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Color name
HEX #FD3CA7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD3CA7 it is the complementary color #02C358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD3CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD3CA7 shade: #FF3CA2, #FF4EB5, #FF60C8, #FF72DB and #FF84EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD3CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD3CA7 shade: #FD3CA7, #EC2A94, #DB1881, #CA066E and #B9005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD3CA7 shade: #FD3AA6, #FD3A71, #FD3A3D and #FD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD3CA7 shade: #FD3AA6, #FD3ADA, #EA3AFD, #B63AFD and #813AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD3CA7 shade matches the following richer shades: #FD3AA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD3CA7 shade: #FD3AA6, #EC4AA4, #DC5AA2, #CC6AA0 and #BC7A9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD3CA7 shade: #E93AFD, #FD3ADC, #FD3AA8, #FD3A74 and #FD3A40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD3CA7 shade: #E2027E, #FC1193, #FD3AA6, #FD62B8 and #FD8BCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD3CA7 shade: #FD3CA7, #FDB53A and #3AF6FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD3CA7 shade: #FD3CA7, #A8FD3A and #3AA8FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD3CA7 shade: #FD3CA7, #FDB53A, #3AFD8E and #3A81FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD3CA7 shade: #FD3CA7, #FDF03A, #3AFD8E and #3A47FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

Complementary color

CMYK 99 / 0 / 55 / 24

HEX #02C358

RGB 2 195 88

HSL 146.74, 0.98%, 0.39%

LAB 69.29, -63.92, 41.99

 

CMYK 0 / 76 / 36 / 0

HEX #FF3CA2

RGB 255 60 162

HSL 328.62, 1%, 0.62%

LAB 59.07, 78.38, -9.9

 

CMYK 0 / 69 / 29 / 0

HEX #FF4EB5

RGB 255 78 181

HSL 325.08, 1%, 0.65%

LAB 61.69, 74.85, -16.94

 

CMYK 0 / 62 / 22 / 0

HEX #FF60C8

RGB 255 96 200

HSL 320.75, 1%, 0.69%

LAB 64.8, 70.51, -23.02

 

CMYK 0 / 55 / 14 / 0

HEX #FF72DB

RGB 255 114 219

HSL 315.32, 1%, 0.72%

LAB 68.32, 65.57, -28.27

 

CMYK 0 / 48 / 7 / 0

HEX #FF84EE

RGB 255 132 238

HSL 308.29, 1%, 0.76%

LAB 72.19, 60.23, -32.79

 

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

CMYK 0 / 82 / 37 / 7

HEX #EC2A94

RGB 236 42 148

HSL 327.22, 0.84%, 0.55%

LAB 53.63, 76.94, -10.15

 

CMYK 0 / 89 / 41 / 14

HEX #DB1881

RGB 219 24 129

HSL 327.69, 0.8%, 0.48%

LAB 48.63, 74.6, -6.53

 

CMYK 0 / 97 / 46 / 21

HEX #CA066E

RGB 202 6 110

HSL 328.16, 0.94%, 0.41%

LAB 43.96, 71.18, -2.12

 

CMYK 0 / 100 / 51 / 27

HEX #B9005B

RGB 185 0 91

HSL 330.49, 1%, 0.36%

LAB 39.7, 66.43, 3.22

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 77 / 55 / 1

HEX #FD3A71

RGB 253 58 113

HSL 343.08, 0.98%, 0.61%

LAB 57.17, 74.3, 16.2

 

CMYK 0 / 77 / 76 / 1

HEX #FD3A3D

RGB 253 58 61

HSL 359.08, 0.98%, 0.61%

LAB 56.33, 71.65, 45.22

 

CMYK 0 / 77 / 77 / 1

HEX #FD3A3A

RGB 253 58 58

HSL 0, 0.98%, 0.61%

LAB 56.3, 71.55, 46.81

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 77 / 14 / 1

HEX #FD3ADA

RGB 253 58 218

HSL 310.77, 0.98%, 0.61%

LAB 60.76, 84.99, -39.48

 

CMYK 8 / 77 / 0 / 1

HEX #EA3AFD

RGB 234 58 253

HSL 294.15, 0.98%, 0.61%

LAB 59.54, 86.41, -61.18

 

CMYK 28 / 77 / 0 / 1

HEX #B63AFD

RGB 182 58 253

HSL 278.15, 0.98%, 0.61%

LAB 51.91, 77.35, -73.87

 

CMYK 49 / 77 / 0 / 1

HEX #813AFD

RGB 129 58 253

HSL 261.85, 0.98%, 0.61%

LAB 45.34, 69.47, -84.88

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 69 / 31 / 7

HEX #EC4AA4

RGB 236 74 164

HSL 326.67, 0.81%, 0.61%

LAB 57.47, 69.34, -13.79

 

