF82D6 and #FF94E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD4CA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD4CA2 shade: #FD4CA2, #EC3A8F, #DB287C, #CA1669 and #B90456

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD4CA2 shade: #FD4EA3, #FD4E74 and #FD4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD4CA2 shade: #FD4EA3, #FD4ED2, #F84EFD, #C94EFD and #9A4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD4CA2 shade matches the following richer shades: #FD4EA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD4CA2 shade: #FD4EA3, #EE5CA3, #E06BA4, #D179A4 and #C388A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD4CA2 shade: #F74EFD, #FD4ED4, #FD4EA5, #FD4E77 and #FD544E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD4CA2 shade: #F60279, #FC258E, #FD4EA3, #FD77B8 and #FE9FCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD4CA2 shade: #FD4CA2, #FDC84E and #4EEBFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD4CA2 shade: #FD4CA2, #A5FD4E and #4EA5FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD4CA2 shade: #FD4CA2, #FDC84E, #4EFDA5 and #4E82FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD4CA2 shade: #FD4CA2, #FDFD4E, #4EFDA5 and #4E4EFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

Complementary color

CMYK 99 / 0 / 48 / 30

HEX #02B35D

RGB 2 179 93

HSL 150.85, 0.98%, 0.35%

LAB 64.2, -57.9, 33.22

 

CMYK 0 / 70 / 38 / 0

HEX #FF4C9D

RGB 255 76 157

HSL 332.85, 1%, 0.65%

LAB 60.66, 72.95, -4.62

 

CMYK 0 / 63 / 31 / 0

HEX #FF5EB0

RGB 255 94 176

HSL 329.44, 1%, 0.68%

LAB 63.67, 68.33, -11.09

 

CMYK 0 / 56 / 24 / 0

HEX #FF70C3

RGB 255 112 195

HSL 325.17, 1%, 0.72%

LAB 67.12, 63.09, -16.68

 

CMYK 0 / 49 / 16 / 0

HEX #FF82D6

RGB 255 130 214

HSL 319.68, 1%, 0.75%

LAB 70.93, 57.45, -21.5

 

CMYK 0 / 42 / 9 / 0

HEX #FF94E9

RGB 255 148 233

HSL 312.34, 1%, 0.79%

LAB 75.03, 51.6, -25.69

 

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

CMYK 0 / 75 / 39 / 7

HEX #EC3A8F

RGB 236 58 143

HSL 331.35, 0.82%, 0.58%

LAB 54.91, 72.34, -5.27

 

CMYK 0 / 82 / 43 / 14

HEX #DB287C

RGB 219 40 124

HSL 331.84, 0.71%, 0.51%

LAB 49.54, 71.09, -2.15

 

CMYK 0 / 89 / 48 / 21

HEX #CA1669

RGB 202 22 105

HSL 332.33, 0.8%, 0.44%

LAB 44.45, 68.92, 1.71

 

CMYK 0 / 98 / 54 / 27

HEX #B90456

RGB 185 4 86

HSL 332.82, 0.96%, 0.37%

LAB 39.7, 65.64, 6.42

 

CMYK 0 / 69 / 36 / 1

HEX #FD4EA3

RGB 253 78 163

HSL 330.86, 0.98%, 0.65%

LAB 60.76, 72.34, -7.99

 

CMYK 0 / 69 / 54 / 1

HEX #FD4E74

RGB 253 78 116

HSL 346.97, 0.98%, 0.65%

LAB 59.52, 68.14, 17.66

 

CMYK 0 / 69 / 69 / 1

HEX #FD4E4E

RGB 253 78 78

HSL 0, 0.98%, 0.65%

LAB 58.86, 65.87, 38.71

 

CMYK 0 / 69 / 36 / 1

HEX #FD4EA3

RGB 253 78 163

HSL 330.86, 0.98%, 0.65%

LAB 60.76, 72.34, -7.99

 

CMYK 0 / 69 / 17 / 1

HEX #FD4ED2

RGB 253 78 210

HSL 314.74, 0.98%, 0.65%

LAB 62.49, 77.98, -32.25

 

CMYK 2 / 69 / 0 / 1

HEX #F84EFD

RGB 248 78 253

HSL 298.29, 0.98%, 0.65%

LAB 63.75, 83.16, -54.33

 

CMYK 21 / 69 / 0 / 1

HEX #C94EFD

RGB 201 78 253

HSL 282.17, 0.98%, 0.65%

LAB 57.03, 73.57, -65.46

 

CMYK 39 / 69 / 0 / 1

HEX #9A4EFD

RGB 154 78 253

HSL 266.06, 0.98%, 0.65%

LAB 51.16, 64.67, -75.24

 

CMYK 0 / 69 / 36 / 1

HEX #FD4EA3

RGB 253 78 163

HSL 330.86, 0.98%, 0.65%

LAB 60.76, 72.34, -7.99

 

CMYK 0 / 69 / 36 / 1

HEX #FD4EA3

RGB 253 78 163

HSL 330.86, 0.98%, 0.65%

LAB 60.76, 72.34, -7.99

 

CMYK 0 / 61 / 32 / 7

HEX #EE5CA3

RGB 238 92 163

HSL 330.82, 0.81%, 0.65%

LAB 60.32, 62.75, -8.91

 

CMYK 0 / 52 / 27 / 12

HEX #E06BA4

RGB 224 107 164

HSL 330.77, 0.65%, 0.65%

LAB 60.82, 51.82, -8.95

 

CMYK 0 / 42 / 22 / 18

HEX #D179A4

RGB 209 121 164

HSL 330.68, 0.49%, 0.65%

LAB 61.58, 39.79, -8.03

 

CMYK 0 / 30 / 16 / 24

HEX #C388A4

RGB 195 136 164

HSL 331.53, 0.33%, 0.65%

LAB 63.25, 26.77, -5.73

 

CMYK 2 / 69 / 0 / 1

HEX #F74EFD

RGB 247 78 253

HSL 297.94, 0.98%, 0.65%

LAB 63.6, 82.95, -54.58

 

CMYK 0 / 69 / 16 / 1

HEX #FD4ED4

RGB 253 78 212

HSL 314.06, 0.98%, 0.65%

LAB 62.58, 78.25, -33.25

 

CMYK 0 / 69 / 35 / 1

HEX #FD4EA5

RGB 253 78 165

HSL 330.17, 0.98%, 0.65%

LAB 60.82, 72.55, -9.05

 

CMYK 0 / 69 / 53 / 1

HEX #FD4E77

RGB 253 78 119

HSL 345.94, 0.98%, 0.65%

LAB 59.58, 68.37, 15.99

 

CMYK 0 / 67 / 69 / 1

HEX #FD544E

RGB 253 84 78

HSL 2.06, 0.98%, 0.65%

LAB 59.68, 63.63, 39.67

 

CMYK 0 / 99 / 51 / 4

HEX #F60279

RGB 246 2 121

HSL 330.74, 0.98%, 0.49%

LAB 52.97, 81.98, 5.3

 

CMYK 0 / 85 / 44 / 1

HEX #FC258E

RGB 252 37 142

HSL 330.7, 0.97%, 0.57%

LAB 56.06, 81.08, -2.65

 

CMYK 0 / 69 / 36 / 1

HEX #FD4EA3

RGB 253 78 163

HSL 330.86, 0.98%, 0.65%

LAB 60.76, 72.34, -7.99

 

CMYK 0 / 53 / 27 / 1

HEX #FD77B8

RGB 253 119 184

HSL 330.9, 0.97%, 0.73%

LAB 67.68, 57.88, -9.67

 

CMYK 0 / 37 / 19 / 0

HEX #FE9FCD

RGB 254 159 205

HSL 330.95, 0.98%, 0.81%

LAB 76.24, 41.33, -8.57

 

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

CMYK 0 / 21 / 69 / 1

HEX #FDC84E

RGB 253 200 78

HSL 41.83, 0.98%, 0.65%

LAB 83.31, 6.84, 65.63

 

CMYK 69 / 7 / 0 / 1

HEX #4EEBFD

RGB 78 235 253

HSL 186.17, 0.98%, 0.65%

LAB 86.07, -34.78, -20.61

 

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

CMYK 35 / 0 / 69 / 1

HEX #A5FD4E

RGB 165 253 78

HSL 90.17, 0.98%, 0.65%

LAB 91.14, -52.84, 71.66

 

CMYK 69 / 35 / 0 / 1

HEX #4EA5FD

RGB 78 165 253

HSL 210.17, 0.98%, 0.65%

LAB 66.23, 1.63, -51.32

 

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

CMYK 0 / 21 / 69 / 1

HEX #FDC84E

RGB 253 200 78

HSL 41.83, 0.98%, 0.65%

LAB 83.31, 6.84, 65.63

 

CMYK 69 / 0 / 35 / 1

HEX #4EFDA5

RGB 78 253 165

HSL 149.83, 0.98%, 0.65%

LAB 89.2, -63.58, 29.57

 

CMYK 69 / 49 / 0 / 1

HEX #4E82FD

RGB 78 130 253

HSL 222.17, 0.98%, 0.65%

LAB 56.76, 22.42, -66.45

 

CMYK 0 / 70 / 36 / 1

HEX #FD4CA2

RGB 253 76 162

HSL 330.85, 0.98%, 0.65%

LAB 60.48, 72.93, -7.83

 

CMYK 0 / 0 / 69 / 1

HEX #FDFD4E

RGB 253 253 78

HSL 60, 0.98%, 0.65%

LAB 96.69, -19.61, 79.02

 

CMYK 69 / 0 / 35 / 1

HEX #4EFDA5

RGB 78 253 165

HSL 149.83, 0.98%, 0.65%

LAB 89.2, -63.58, 29.57

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

Description

Color code: HEX #FD4CA2 | qconv.com Color code: HEX #FD4CA2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 76 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 76 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 36 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 36% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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