CMYK 0 / 59 / 26 / 14

HEX #DC5AA2

RGB 220 90 162

HSL 326.77, 0.65%, 0.61%

LAB 57.21, 58.18, -13.27

 

CMYK 0 / 48 / 22 / 20

HEX #CC6AA0

RGB 204 106 160

HSL 326.94, 0.49%, 0.61%

LAB 57.74, 45.28, -11.55

 

CMYK 0 / 35 / 15 / 26

HEX #BC7A9F

RGB 188 122 159

HSL 326.36, 0.33%, 0.61%

LAB 59.08, 31.17, -9.16

 

CMYK 8 / 77 / 0 / 1

HEX #E93AFD

RGB 233 58 253

HSL 293.85, 0.98%, 0.61%

LAB 59.38, 86.23, -61.44

 

CMYK 0 / 77 / 13 / 1

HEX #FD3ADC

RGB 253 58 220

HSL 310.15, 0.98%, 0.61%

LAB 60.85, 85.26, -40.47

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA8

RGB 253 58 168

HSL 326.15, 0.98%, 0.61%

LAB 58.73, 79.05, -13.94

 

CMYK 0 / 77 / 54 / 1

HEX #FD3A74

RGB 253 58 116

HSL 342.15, 0.98%, 0.61%

LAB 57.24, 74.51, 14.51

 

CMYK 0 / 77 / 75 / 1

HEX #FD3A40

RGB 253 58 64

HSL 358.15, 0.98%, 0.61%

LAB 56.37, 71.76, 43.62

 

CMYK 0 / 99 / 44 / 11

HEX #E2027E

RGB 226 2 126

HSL 326.79, 0.98%, 0.45%

LAB 49.15, 78.07, -3.78

 

CMYK 0 / 93 / 42 / 1

HEX #FC1193

RGB 252 17 147

HSL 326.81, 0.98%, 0.53%

LAB 55.28, 84.21, -6.78

 

CMYK 0 / 77 / 34 / 1

HEX #FD3AA6

RGB 253 58 166

HSL 326.77, 0.98%, 0.61%

LAB 58.66, 78.85, -12.88

 

CMYK 0 / 61 / 27 / 1

HEX #FD62B8

RGB 253 98 184

HSL 326.71, 0.97%, 0.69%

LAB 64.22, 67.11, -14.85

 

CMYK 0 / 45 / 20 / 1

HEX #FD8BCB

RGB 253 139 203

HSL 326.32, 0.97%, 0.77%

LAB 72, 50.84, -13.81

 

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

CMYK 0 / 28 / 77 / 1

HEX #FDB53A

RGB 253 181 58

HSL 37.85, 0.98%, 0.61%

LAB 78.6, 15.84, 68.77

 

CMYK 77 / 3 / 0 / 1

HEX #3AF6FD

RGB 58 246 253

HSL 182.15, 0.98%, 0.61%

LAB 88.88, -41.99, -16.41

 

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

CMYK 34 / 0 / 77 / 1

HEX #A8FD3A

RGB 168 253 58

HSL 86.15, 0.98%, 0.61%

LAB 91.18, -52.95, 78.2

 

CMYK 77 / 34 / 0 / 1

HEX #3AA8FD

RGB 58 168 253

HSL 206.15, 0.98%, 0.61%

LAB 66.52, -2.57, -50.9

 

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

CMYK 0 / 28 / 77 / 1

HEX #FDB53A

RGB 253 181 58

HSL 37.85, 0.98%, 0.61%

LAB 78.6, 15.84, 68.77

 

CMYK 77 / 0 / 44 / 1

HEX #3AFD8E

RGB 58 253 142

HSL 145.85, 0.98%, 0.61%

LAB 88.5, -70.33, 39.97

 

CMYK 77 / 49 / 0 / 1

HEX #3A81FD

RGB 58 129 253

HSL 218.15, 0.98%, 0.61%

LAB 55.78, 20.61, -68.06

 

CMYK 0 / 76 / 34 / 1

HEX #FD3CA7

RGB 253 60 167

HSL 326.74, 0.98%, 0.61%

LAB 58.89, 78.4, -13.12

 

CMYK 0 / 5 / 77 / 1

HEX #FDF03A

RGB 253 240 58

HSL 56, 0.98%, 0.61%

LAB 93.24, -14.14, 82.13

 

CMYK 77 / 0 / 44 / 1

HEX #3AFD8E

RGB 58 253 142

HSL 145.85, 0.98%, 0.61%

LAB 88.5, -70.33, 39.97

 

CMYK 77 / 72 / 0 / 1

HEX #3A47FD

RGB 58 71 253

HSL 236, 0.98%, 0.61%

LAB 42, 55.74, -90.58

 

Description

Color code: HEX #FD3CA7 | qconv.com Color code: HEX #FD3CA7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 60 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 60 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 34 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 34% 1% C M Y K

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Provide designers and agencies with accurate color values.

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